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Medea--monster and victim : the representation of Medea's image in the works of Euripides, Seneca, Corneille, Anouilh and Pasolini /Kruk, Magdalena, January 2007 (has links)
Thesis (M.A.) -- Central Connecticut State University, 2007. / Thesis advisor: Louis Auld. "... in partial fulfillment of the requirements for the degree of Master of Arts in French." Includes bibliographical references (leaves 61-64). Also available via the World Wide Web.
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Conflicting aspects of character in Euripides' Medea05 June 2008 (has links)
Medea’s powerful ability to inspire and confuse is at the core of this study. The contradiction concerning Euripides’ character of Medea as a murderer and a victim will be explored in order to understand what implications this would have held for an ancient Greek audience. Thus the irregularities in this female character will be used to indicate the inconsistencies within the society from which Euripides was writing. Women’s lack of freedom in ancient Greece, their confinement to the house and their lack of opportunity to voice their opinions and concerns produced an imbalance in society. This masculine community led to extremes in behaviour. Male heroes overemphasised traits which stressed their physical prowess and masculine bravery. As a hero, Jason’s all-consuming ambition was to succeed in endeavours such as the quest for the Golden Fleece, and to reclaim his title of king. He took advantage of Medea’s gifts until she was no longer of any use to him and then left her for a younger, more beneficial princess to accomplish his subsequent task of gaining a kingdom. Medea’s excessive behaviour was a protest against her position as supportive wife when she found that Jason had neglected his obligation as a protective husband. Euripides’ tragedy was a rebellion against a cultural definition of men and women which did not work. Men were pressured into being the sole providers and authorities over a whole household, whereas women were relegated to the status of possessions. The situation generally suited men, but women were not given a choice of career and had their marriage prearranged by their fathers. More importantly they were not provided with an opportunity to voice their displeasure and were in the hands of fate, whether they attained a kind or a cruel husband. This study argues that by challenging the definition of heroes and victims, Euripides questioned the preconceived perceptions of the nature of women and foreigners. He was also commenting on social restriction and the possible consequences of restraining women’s behaviour and their opinions. / Prof. J.L.P. Wolmarans
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Das Argonautica-Supplement des Giovanni Battista Pio Einleitung, Edition, Übersetzung, Kommentar /Kobusch, Beate. Pio, Giovanni Battista, January 2004 (has links)
Thesis (doctoral)--Universität, Bochum, 2003/2004.
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Landscape in the Argonautica of Apollonius RhodiusWilliams, Mary Frances, January 1900 (has links)
Revision of Thesis (Ph. D.)--University of Texas, 1989. / Includes bibliographical references (p. 323-339) and index.
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