Thesis (M.A.)--University of Hong Kong, 2009. / Includes bibliographical references (p. 73-76).

Zugl.: Berlin, Freie Univ., Diss., 2006.

李銘賢. / 論文(碩士) -- 香港中文大學中國語言及文學學部, 1997. / 參考文獻: leaves 638-707. / Li Mingxian. / Chapter 第一章 --- 引言 --- p.1-4 / Chapter 第二章 --- 硏究動機、目的、範圍、方法 --- p.5-65 / Chapter 一 --- 研究動機 --- p.5-23 / Chapter 二 --- 研究目的 --- p.24-26 / Chapter 三 --- 研究範圍 --- p.26-27 / Chapter 四 --- 研究方法 --- p.27-65 / Chapter 1 --- 小引 --- p.27-28 / Chapter 2 --- 「民間」的精神 --- p.28-32 / Chapter 3 --- 「民間」的意涵 --- p.32-37 / Chapter 4 --- 「民間」的轉化 --- p.37-56 / Chapter 5 --- 本文的「民間」定義 --- p.56-63 / Chapter 6 --- 小結 --- p.63-65 / Chapter 第三章 --- 「農民意識」的闡釋 --- p.66-139 / Chapter 一 --- 引言 --- p.66-68 / Chapter 二 --- 評論界有關莫言「農民意識」討論的整理 --- p.68-110 / Chapter 1 --- 關於「軍旅文學」方面的討論 --- p.68-77 / Chapter 2 --- 關於「尋根文學」方面的討論 --- p.77-87 / Chapter 3 --- 關於「先鋒文學」方面的討論 --- p.87-99 / Chapter 4 --- 關於「新寫實」、「新歷史」方面的討論 --- p.99-108 / Chapter 5 --- 小結 --- p.108-110 / Chapter 三 --- 莫言的「農民意識」觀點 --- p.110-138 / Chapter 1 --- 小引 --- p.110 / Chapter 2 --- 莫言有關「農民意識」的言論 --- p.111-137 / Chapter 3 --- 小結 --- p.137-138 / Chapter 四 --- 本章結語 --- p.138-139 / Chapter 第四章 --- 《天堂蒜薹之歌》的寫作背景 --- p.140-170 / Chapter 一 --- 引言 --- p.140 / Chapter 二 --- 《天堂蒜薹之歌》的寫作背景簡介 --- p.141-169 / Chapter 1 --- 改革開放 --- p.141-143 / Chapter 2 --- 反官僚主義 --- p.143-153 / Chapter 3 --- 反資產階級自由化 --- p.153-156 / Chapter 4 --- 蒼山「蒜薹事件」 --- p.157-163 / Chapter 5 --- 農村經濟體制改革 --- p.165-169 / Chapter 三 --- 本章結語 --- p.169-170 / Chapter 第五章 --- 《天堂蒜薹之歌》的版本比較 --- p.171-218 / Chapter 一 --- 引言 --- p.171-173 / Chapter 二 --- 《天堂蒜薹之歌》版本比較 --- p.173-217 / Chapter 1 --- 【十月版】、【作家版】 --- p.174-190 / Chapter 2 --- 【洪範版】 --- p.190-191 / Chapter 3 --- 【修改版】 --- p.191-206 / Chapter 4 --- 【文集版】、【英文版】 --- p.207-217 / Chapter 三 --- 本章結語 --- p.217-218 / Chapter 第六章 --- 《天堂蒜薹之歌》的「民間」觀點 --- p.219-278 / Chapter 一 --- 引言 --- p.219-221 / Chapter 二 --- 評論界討論《天堂等薹之歌》觀察角度的整理 --- p.221-237 / Chapter 1 --- 小引 --- p.221-222 / Chapter 2 --- 有關「角度」和「層面」討論的整理 --- p.222-235 / Chapter 3 --- 小結 --- p.235-237 / Chapter 三 --- 《天堂蒜薹之歌》觀察角度分析 --- p.238-264 / Chapter 1 --- 正統「官方」觀察角度 --- p.238-244 / Chapter 2 --- 貌似「非官方」的「官方」覲察角度 --- p.245-254 / Chapter 3 --- 「民間」觀察角度 --- p.254-264 / Chapter 四 --- 《天堂蒜薹之歌》「民間」觀點分析 --- p.265-276 / Chapter 五 --- 本章結語 --- p.276-278 / Chapter 第七章 --- 《天堂蒜薹之歌》的「民間」內容 --- p.279-343 / Chapter 一 --- 引言 --- p.279-282 / Chapter 二 --- 《天堂蒜薹之歌》「民間」內容分析 --- p.282-342 / Chapter 1 --- 高羊故事 --- p.282-318 / Chapter i --- 妻子生產過程 --- p.283-298 / Chapter ii --- 母親被鬥情形 --- p.298-307 / Chapter iii --- 童年痛苦經驗 --- p.308-318 / Chapter 2 --- 高馬故事 --- p.318-342 / Chapter i --- 扭曲婚戀狀況 --- p.320-327 / Chapter ii --- 感人家庭瑣事 --- p.327-336 / Chapter iii --- 危險性愛場面 --- p.336-342 / Chapter 三 --- 本章結語 --- p.342-343 / Chapter 第八章 --- 《天堂蒜薹之歌》的「民間」形式 --- p.344-418 / Chapter 一 --- 引言 --- p.344-346 / Chapter 二 --- 《天堂蒜薹之歌》「民間」形式分析 --- p.346-415 / Chapter 1 --- 《天堂蒜薹之歌》的文體類型 . --- p.346-369 / Chapter 2 --- 《天堂蒜薹之歌》的語言形色 --- p.370-415 / Chapter i --- 農民、文人化的書寫模式 --- p.370-378 / Chapter ii --- 譫言妄語式的語氣情態 --- p.378-400 / Chapter iii --- 流氓痞子式的語言傾向 --- p.400-415 / Chapter 三 --- 本章結語 --- p.415-418 / Chapter 第九章 --- 《天堂蒜薹之歌》的評價 --- p.419-439 / Chapter 一 --- 《天堂蒜薹之歌》的總體評價 --- p.419-424 / Chapter 二 --- 《天堂蒜薹之歌〉的版本問題評價 --- p.424-429 / Chapter 三 --- 《天堂蒜薹之歌》的定位問題評價 --- p.429-433 / Chapter 四 --- 〈天堂蒜薹之歌〉的硏究方法反思 --- p.434-439 / Chapter 第十章 --- 總結 --- p.440-448 / Chapter 一 --- 結論 --- p.440-445 / Chapter 二 --- 餘論 --- p.445-448 / 附錄 --- p.449-637 / Chapter 一 --- 《天堂蒜薹之歌〉評論摘要 --- p.449-458 / Chapter 二 --- 莫言早期軍旅文學評價 --- p.459-478 / Chapter 三 --- 反「官僚主義」報紙報導 --- p.479-495 / Chapter 四 --- 蒼山「蒜薹事件」報紙報導 --- p.496-507 / Chapter 五 --- 蒼山「蒜薹事件」其他資料 --- p.508-529 / Chapter 六 --- 《天堂蒜薹之歌〉中《群眾日報》 與《大眾日報》比較 --- p.530-534 / Chapter 七 --- 《天堂蒜薹之歌〉六種版本改動 --- p.535-596 / Chapter 八 --- 《天堂蒜薹之歌〉故事大綱 --- p.597-604 / Chapter 九 --- 莫言小說愛情描寫的嬗變 --- p.605-618 / Chapter 十 --- 瞎子張扣「說唱片斷」的分類整理 --- p.619-626 / Chapter 十一 --- 從「農民意識」到流氓化 --- p.627-637 / 參考書目 --- p.638-707

