The subject of interest of this thesis is the analysis and solution of the site around the Gate of the Mother of God in Jihlava. The aim is to evaluate the current state of the area with the inclusion of houses owned by the city, which are part of the urban conservation area. The thesis also addresses the issues of tourism in the city, transport infrastructure and parking, property relations and the connection between the city centre and the suburbs. The design part deals with the evaluation of the current condition of three historic houses owned by the city, their reconstruction and new use. It also addresses the new construction of a parking structure on the site of the former bastion and the connection between the historic centre and the suburbs. The proposal was prepared on the basis of the requirements of the Jihlava City Council and is governed by the limits of the conservation area.

En 1993, l’église du monastère Humor et six autres églises du nord de la Moldavie (Roumanie) ont été classifiés comme patrimoine de l'UNESCO, en particulier en raison de leurs caractéristiques iconographiques et architecturales uniques. Construit au seizième siècle, le monastère Humor est devenu un riche centre religieux et culturel sous le patronage du prince Petru Rares de Moldavie. Ce centre a encouragé les innovations architecturales ecclésiales, ainsi qu’un programme très prolifique de fresques, extérieures et intérieures, exprimant une créativité au-delà du canon de la peinture de l'époque. La présente thèse est concentrée sur ces innovations architecturales et iconographiques, comprises à la lumière du contexte historique de ce moment unique dans l'histoire de la Moldavie, dans le siècle qui suivit la chute de Constantinople (1453). Tandis que la première partie de la thèse est concentrée sur ces circonstances historiques, et plus précisément sur l'impact du patronage du Prince Rares, la deuxième partie de la recherche est concentrée sur l'analyse des sources littéraires et de la théologie d’une série unique de fresques, placé dans la gropnita (chambre funéraire) de l’église monastique d’Humor, évoquant la vie de la Mère de Dieu. La série est un exemple extraordinaire d’interaction des textes, le Protévangile de Jacques et le Synaxarion, avec l'iconographie. Une attention particulière à l'iconographie du monastère Humor démontre le besoin de la corrélation entre texte et icône d'une part, ainsi que la nécessité d’une corrélation entre les études théologiques, l'art et l’histoire d’autre part. Un autre avantage de la recherche est de contribuer à une appréciation plus riche des trésors culturels et religieux des communautés chrétiennes de l'Europe de l'Est aux points de vue religieux et culturel, en réponse à leur reconnaissance comme patrimoine de l’UNESCO. / In 1993, the church of Humor Monastery and six other churches from northern Moldavia (Romania) were classified as UNESCO Patrimony, due to their unique iconographical and architectural features. Built in the sixteenth-century, Humor Monastery became a rich and vital cultural religious center under the patronage of Prince Petru Rares of Moldavia. This center encouraged ecclesial architectural innovations, as well as an extraordinarily prolific program of frescoes, both internally and externally, expressing creativity beyond the canon of painting of the time. This dissertation focuses on understanding these architectural and iconographical innovations, in the light of the historical context that gave rise to this unique moment in Moldavian history, in the century following the Fall of Constantinople (1453). While the first part of the dissertation focuses on these historical circumstances, and more precisely on the impact of the patronage of Prince Rares, the second part of the research concentrates on the literary sources and the theology of a unique fresco series depicting the “Life of the Mother of God,” which has been painted on the walls of the gropnita (burial chamber) of Humor monastic church. The fresco series is an extraordinary example of the interaction between texts, the apocryphon Protogospel of James and the Synaxarion, and the iconographic narration of the “Life of the Mother of God.” Careful attention to the iconography of the Humor monastic church demonstrates the need for the correlation between text and icon, as well as the need for a correlation between theological studies, art and history. This methodological perspective will foster a richer appreciation of the abundant cultural and religious treasures of the Christian communities of Eastern Europe, both from a cultural as well as a specifically theological perspective as a further response to their prestigious recognition of being included in the UNESCO’s Patrimony in the closing decade of the twentieth - century.

In our work, we have tried to study the Feast of the Feast in the Orthodox Church, from a historical, dogmatic and liturgical point of view. We sought a descriptive and comparative approach that would have elements of a case study. We looked mainly at the feast of the Church of the Blessed Virgin, which is basically part of the feast of the Nativity. We looked at the feast of the Nativity of the Blessed Virgin Mary, then at the feast of the Annunciation, Introduction to the Church and, of course, the feast of the Assumption, which enjoys great respect in Orthodoxy and is nicknamed the Mother of God Passover. The main purpose was to delve deeper into the meaning of the Mother of God in human life, so that the Mother of God could teach each of us to live in the Truth, that is, to live in Christ.

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