Thesis (M.M.)--Bowling Green State University, 2009. / Document formatted into pages; contains 1 score (74 p.) Duration: ca. 20 min. Includes bibliographical references.

Thesis (Ph. D.)--University of Iowa, 1974. / Includes bibliographical references (v. 1, leaves 275-287).

Thesis--University of Michigan. / Vol. 2 consists of Weelkes anthems, edited from original MSS. and transcribed into modern notation in score, by Walter Stowe Collins. The anthems are for chorus and organ. Includes bibliographical references.

Thesis (D.M.A.)--University of Wisconsin--Madison, 1980. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 52-53).

Thesis (M.M.)--Ball State University, 2009. / Title from PDF t.p. (viewed on July 01, 2010). Creative project (M.M.), 3 hrs.

Thesis (M.M.) Florida State University, 2006. / Advisor: Clifton Callender, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-20-2007). Document formatted into pages; contains 46 pages. For SATB choir with soprano soloist, string choir, and piano. Includes biographical sketch.

Dissertation (D.M.A.) Florida State University, 2004. / Advisor: Ladislav Kubik, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-20-2007). English words by Wilfred Owen printed as text preceding score. Document formatted into pages; contains 90 pages. Includes biographical sketch.

Thesis (M.M.)--Bowling Green State University, 2007. / For SATB chorus (up to SSSAAATTTBBB), with flute, clarinet in B♭, horn, bassoon and piano. Document formatted into pages; contains 1 score (vi, 39 p.) Includes bibliographical references.

Thesis (D.M.A.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 196-208).

Thesis (M.A.)--Boston University / From the thirteenth century on, the antiphons to the propers of the Mass and to certain canticles of the Offices in the Roman Rite were sung to polyphonic motet settings. After the English Reformation in 1534, antiphons eventually disappeared from the services of the Book of Common Prayer and with them the motets. Because they had been a popular feature of the services, it was not long before a need was felt for an equivalent and the English anthem came into being. (The word "anthem" is but a corruption of the earlier terms for "antiphon".) The reformers desired that the complex additions of medieval pietism to the Roman Rite be either omitted or simplified and the attitude applied also to church music as did the ruling that all of the services be in a "tongue understanded of the people". The first Full Anthems of Tye, Tallis, Shepherd, Farrant, and others were in the simple, familiar style but with brief imitative "points" at the beginning of each phrase of the English text. The wish that the Archbishop of Canterbury, Thomas Cranmer, had expressed to Henry VIII that "the song...should not be full of notes but, as near as may be, for every syllable a note" was at first meticulously followed." [TRUNCATED]