Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-13T12:34:55Z No. of bitstreams: 1 PaulaLaisAraujoDeMedeiros_DISSERT.pdf: 3892604 bytes, checksum: c1210c5dc2e171112a590aa08e5bb96a (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-23T15:54:45Z (GMT) No. of bitstreams: 1 PaulaLaisAraujoDeMedeiros_DISSERT.pdf: 3892604 bytes, checksum: c1210c5dc2e171112a590aa08e5bb96a (MD5) / Made available in DSpace on 2017-01-23T15:54:45Z (GMT). No. of bitstreams: 1 PaulaLaisAraujoDeMedeiros_DISSERT.pdf: 3892604 bytes, checksum: c1210c5dc2e171112a590aa08e5bb96a (MD5) Previous issue date: 2015-03-30 / Este trabalho ? parte do processo de cria??o do espet?culo ?Mem?rias de Quintal? sob a perspectiva de uma das atrizes e dramaturga da pe?a. As discuss?es aqui levantadas partem de alguns conceitos ou eixos-norteadores: o teatro enquanto ?arte do encontro?, o arqu?tipo da crian?a associado ao estado de jogo proposto pelo espet?culo, e a imagina??o como agente motivadora de reconstru??o de mem?rias afetivas para os conte?dos das cenas. O trato com as mem?rias de quintal ou afetos de inf?ncia traz para a escrita o sujeito em primeira pessoa atrav?s da voz da crian?a interior, que reflete acerca de sua pr?pria trajet?ria de vida, de arte, e utiliza suas experi?ncias para nutrir o processo criativo e, dessa maneira, alcan?ar tamb?m as hist?rias dos espectadores. Os autores que mais colaboram com esta pesquisa s?o o encenador Jerzy Grotowski, os psic?logos Carl Gustav Jung e James Hillman, os fil?sofos Gaston Bachelard e Johan Huizinga, e o poeta Manoel de Barros. / This work is part of the creation process of the theater play ?Mem?rias de Quintal? under the perspective of one of the actresses and dramaturgist of the play. The discussions raised here are based on some concepts or guiding principles: the theater as the ?art of encounter?, the archetype of the child associated with the state of playing proposed by the theater play, and the imagination as motivator of the reconstruction of affective memories for the content of the scenes. The treatment with the backyard memories or childhood affections brings to the writing the subject in first person through the voice of the inner child, that reflects about her own trajectory of life, of art, and uses her experiences to nurture the creative process and, in this manner, to reach also the histories of the public. The authors that collaborated with this research were the director Jerzy Grotowski, the psychologists Carl Gustav Jung and James Hillman, the philosopers Gaston Bachelard and Johan Huizinga, and the poet Manoel de Barros.