盧君賜. / "2005年6月". / 論文(哲學碩士)--香港中文大學, 2005. / 參考文獻(leaves 157-166). / "2005 nian 6 yue". / Abstracts in Chinese and English. / Lu Junci. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (leaves 157-166). / 論文提要 / 緒論 --- p.1 / Chapter 第一章 --- 宣化遼墓簡略 --- p.7 / Chapter 第一節 --- 宣化背景 --- p.7 / Chapter 第二節 --- 宣化遼墓群狀況 --- p.10 / Chapter (1) --- M1 (張世卿墓） / Chapter (2) --- M2 (張恭誘墓） / Chapter (3) --- M3 (張世本墓） / Chapter (4) --- M4 (韓師訓墓） / Chapter (5) --- M5(張世古墓） / Chapter (6) --- M6(張姓墓） / Chapter (7) --- M7 (張文藻墓） / Chapter (8) --- M8 / Chapter (9) --- M9(張姓墓） / Chapter (10) --- M10 (張匡正墓） / Chapter (11) --- M12和11區M1、2 / Chapter 第三節 --- 宣化遼墓群的分類 --- p.19 / Chapter 第二章 --- 宣化備茶圖 --- p.28 / Chapter 第一節 --- “備茶圖´ح之定義 --- p.28 / Chapter 第二節 --- 宣化各墓備茶圖 --- p.31 / Chapter (1) --- M10 (張匡正墓） / Chapter (2) --- M7 (張文藻墓） / Chapter (3) --- M3 (張世本墓） / Chapter (4) --- M6 (張姓墓） / Chapter (5) --- M9(張姓墓） / Chapter (6) --- Ml (張世卿墓） / Chapter (7) --- M5 (張世古墓） / Chapter (8) --- M2(張恭誘墓） / Chapter (9) --- M4 (韓師訓墓） / Chapter 第三章 --- 宣化遼墓群備茶圖比較 --- p.43 / Chapter 第一節 --- 宣化備茶圖之間的關係 --- p.43 / Chapter (1) --- 與備茶圖相對的備酒圖 / Chapter (2) --- 宣化備茶圖的比較和組合 / Chapter 第二節 --- 遼墓的備茶圖 --- p.51 / Chapter 第三節 --- 與遼朝以外的備茶圖比較 --- p.63 / Chapter (1) --- 與宋代備茶圖比較 / Chapter (2) --- 與金元備茶圖比較 / Chapter 第四章 --- 經宣化備茶圖認識宋遼的備茶步驟 --- p.84 / Chapter 第一節 --- 唐宋的飲茶風¯‘ة --- p.84 / Chapter 第二節 --- 唐宋的煮飲方法 --- p.90 / Chapter 第三節 --- 遼朝的飲茶風¯‘ة --- p.92 / Chapter (1) --- 遼朝茶葉輸入 / Chapter (2) --- 遼朝對茶的使用 / Chapter 第四節 --- 備茶步驟 --- p.97 / Chapter (1) --- 碾茶 / Chapter (2) --- 煮湯 / Chapter (3) --- 沖點 / 結語 --- p.141 / 附錄 / 附錄：遼代主要壁畫墓葬及壁畫題材 --- p.145 / 參考書目 --- p.157 / 圖版 / 圖版目錄 --- p.167 / 第一章圖版 --- p.177 / 第三章圖版 --- p.218 / 第四章圖版 --- p.254

Thesis (Ph. D.)--Princeton University, 2000. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 237-255).

