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Dead Bones Dancing: The Taki Onqoy, Archaism, and Crisis in Sixteenth Century Peru.Henson, SΣndra Lee Allen 04 May 2002 (has links)
In 1532, a group of Spanish conquistadores defeated the armies of the Inca Empire and moved from plundering the treasure of the region to establishing an imperial reign based on the encomienda system. The increasing demand for native labor and material goods forced fragmentation and restructuring of indigenous communities. The failure of evangelization efforts by the Spanish, the breakdown of their early bureaucratic apparatus, and the threat of the Neo-Inca State in exile generated a crisis among the Spanish in the 1560s. Concomitantly, indigenous Andeans experienced psychological and spiritual pressures found an outlet in a millenarian movement known as Taki Onqoy. This thesis discusses the Taki Onqoy in the context of the decade of crisis, and its role as a mechanism of archaism by which the Andean people endeavored to restructure their post-conquest world.
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Confirmation of Prophecy by Proxy: Audience Anticipation and Reception of the 2014 Movie Left Behind and its Relevance to the Dispensational Premillennialist WorldviewBurns, Andrew R 15 May 2015 (has links)
Media has the potential to legitimize or spread a belief system to the general public. The 2014 movie Left Behind is an example of a deliberate attempt at promoting the belief system referred to as dispensational premillennialism (DPM), or belief in the imminent rapture of Christians. Producers of Left Behind (2014) sought to promote DPM to the general public, hoping for a mass conversion. Online discussion and interviews were gathered and interpreted qualitatively. Content analysis of audience anticipation and reception show believers were as concerned with the conversion of the general public via this movie than the movie itself. Differences between the text of the movie and discussion surrounding the film provide insights into the DPM worldview. Dispensational premillennialists are observed; rejecting earthly existence as counterfeit, asserting the general inerrancy of prophecy while rejecting “date setting” practices and using the effigy of the Antichrist to criticize perceived socio-political enemies.
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