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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
111

Jesus Christ, Savior for all mankind a New Life Group inductive Bible study guide for Luke, part two /

Kurle, Robert F. January 1988 (has links)
Thesis (M. Div.)--International School of Theology, 1988. / Abstract. Includes bibliographical references (leaves 222-226).
112

Cinema, cultural diversity and the globalization process.

Vincent, Bérénice January 2005 (has links)
Magister Legum - LLM / The objective of this research was to examine the future of the cultural diversity of cinema through the GATS and the TRIPS Agreement / South Africa
113

Prospects for a feature film industry in British Columbia

Christy, June Beverley January 1991 (has links)
The purpose of this thesis is to assess the potential of establishing a viable indigenous feature film industry in British Columbia. An understanding of the B.C. situation was gained by researching and illustrating the organization of the various parts: production, distribution, and exhibition. This was undertaken by reading various industry publications on the "business" of film making and reading newspaper and trade journal articles. Information about the history of public policy as well as current federal and provincial programs for feature film making was taken from task force reports, Canadian Film Corporation reports, and Telefilm Canada annual reports. Statistics on the industry were gained from Statistics Canada, Telefilm Canada, the Canadian Film and Video Certification Office, and provincial agencies, in particular, B.C. Film annual reports. Personal interviews based on a questionnaire were held with eighteen British Columbia producers who were initiating feature film projects in 1988. Canadian producers are dependent on access to federal and provincial sources of finanicng for as much as 62 per cent of their financing. The balance is provided by broadcasters, private investors, and deferral agreements, or through co-productions with other countries. Because of Hollywood's control of Canada's exhibition market, only 3-5 per cent of screen time is accorded to Canadian feature films. Because of our small domestic market, Canadian producers must rely on international sales to break even. Moreover, feature filmmaking in Canada, like in most other countries, is characterized by great risk and little chance of profitability. The Canadian government is now supporting a nucleus of Canadian-owned distributors with subsidies to help them establish both a capital base and contacts in the international marketplace. Domestic television production has also been a factor in Canada's feature film development. Writers, directors, producers, and technicians have gained experience by being able to work in the broadcast medium. Successful production companies produce a mixture of both television and feature films. As well, these companies have established relationhips with companies in other countries, thereby providing them with an expanded market and opportunites for co-productions. B.C.'s feature film sector is comprised of small production companies with limited revenues who produce feature films on a project-by-project basis through the opportunities provided by B.C. Film and Telefilm. Few have enough capital to plan and manage substantial feature film or television production. Increases in B.C. production are a direct result of success in getting this support. However, Telefilm's funding to the province's filmmakers is unreliable, evidenced by the production of eleven films in 1988 and only one in 1990. A major drawback for B.C. producers is the geographic distance from head offices of existing Canadian broadcasting networks and major feature film distribution companies in Eastern Canada. However, B.C. producers have access to a strong local base of crews, studio facilities, and substantial post production, facilitated by the breadth of American location shooting and commercial production being done in our province. The need is to establish a new, realistic level of operation for the feature film industry in B.C. and to provide the support to sustain it for 5-7 years in order to it to become viable. Given the above conditions, the three main factors in achieving a viable feature film industry in B.C. will be: a) the development of several medium-size companies; b) the provision of adequate funds from federal and provincial sources; and, c) the promotion of the supply of good quality scripts. / Applied Science, Faculty of / Community and Regional Planning (SCARP), School of / Graduate
114

Implementation of an experimental facility and modeling studies for time varying images.

Jensen, Olav Velling January 1973 (has links)
A wealth of experiments have been performed studying image encoding techniques as applied to non-time varying or single-frame images. However, to date little work has been done to apply these techniques to time varying images, with most of such works emphasizing various ad hoc redundancy reduction techniques. In this work, a computer based experimental system is implemented which makes more methodological studies of time varying images possible. Particular attention is devoted to obtaining very accurate inter-frame registration and uniform quantization of the images. Using this system, a selection of 35 mm movie film images are digitized and stored on computer magnetic tape in a format compatible with many other computing installations, providing a standard data base for future experiments. An often used model for describing picture data is the stationary Gauss-Markov model. In this work, the appropriateness of this model for describing time varying images is studied by comparing the autocorrelation functions as described by the model and as obtained by computation from the picture data. These results indicate that the autocorrelation function is best described by a function which is separable in the time dimension and nonseparable in the spacial dimensions. A number of DPCM communication systems are then studied as a vehicle for evaluating the effect of using the Gauss-Markov model. These results indicate that, for the sample images studied here, the estimated performance using the Gauss-Markov model is good when the model is a good fit to the first data point of the computed autocorrelation function. / Applied Science, Faculty of / Electrical and Computer Engineering, Department of / Graduate
115

Le scénario : cinéma ou littérature?, suivi de Malebouge

Pouliot, Carolle January 1987 (has links)
No description available.
116

Jules Furthman and the popular aesthetics of screenwriting /

Aig, Dennis January 1983 (has links)
No description available.
117

The relationships between music and sound effects in post 1960 popular Hollywood film.

Kilian, Mark Andre. 23 May 2013 (has links)
No abstract available. / Thesis (M.Mus.)-University of Natal, Durban,1994.
118

Our bodies, our cameras women's experimental cinema in the U.S., 1964-1976 /

Hoffman, Alison R. January 2010 (has links)
Thesis (Ph. D.)--UCLA, 2010. / Vita. Includes bibliographical references (leaves 230-241). Film and videography: leaves 226-227.
119

Beyond Hollywood the social and spatial division of labor in the motion picture industry /

Pope, Naomi Elizabeth, January 2008 (has links)
Thesis (Ph. D.)--UCLA, 2008. / Vita. Includes bibliographical references (leaves 300-339).
120

Film Complex: resuscitation of film in commercial society

吳兆康, Ng, Siu-hong, Ryan. January 1999 (has links)
published_or_final_version / Architecture / Master / Master of Architecture

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