• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 6
  • 1
  • Tagged with
  • 7
  • 7
  • 7
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Absolute thresholds for the perception of tactual movement

De Cillis, Olga Elena, January 1944 (has links)
Issued also as Thesis (Ph. D.)--Columbia University. / Bibliography: p. 51.
2

The effect of similarity and difference in form on apparent visual movement

Orlansky, Jesse, January 1940 (has links)
Issued also as Thesis (Ph. D.)--Columbia University. / Bibliography: p. 84-85.
3

Stereoscopic television pursuit tracking

Gould, John David, January 1963 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1963. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
4

Angular displacement of the visual feedback of motion

Gould, John David, January 1961 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1961. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 70-73).
5

Some correlates of the movement response

Rust, Ralph Mason, January 1948 (has links)
Thesis--Columbia University. / Reprinted from the Journal of personality, v. 16, 1948. Vita. Includes bibliographical references (p. 399-401).
6

The interaction of observer-pairs in judging visual extent and movement the formation of social norms in "structured" situations,

Schonbar, Rosalea Ann, January 1945 (has links)
Issued also as Thesis (Ph. D.)--Columbia University. / Bibliography: p. 91-92.
7

PSICOLOGIA DELLA PERCEZIONE ED ESTETICA DEL MOVIMENTO IN FRANCIA (1875-1905). UN'ARCHEOLOGIA DELL'ESPERIENZA CINEMATOGRAFICA / Psychology of perception and aesthetics of movement in France (1875-1905). An archaeology of cinematic experience

GROSSI, GIANCARLO MARIA 08 March 2016 (has links)
In Francia, tra la fine del XIX e l’inizio del XX secolo, sorge una nuova forma esperienziale, quella del cinema. Nello stesso contesto, il movimento corporeo diventa oggetto di studio da parte di una serie di discipline, in particolar modo l’estetica e la psicofisiologia, che si ridefiniscono reciprocamente in un costante dialogo con le nuove tecnologie visive. Esiste una relazione tra questi due eventi? Il presente lavoro mira a costruire un’archeologia dell’esperienza cinematografica attraverso l’analisi dei testi di estetica sperimentale, psicologia della percezione e neurologia che emergono nell’orizzonte culturale francese tra il 1875 e il 1905. Il primo capitolo si concentra sulle teorie estetiche di Guyau, Séailles e Souriau, in cui la bellezza del movimento è concettualizzata seguendo un processo di progressiva meccanizzazione del corpo. Nel secondo capitolo viene analizzato il dibattito psicologico interno alla «Revue Philosophique» (1876), dove il corpo diviene medium capace di rendere visibile e registrabile il mondo soggettivo. Infine, nel terzo capitolo vengono studiate le ricerche estetiche e iconografiche che hanno luogo presso la clinica della Salpêtrière diretta da Charcot, pubblicate nella «Nouvelle Iconographie» (1888). Da queste, nasce una nuova morfologia del corpo in movimento, sostenuta dal progresso dei metodi grafici fino all’avvento del cinema. / In France, between the late nineteenth and the early twentieth century, a new experience rises, that of cinema. In the same context, the bodily movement becomes the object of study of a huge range of disciplines, especially aesthetics and psychophysiology, which redefine each other in a constant dialogue with new visual technologies. Is there a relationship between these two events? This work aims to build an archaeology of the cinematic experience through the analysis of texts of experimental aesthetics, psychology of perception and neurology that emerge in the French cultural context between 1875 and 1905. The first chapter focuses on the aesthetic theories of Guyau, Séailles and Souriau, where the beauty of movement is conceptualized following a process of gradual mechanization of the body. The second chapter analyzes the psychological debate inside the «Revue Philosophique» (1876), where the body becomes a medium capable of making the subjective world visible and adjustable. Finally, in the third chapter we investigate the aesthetic and iconographic researches that took place in Charcot’s clinic at the Salpêtrière, published in the «Nouvelle Iconographie» (1888). From these arises a new morphology of the body in motion, supported by the progress of graphical methods until the advent of cinema.

Page generated in 0.1506 seconds