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Kollektionsentwicklung in der Bekleidungsbranche unter besonderer Berücksichtigung empirischer ErfolgsfaktorenLoock, Herbert January 2007 (has links)
Zugl.: Hamburg, Univ., Diss., 2007
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Management of low and variable bit rate ATM Adaptation Layer Type 2 traffic /Voo, Charles. January 2003 (has links)
Thesis (Ph.D.)--University of Western Australia, 2004.
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Priority statistical multiplexing and two-level congestion control for video transmission over ATM networks /Gao, Chengwei, January 1997 (has links)
Thesis (Ph. D.)--University of Washington, 1997. / Vita. Includes bibliographical references (leaves [138]-144).
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Marxisme et modes de vie : essai de critique sociologique /Lacascade, Jean-Louis. January 1991 (has links)
Th.--Sociol.--École des hautes études en sciences sociales, 1982. / Bibliogr. p. 265-282.
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Analyse et contrôle du trafic vidéo à débit variable dans le réseaux ATM /Coelho, Rosângela. January 1995 (has links)
Th. doct.--Informatique et réseaux--Paris--ENST, 1995. / Bibliogr. p. 144-151. Résumé en français.
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Control and observation of electric machines by sliding modesYan, Zhang. January 2002 (has links)
Thesis (Ph. D.)--Ohio State University, 2002. / Title from first page of PDF file. Document formatted into pages; contains xv, 156 p.; also includes graphics (some col.). Includes abstract and vita. Co-advisors: Vadim I. Utkin, Giorgio Rizzoni, Dept. of Electrical Engineering. Includes bibliographical references (p. 153-156).
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Kleidung als und im Kunstwerk des 20. Jahrhunderts unter sozialtheoretischer PerspektiveSchütze, Yvonne. January 1998 (has links) (PDF)
Wuppertal, Universiẗat, Diss., 1999.
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Die Modezeitschrift : vom "Journal des Luxus und der Moden" zu "Brigitte" und "Elle"Völkel, Anika January 2006 (has links)
Zugl.: Münster (Westfalen), Univ., Diss., 2006
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Clothing matters : dress and identity in India /Tarlo, Emma. January 1900 (has links)
Texte remanié de: Ph. D diss.--University of London, 1992. / Notes bibliogr. Bibliogr. p. 342-355. Glossaire. Index.
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Concerto no. 1 in G major, for piano and orchestraGold, Morton January 1960 (has links)
Thesis (D.M.A.)--Boston University / The concerto is in three movements. The first, in G major is an Allegretto; the second, in D minor is marked
Andante; and the third, in G major is a brisk Allegro. There
is frequent use of modal scales throughout the course of this
composition, particularly the Mixolydian mode. The concerto,
however, may be regarded as being bi-modal--that is, either
major or minor with much use of borrowed triads, altered
triads, added notes, as well as poly-chords and simple diatonic
harmony
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