Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-03-10T20:36:59Z No. of bitstreams: 1 HeloisaHelenaPachecoDeSousa_DISSERT.pdf: 3557807 bytes, checksum: 671cb4fa22a00c730f1d8ff936b6e7ce (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-03-17T20:25:44Z (GMT) No. of bitstreams: 1 HeloisaHelenaPachecoDeSousa_DISSERT.pdf: 3557807 bytes, checksum: 671cb4fa22a00c730f1d8ff936b6e7ce (MD5) / Made available in DSpace on 2016-03-17T20:25:44Z (GMT). No. of bitstreams: 1 HeloisaHelenaPachecoDeSousa_DISSERT.pdf: 3557807 bytes, checksum: 671cb4fa22a00c730f1d8ff936b6e7ce (MD5) Previous issue date: 2015-03-05 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / Esta pesquisa trata das rela??es poss?veis entre o corpo e a vestimenta nos estados c?nicos perform?ticos cruzando a cena contempor?nea, a filosofia da moda e os argumentos filos?ficos de profana??o e dos dispositivos. Algumas obras foram observadas e citadas nesta disserta??o, para isso realizei entrevistas estruturadas com oito artistas da performance, como estrat?gia metodol?gica que pudesse trazer dados sobre as experi?ncias desses corpos vestidos e/ou despidos em cena, para al?m da pesquisa bibliogr?fica e revelando a a??o da vestimenta sobre o corpo, assim como sua influ?ncia nas subjetividades do performador e do p?blico. Essas rela??es podem ser experienciadas no processo de cria??o de figurinos na cena contempor?nea nomeando a possibilidade da exist?ncia de modos do corpo, como maneiras que emergem e que se constituem como alternativas est?ticas, criativas e discursivas. / This research deals with the possible relationships between the body and the garment in performative scenic states across the contemporary scene, the philosophy of fashion and the philosophical arguments of profanity and dispositive. Some works were observed and cited in this dissertation, for this I conducted structured interviews with eight artists of performance, as a methodological strategy that could bring data about the experiences of this dresses and/or naked bodies on the scene, in addition to literature and revealing the action of clothing on the body as well as its influence on the subjectivities of that whom performes and the public. These relationships can be experienced in the process of creating costumes in contemporary scene naming the possibility of modes of the body, as ways that emerge and constitute as creative, discursive and aesthetic alternatives.