This thesis explores the role of the female characters in Williams Shakespeare's play The Merchant of Venice. Through contextualizing the characters of Portia, Nerissa and Jessica within the world of early modern England, this study explores the ways in which these characters do not conform to traditional Renaissance values regarding the role of women as daughters and wives. By using historical documents such as behavioral manuals, sermons, and "defenses" of women from the late sixteenth and seventeenth century, this thesis explores the ways in which Shakespeare's female characters challenge traditional social norms. Through the comparison of the female characters with Queen Elizabeth and Patient Griselda, this study discusses the implications of the rebellious behavior of the women in The Merchant of Venice. This thesis concludes that Shakespeare purposely challenges strict social views put forward on women by creating female characters who challenge male authority and are celebrated for their behavior.

No description available.

Thesis (doctoral)--Universidad de Santiago, 1987. / Includes bibliographical references (p. [23]-42).

Thesis--Oslo. / Without thesis note. Bibliography: p. [219]-222.

Thesis--University of Wisconsin. / Bibliography: l. 318.

Thesis (J.C.L.)--Catholic University of America, 1998. / Includes bibliographical references (leaves 61-63).

Published also as inaugural dissertation, Kiel. / "Literaturverzeichnis": p. 205-215.

Thesis (doctoral)--Universidad de Santiago, 1987. / Includes bibliographical references (p. [23]-42).

Thesis (Ph.D.) - University of Queensland, 2005. / Includes bibliography.

Revision of thesis (Ph. D.)--Nan kai da xue, 2004. / Includes bibliographical references (p. [540]-566).