Mo Yan's novel has no shortage of female characters.On the novel of the number of women in research studies than other subjects far less¡Athis paper attempts to Mo Yan's novel female image as the research object by Mo Yan's writing skills.For the novel text in the image of women to do the classification¡Aexploring the different characteristics of the image and significance of female.Mo Yan's novel writing skills are separately from the narrative point of view, plot, magical realism style, and orientation of folk aesthetics of four done.Mo Yan's novel of the female image constitute women before marriage which is divided into image and the image of two married women. The image of women before marriage is divided Huaichun, mysterious, rebellious, liberating image of the four wome.¡AMarried women have been divided into sub-image is the image of mother and wife.Mo Yan's novel of the women face difficult living conditions¡Asuffering, hunger, living conditions. To face official oppression and the threat of war in this harsh and poor environment¡Athese women still demonstrate vitality. Mo Yan describes their physical and their desires as a symbol of the vitality of the individual¡Aeven the awareness of women's autonomy¡AMo Yan is also the unique to use of color symbolism implied¡APresenting the female body, passion, wild, erotic.

Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2007. / Includes bibliographical references (leaves 108-115). Also available in electronic version.

Thesis (Ph. D.)--University of Hong Kong, 1999. / Includes bibliographical references.

歐韻賢. / "2008年10月". / "2008 nian 10 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 401-415). / Abstracts in Chinese and English. / Ou Yunxian. / Chapter 第一章： --- 引言 --- p.1 / Chapter 第一節： --- 硏究動機 --- p.5 / Chapter 第二節： --- 硏究目的 --- p.6 / Chapter 第三節： --- 硏究範圍 --- p.8 / Chapter 第四節： --- 硏究方法 --- p.9 / Chapter 第二章： --- 莫言小說的硏究槪況 --- p.11 / Chapter 第一節： --- 從軍事文學的角度看莫言小說的硏究槪況 --- p.15 / Chapter 第二節： --- 從尋根文學的角度看莫言小說的硏究槪況 --- p.22 / Chapter 第三節： --- 從先鋒文學的角度看莫言小說的硏究槪況 --- p.31 / Chapter 第四節： --- 從民間的角度硏究莫言小說的硏究槪況 --- p.37 / Chapter 第五節： --- 本章結語 --- p.41 / Chapter 第三章： --- 「民間」的槪念 --- p.43 / Chapter 第一節： --- 民間的定義 --- p.45 / Chapter 第二節： --- 民間立場 --- p.59 / Chapter 第三節： --- 民間的審美價値 --- p.68 / Chapter 第四節： --- 「民間」的寫作技巧 --- p.78 / Chapter 一、 --- 結構 --- p.78 / Chapter 二、 --- 敍事角度 --- p.84 / Chapter 三、 --- 語言 --- p.87 / Chapter 第五節： --- 本章結語 --- p.90 / Chapter 第四章： --- 莫言小說中的民間立場 --- p.93 / Chapter 第一節： --- 作爲老百姓寫作´ؤ´ؤ寫自我的自我寫作 --- p.96 / Chapter 第二節： --- 農民式的思維´ؤ´ؤ站在民間的立場設想 --- p.107 / Chapter 第三節： --- 以民間的立場說大歷史 --- p.112 / Chapter 第四節： --- 本章結語 --- p.129 / Chapter 第五章： --- 莫言小說中的民間審美價値 --- p.130 / Chapter 第一節： --- 「大紅大綠」的民間審美價値 --- p.132 / Chapter 第二節： --- 從「肉體」體現民間審美價値 --- p.139 / Chapter 第三節： --- 從「開放的孔穴」體現民間審美價値 --- p.147 / Chapter 第四節： --- 從審美到「審醜」 --- p.155 / Chapter 第五節： --- 本章結語 --- p.160 / Chapter 第六章： --- 莫言小說中的民間寫作技巧 --- p.162 / Chapter 第一節： --- 民間的結構 --- p.162 / Chapter 第二節： --- 民間的敍事角度 --- p.177 / Chapter 第三節： --- 民間的語言運用 --- p.184 / Chapter 第四節： --- 本章結語 --- p.193 / Chapter 第七章： --- 結語 --- p.195 / Chapter 附錄一： --- 《檀香刑》附錄 --- p.202 / Chapter 附錄二： --- 《四十一炮》附錄 --- p.266 / Chapter 附錄三： --- 《生死疲勞》附錄 --- p.321 / Chapter 附錄四： --- 莫言作品篇目 --- p.360 / 參考書目： --- p.401

