Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-08-16T22:35:51Z No. of bitstreams: 1 LuizFelipeFerreiraDaRocha_DISSERT.pdf: 2842770 bytes, checksum: 92e50a06df85e11f2e7ef61ded46b454 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-08-23T22:38:36Z (GMT) No. of bitstreams: 1 LuizFelipeFerreiraDaRocha_DISSERT.pdf: 2842770 bytes, checksum: 92e50a06df85e11f2e7ef61ded46b454 (MD5) / Made available in DSpace on 2016-08-23T22:38:36Z (GMT). No. of bitstreams: 1 LuizFelipeFerreiraDaRocha_DISSERT.pdf: 2842770 bytes, checksum: 92e50a06df85e11f2e7ef61ded46b454 (MD5) Previous issue date: 2015-03-20 / Neste estudo dissertativo refletimos sobre a dimens?o sens?vel do corpo, que nos possibilita participar do espa?o m?tico e constitu?-lo como espa?o potencial para a cria??o art?stica em dan?a, experi?ncia atribuidora de sentidos ao mundo, ? vida, ? exist?ncia. Trata-se de um escrito que debulha algumas reflex?es acerca da condi??o humana a partir de um olhar lan?ado sobre o mito de Ad?o, excitando-nos a pensar sobre as poss?veis rela??es entre a arte e o mito na contemporaneidade, como campos do saber abertos ? cria??o, como espa?os sem?nticos capazes de atribuir novos sentidos ao vivido por meio das pulsa??es de um corpo que ? mito e que ? dan?a. Esse estudo tem dentre seus objetivos a inten??o de aventurar um olhar sobre o referido mito, possibilitando-nos novas leituras, significados, e compreens?es do mesmo a partir da experi?ncia e viv?ncia num processo de cria??o em dan?a contempor?nea. Para tanto, referencia-se metodologicamente na Fenomenologia, ou melhor, na atitude fenomenol?gica proposta por Merleau-Ponty (1994), que considera a experi?ncia vivida do corpo como fonte primordial de conhecimento. Debru?amo-nos assim sobre esse processo de cria??o em dan?a contempor?nea, que veio a originar uma obra art?stico-coreogr?fica, ? qual intitulamos de ?A Carne que Sou?, e nos colocando em contempla??o dessa dan?a que ecoa do mist?rio, que emerge das profundezas do corpo, e que traz ? superf?cie o humano e o seu mundo, suas rela??es. Compreendemos aqui, portanto, a dan?a como nossa sens?vel guia e orientadora de reflex?es de ordem ontol?gica e epistemol?gica, capaz de validar e perpetuar o mito enquanto heran?a de sabedoria ancestral. / In this dissertation we reflect about sensitive the dimension of the body, which enables us to participate in mythical space and set him as a potential space for artistic creation in dance, experience provider in senses for world, for life and for existence. It?s a written, thrashing some reflections on the human condition from a gaze cast upon the myth of Adam, leading us to think about the possible relationships between art and myth in contemporary times, as fields of knowledge open to creation, and semantic spaces able to assign new meanings to living through the pulsations of a body that is myth and what is dance. One of the goals of this study is set up a new point of view to analyze the Adam's myth, enabling to new interpretations, meanings and understandings from the experience in the process of creation in contemporary dance. Therefore, methodologically reference is made in the Phenomenology, or rather the phenomenological attitude proposed by Merleau-Ponty (1994), which considers the experience of the body as the primary source of knowledge. Dipping on this process of creation in contemporary dance, one artistic and choreographic work was originated, titled "The Body I am?, in contemplation of this dance that echoes the mystery, that emerges from the depths of the body, and it brings to the human surface and your world, your relationships. Realize that dance is as a sensitive guide and counselor reflections ontological and epistemological, able to validate and perpetuate the myth whereas ancestral wisdom inheritance.