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Inspiration to impulse inviting the spectator to enter in /Fang, Adriane. January 2009 (has links)
Thesis (M.F.A.)--George Mason University, 2009. / Vita: p. 76. Thesis director: James Lepore. Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Dance. Title from PDF t.p. (viewed Oct. 12, 2009). A separate DVD containing video recordings of this MFA thesis performance from September 2008 titled "impulse Present" can be found with the paper copy located in Special Collections and Archives at George Mason University. ViFGM Includes bibliographical references (p. 73-75). Also issued in print.
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Inquiry and art in elementary social study modern dance and social study in conjunction.Akenson, James Edward, January 1975 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1975. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography (leaves 345-364).
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Contemporary dance in Poland a play of paradox in seven acts /Caldwell, Linda Almar. January 2002 (has links)
Thesis (Ph. D.)--Texas Woman's University, 2002. / Includes bibliographical references (leaves 248-257).
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The teaching of modern dance : what two experienced teachers know, value and do /Fortin, Sylvie January 1992 (has links)
No description available.
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Solo workCrisp, Rosalind, University of Western Sydney, School of Contemporary Arts January 1998 (has links)
Imagine a lilly pond. Each lilly floating independently. The individual lilly is framed by the water that surrounds it. The lilly pond becomes apparent by the presence and absence of lillies. This thesis is a compilation of diverse floating articles. Not everything has been covered. I hope that the gaps revealed illuminate the edges of the work. Different writing styles have been adopted in an attempt to get closer to the complexity and ephemerality of the research -- research that has taken place in the dancing body. In presenting the written material this way, I wish to take the reader on a journey -- an experiential journey into the dance -- one that is 'like' the dance rather than an extracted description of it. I hope that the reader will 'come to their senses' and feel the materiality of the dance as I have studied it and known it in my body and with-in the bodies of the other two dancers. The framework for the research in the body has been the integration of the histories collected in our bodies -- practices, trainings, country and culture -- all of which continue to slip and slide, continually re-forming themselves and re-inventing the dancing and not-dancing bodies that we are. / Master of Arts (Hons)
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ShadowsWright, Celia Ann January 2007 (has links)
Thesis (M.A.)--University of Hawaii at Manoa, 2007. / 15 leaves, bound ill. 29 cm. +
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The women of modern dance in Toronto 1965-1975 /Boye, Seika. January 2006 (has links)
Thesis (M.A.)--York University, 2006. Graduate Programme in Dance. / Typescript. Includes bibliographical references (leaves 99-104). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR19638
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The modern dance as dramatic theatre a comparison of selected elements /Davis, Marion Lorene, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1961. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 423-430).
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An approach to lighting design from modern danceLewis, Jerry J. January 1967 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1967. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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The choreography and production of "Jacob Five: A Journey into the Olive Vineyard" /Behunin, Laurie. January 1993 (has links)
Thesis (M.A.)--Brigham Young University. Dept. of Dance. / Includes bibliographical references (leaves 73-76).
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