Abstract The family can be viewed as a reflector of culture, which becomes increasingly rich and varied as time goes by. It is like a person who undergoes all the vicissitudes of human beings' experiences, so it is not only a valuable specimen for us to have a better understanding of the course of human history but also an important basis for us to know ourselves. For this reason, the family novels have always been a extremely flexible and rich narrative genre, which represent complex social performance and the culture world in both eastern and western literature. This thesis is focused on Mo Yan's four novels related to the family. They were "Red Sorghum Family", " herbivorous Family", " Big Breasts & Wide Hips", and " Life and Death Are Wearing Me Out". For one thing, we deconstructed the survival ethics masked in these novels, analyzed the heroic image described in these novels, and discussed the issue of "degradation of species ". In what follows, we explored the underlying love ethic in these novels from the two perspectives: the suspension of moral and the reversion of tradition. Previous studies have demonstrated that in Mo Yan's family novels, making the flesh public is used as a method of unfolding primitive vitality. Third, we delved into the connotation after the pleasure of making love (body of pleasure) through an analysis of Mo Yan's praising body and preference over the land and lower body. Mo Yan's family novels are also filled with the plots about hunger and violence. Finally, we attempted to investigate the narrative skills and moral of Mo Yan's family novels. With the fact that Mo Yan elaborated the plots, his works about the family are one of the most brilliant novels. These novels describe the lifeblood of both paternal and maternal family system; they also revealed the implications about Mo Yan's viewpoints on the relationship between nation and country in the society intertwined with war, hunger, and violence.

Mo Yan莫言, de son vrai nom Guan Moye管谟业, est l’un des écrivains chinois contemporains les plus célèbres mais aussi l’un des plus traduits en français. Son enfance rurale inspire ses premières réflexions sur la littérature et son royaume de lettres. Mêlant le vrai au faux, le réel au fabuleux, son œuvre, profuse et originale, suscite des travaux critiques considérables tant académiques que médiatiques, notamment depuis son obtention du prix Nobel de littérature en 2012 à Mo Yan. La présente thèse porte sur l’œuvre de Mo Yan en France : la traduction, la diffusion et la critique. Ainsi, s’agit-il non seulement d’une investigation sur l’imaginaire de la Chine, mais également d’une investigation littéraire. Cette étude, à la fois monographique et comparatiste, s’appuie principalement sur les créations les plus retentissantes en France : Le Clan du sorgho rouge (1986), Le Pays de l’alcool (1993), Beaux seins, belles fesses (1995), Le Supplice du santal (2001), Quarante et un coups de canon (2003), La Dure Loi du karma (2006), Grenouilles (2009)... / Guan Moye, better known by his pen name Mo Yan, was born in Gaomi County in Shandong province in 1955. The pen name "Mo Yan" means "don't speak" in Chinese. Mo Yan is one of the most famous Chinese contemporary writers in France, and his works have been widely translated into French. His childhood in Gaomi County inspired his first conception of literature and is, to some extent, the portal through which we enter his realm of letters. The unique style of his works attracts many academic and media criticism, and even more after winning the Noble Prize of literature in 2012. This dissertation intends to study the translation, publication, criticism and reception of Mo Yan’s works in France. Besides a literary study, the dissertation also focuses on the imaginary of China. The research is monographic and comparative, based on his several best-known works: Red Sorghum (1986), The Republic of Wine (1993), Big Breasts and Wide Hips (1995), Sandalwood Death (2001), Pow! (2003), Life and Death Are Wearing Me Out (2006), Frog (2009)…

Zugl.: Berlin, Freie Univ., Diss., 2006