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The aesthetics of Fellini's art seen through its ties with popular entertainment /Perugini, Sas̆a. January 2001 (has links)
Thesis (Ph.D.)--Tufts University, 2001. / Submitted to the Dept. of Drama. Advisers: Laurence Senelick; Jeanne Dillon. Includes bibliographical references (leaves 228-243). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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Art/nature, theater/life a study of Jean Renoir's realism /Gharib, Simin. January 1979 (has links)
Thesis (Ph. D.)--Case Western Reserve University, 1979. / Typescript. Includes bibliographical references (leaves 262-265). Also issued in print.
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The cinema and the church experiential [koinonia] in audience and congregation /Luce, Micah. January 2008 (has links)
Thesis (S.T.M.)--Yale Divinity School, 2008. / Description based on Microfiche version record. Includes bibliographical references (leaves 77-79).
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Art/nature, theater/life a study of Jean Renoir's realism /Gharib, Simin. January 1979 (has links)
Thesis (Ph. D.)--Case Western Reserve University, 1979. / Typescript. Includes bibliographical references (leaves 262-265).
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Broadway and Hollywood a history of economic interaction /McLaughlin, Robert, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1970. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 290-302).
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The cinema and the church experiential [koinonia] in audience and congregation /Luce, Micah. January 2008 (has links)
Thesis (S.T.M.)--Yale Divinity School, 2008. / Includes bibliographical references (leaves 77-79).
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五十年代香港粤語歌唱片類型研究. / 50年代香港粤語歌唱片類型研究 / Wu shi nian dai Xianggang Yue yu ge chang pian lei xing yan jiu. / 50 nian dai Xianggang Yue yu ge chang pian lei xing yan jiuJanuary 2008 (has links)
張琬琪. / "2008年2月". / "2008 nian 2 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 119-121). / Abstract also in English. / Zhang Wanqi. / Chapter 第一章 --- 導論 --- p.1-11 / Chapter 1. --- 粤語歌唱片的硏究價値 --- p.2-3 / Chapter 2. --- 本土粤語歌唱片硏究槪說 --- p.3-8 / Chapter 3. --- 歌唱片類型硏究的意義 --- p.8-11 / Chapter 第二章 --- 類型來源與構成 --- p.12-38 / Chapter 1. --- 香港電影史與「歌唱片」的起源 --- p.13-15 / Chapter 2. --- 解構「全部歌唱片」 --- p.15-25 / Chapter 3. --- 歌唱片戰後復興的外緣因素 --- p.25-30 / Chapter 4. --- 類型混合:「全部歌唱片」及其後之「歌唱喜劇」 --- p.30-37 / Chapter 5. --- 總結 --- p.37-38 / Chapter 第三章 --- 音樂風格與歌曲敘事 --- p.39-68 / Chapter 1. --- 粤曲:從舞台到電影 --- p.41-44 / Chapter 2. --- 全部歌唱:粤曲代替對白 --- p.44-49 / Chapter 3. --- 撰曲人在歌唱片中所扮演的角色 --- p.49-55 / Chapter 4. --- 電影與粤劇:從分裂到整合 --- p.55-58 / Chapter 5. --- 粤劇音樂的電影化 --- p.58-66 / Chapter 6. --- 總結 --- p.66-68 / Chapter 第四章 --- 角色典型化與演員形象 --- p.69-96 / Chapter 1. --- 演員、角色與類型電影 --- p.71-73 / Chapter 2. --- 粤劇對歌唱片角色塑造的影響 --- p.73-74 / Chapter 3. --- 芳艷芬:「賢妻良母」形象的一致性 --- p.75-80 / Chapter 4. --- 任劍輝:「女扮男裝」的戲迷情人 --- p.80-88 / Chapter 5. --- 演員形象的社會作用 --- p.88-95 / Chapter 6. --- 總結 --- p.95-96 / Chapter 第五章 --- 結論 --- p.97-109 / Chapter 1. --- 粤語歌唱片與粤劇文化 --- p.98-100 / Chapter 2. --- 歌唱片由盛轉衰的原因 --- p.100-102 / Chapter 3. --- 歌唱片對日後電影的影響 --- p.102-109 / 附錄:電影廣告 --- p.110-118 / 參考書目 --- p.119-121
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