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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
91

Emile Boeswillwald als Denkmalpfleger : Untersuchungen zu Problemen und Methoden der französischen Denkmalpflege im 19. Jahrhundert /

Echt, Rudolf, January 1984 (has links)
Diss.--Philosophische Fakultät--Saarbrücken, 1979. / Bibliogr. p. 260-262.
92

De Dode : een hoofdfiguur in de oudchristelijke kunst : een iconografische studie over de afbeelding van de dode in de oudchristelijke grafkunst /

Dael, Petrus Canisius Joannes van, January 1978 (has links)
Proefschrift--Letteren--Nijmegen, 1978. / Résumé en anglais. Bibliogr. p. 327-330.
93

Smidda gravkors : en studie i folklig formbildning /

Aarsrud, Christian. January 1982 (has links)
Akademisk avhandling--Etnologi--Lund, 1982. / Bibliogr. p. 190-195. Index. Résumé en allemand. On a joint un résumé en anglais.
94

Megalith, Pfahldenkmal und damit verbundene Sitten auf Madagaskar

Dieball, Werner. January 1971 (has links)
Inaug.-Diss.--Cologne. / Vita. Bibliography: p. 260-284.
95

Zum figürlichen Programm der Grabmäler der französischen könige von Ludwig XI. bis zu Franz II

Lammers, Joseph. January 1972 (has links)
Thesis--Münster. / Label mounted on verso of t.p.: Die Abbildungen zu dieser Dissertation befinden sich im Institut für Kunstgeschichte der Universität Münster. Includes bibliographical references (p. 164-183).
96

Life in death : Mexican American grave decorating and funerary rituals /

Salazar, Marta L. January 1900 (has links)
Thesis (M.A.)--Texas State University--San Marcos, 2009. / Vita. Appendix: leaves 71-86. Includes bibliographical references (leaves 87-94). Also available on microfilm.
97

Naumburg and the tradition of funerary sculpture in Germany

Self, Pamela Kaye, January 1969 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1969. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
98

The Wisconsin effigy mound tradition

Hurley, William Michael. January 1970 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1970. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
99

Memoria und Repräsentation : die Grabmäler des Königshauses Anjou in Italien /

Michalsky, Tanja. January 2000 (has links)
Diss.--Philosophische Fakultät--München--Ludwig-Maximilians-Universität, 1995. / Bibliogr. p. 370-430. Index.
100

Handling the dead : a haptic archaeology of the English Cathedral dead

Nugent, Ruth January 2015 (has links)
This thesis takes a longue dureé approach to the manifold ways in which those engaging with English cathedrals have been able to physically interact with the bodies, burials, and monuments of the dead. Three themes are explored to that effect: Haptic Experiences, Haptic Interactions, and Haptic Connections. Haptic Experiences takes a fresh, nuanced look at the evolution of English shrine architecture in relation to tensions between the sight and touch of pilgrims. Haptic Interactions employs new and different data surveyed from monuments within five cathedral interiors: historic graffiti, iconoclastic damage, and haptic erosion and staining. This is explored through a lens of touch as a component of early modern masculinities. Haptic Connections explores the presencing of the absent and displaced dead through touch and bodiliness of both the living and the dead in the (late) modern cathedral. Such an approach requires a multi-strand methodology, harnessing archaeological and documentary evidence, and multiple datasets. This allows the thesis to examine both period-specific practices and recurring themes of touch and emotion, identity, and re-connection which have been central to haptic explorations of the dead in past and present incarnations of the English cathedral.

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