My dissertation investigates the ways in which both medieval and early modern saint plays depict and incite religious conversion through self-aware theatrical techniques. In each of my chapters, I examine one or two popular saint plays from a given period and area (medieval England, medieval France, early modern Spain, and early modern England) and show how each play invites the audience to undergo a spiritual shift parallel to that of the saint protagonist. These playmakers harnessed the affective power and technology of theatrical performance to invite the audience to engage with performed religious conversion in a controlled, celebratory environment and to encourage them to convert toward a more deeply felt Christianity. The plays reconfigured the audience’s sensory and intellectual understanding of Christian theology in order for the audience to recognize spiritual truth within an inherently communal, participatory, and performative space. The plays I examine depend on the audience’s familiarity with theatrical culture and practice in order to distinguish between sincere and insincere religious performance. By making the process of conversion a theatrical performance onstage, these plays could advocate for the theatrical medium as a genuine and effective catalyst for spiritual renewal. In addition to joining the conversation on the nature and goals of early European theatre, my dissertation also argues for the continued intersection between performance studies and conversion studies, demonstrating the ways in which theatrical performance elucidates the ways in which communities can instigate and collectively feel conversion.

The contributions of the Mediaeval Miracle Play to that of the Passion Play of Oberammergau are like those of a parent to a child. Life and form have been inherited but the development has gone far beyond the origin. Yet certain elements have continually been preserved in this same form and life The material for the story of the Oberammergau Play was in the Mediaeval Miracle Play. In both cases the dramatic climax was reached on Good Friday with the gospel of our Lord's death upon the cross. Christ's entry into Jerusalem, the story of His birth, His active career, His Passion, and His Resurrection, all, were united into one play which has remained to the present time.

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Typescript, etc. / Digitized by Kansas Correctional Industries

Inaugural-Dissertation--Universität Greifswald, 1902. / Vita. Includes bibliographical references.

Thesis (Ph. D.)--Catholic University of America, 1933. / At head of title: The Catholic university of America. "A bibliography of works referred to in this study": p. 119-121.

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No description available.

Thesis (Ph. D.)--Catholic University of America, 1933. / At head of title: The Catholic university of America. "A bibliography of works referred to in this study": p. 119-121.

Thesis--Freiburg, 1957. / Includes bibliographical references.