余雪霞. / Thesis (M.A.)--香港中文大學, 1987. / Reprint of manuscript. / Includes bibliographical references (leaves 248-284). / Yu Xuexia. / Thesis (M.A.)--Xianggang Zhong wen da xue, 1987. / 撮要 --- p.I / 序言 --- p.IIII / 目錄 / Chapter 第一章 --- 總論唐代壁畫的重要性及唐墓壁畫概況 / Chapter 第一節 --- 唐代背景概述 --- p.1 / Chapter 第二節 --- 唐代壁畫之功用 --- p.4 / Chapter 第三節 --- 唐代墓葬之分佈及墓葬形制與壁畫內容、佈局之關係 --- p.13 / 注釋 --- p.26 / Chapter 第二章 --- 從唐代墓葬壁畫看唐代繪畫之特色──人物畫和山水畫 / Chapter 第一節 --- 前言──唐代繪畫之分科 --- p.30 / Chapter 第二節 --- 人物畫──兼論《樹下人物 圖》 --- p.37 / Chapter 一 --- 綺羅人物 --- p.39 / Chapter 二 --- 步卒屬吏與男僕 --- p.53 / Chapter 三 --- 樹下人物圖與墓主肖像 --- p.59 / Chapter 甲 --- 樹下人物圖之源起 --- p.60 / Chapter 乙 --- 唐墓中的樹下人物圖 --- p.83 / Chapter 丙 --- 樹下人物圖之藝術特色 --- p.82 / Chapter 第三節 --- 山水畫 --- p.88 / 注釋 --- p.112 / Chapter 第三章 --- 從唐代墓葬壁畫看唐代繪畫之特色──花鳥畫和界畫 / Chapter 第一節 --- 花鳥畫 / Chapter 一 --- 前言 --- p.125 / Chapter 二 --- 花卉翎毛 --- p.135 / Chapter 三 --- 鞍馬走獸 --- p.162 / Chapter 四 --- 小結 --- p.170 / Chapter 第二節 --- 界畫 --- p.172 / 注釋 --- p.191 / Chapter 第四章 --- 唐代繪畫之風格分析 / Chapter 第一節 --- 從唐代墓葬壁畫總論唐畫之風格 --- p.201 / Chapter 第二節 --- 由唐代墓葬壁畫看唐代 之畫評 --- p.210 / 注釋 --- p.235 / Chapter 第五章 --- 結論 --- p.239 / 附表一 --- p.243 / 附表二 --- p.244 / 附表三 --- p.245 / 附表四 --- p.246 / 附表五 --- p.247 / 參考書目 --- p.248 / 附圖 --- p.285

Huang, Tzu-hsuan. / Thesis Ph.D. Chinese University of Hong Kong 2015. / Includes bibliographical references (leaves 633-641). / Abstracts also in Chinese. / Title from PDF title page (viewed on 24, October, 2016).

This thesis examines the visual images of Vimalakirti, an ancient Indian lay Buddhist, painted on the walls of the Buddhist cave complex at Dunhuang, Gansu province, between 581 and 1036. The sixty-nine Vimalakirti, paintings preserved at Dunhuang are a valuable source for the exploration of historical, religious, and artistic dimensions of wall paintings and sutras. These visual images, together with other textual sources such as sutras, commentaries, and inscriptions, suggest a variety of interesting questions: Why was this theme repeatedly represented? Do the images all have the same prototype? Is there a spiritual function contained in the layout of the caves and composition of the wall paintings? Did the meaning of these images change according to historical context? Did the patrons have a political scheme in mind when commissioning these devotional artworks? While it is difficult to provide definitive answers to all these questions, this thesis will attempt to clarify them and offer preliminary answers on the basis of available visual and textual sources. / The introduction of this thesis includes an overview of basic concepts related to wall paintings, a short history of the transmission of the Vimalakirti,-nirdesa Sutra, and a review of past scholarship on Vimalakirti, paintings and related subjects. The body of the thesis is divided into three main chapters. The first chapter describes the important visual representations of Vimalakirti, before the Sui dynasty. The second chapter of the thesis will provide an introduction to representations of Vimalakirti, at Dunhuang from the late sixth to the early eleventh centuries. The third chapter examines the social functions and symbolic meanings of the Vimalakirti, paintings at Dunhuang.

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