Made available in DSpace on 2014-12-17T15:06:39Z (GMT). No. of bitstreams: 1 RomaoISJ.pdf: 1136533 bytes, checksum: 3630b79e4523766bd684886353ecbb9e (MD5) Previous issue date: 2006-10-31 / The present research intends to propose a reading in a new dimension of the fantastic (weird) literature and, especially, of its Brazilian more representative author, Murilo Rubi?o. At the beginning with concepts and associations with the erotic, starting from the myth of Eros and Psique and developing relations with Georges Bataille's theory on the theme. Afterwards, other associations are made, now with relation to the own fantastic literature. With the essence of this literature, examples of the traditional close to the contemporary. A last, association is made with the absurd literature. The contemporary man as being object and its configuration represented in the field of the dreams and its possibilities. At the end of the work, a "post scriptum" suggests a more imersive reading of tales in the entire that appeared broken into fragments along the research / A presente disserta??o tem o intuito de propor uma leitura redimensionada da literatura fant?stica e, em especial, de seu maior representante brasileiro, o autor mineiro Murilo Rubi?o. De in?cio com conceitos e associa??es quanto ao erotismo, partindo do mito de Eros e Psiqu? e desenvolvendo rela??es com a teoria de Georges Bataille sobre o tema. Em seguida outras associa??es s?o feitas, com rela??o ? pr?pria literatura fant?stica. A busca do reencontro com a ess?ncia deste g?nero apresenta-se junto a exemplos do tradicional e do contempor?neo. Uma ?ltima associa??o ? feita com o g?nero absurdo. O homem contempor?neo como ser objeto e sua configura??o representada no campo on?rico das possibilidades. Ao final do trabalho, um post scriptum sugere uma leitura mais imersiva de contos na ?ntegra que surgiram fragmentados ao longo da disserta??o

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-04-03T19:16:36Z No. of bitstreams: 1 EdsonMoisesDeAraujoSilva_DISSERT.pdf: 722722 bytes, checksum: bbcedd8dc88d56339eac4a58174b4d4d (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-04-04T21:53:14Z (GMT) No. of bitstreams: 1 EdsonMoisesDeAraujoSilva_DISSERT.pdf: 722722 bytes, checksum: bbcedd8dc88d56339eac4a58174b4d4d (MD5) / Made available in DSpace on 2017-04-04T21:53:14Z (GMT). No. of bitstreams: 1 EdsonMoisesDeAraujoSilva_DISSERT.pdf: 722722 bytes, checksum: bbcedd8dc88d56339eac4a58174b4d4d (MD5) Previous issue date: 2016-02-26 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / A literatura, enquanto representa??o social, possui v?rias vias de cria??o. Dentre elas, destacamos a literatura fant?stica que se distancia da l?gica da realidade para evidenciar as contradi??es da sociedade moderna. At? mesmo a literatura classificada como realista, em certos casos, tamb?m faz concess?es aos procedimentos fant?sticos para questionar as rela??es humanas. Nesse sentido, esta disserta??o analisou os contos ?A cidade?, ?B?rbara?, ?O ex-m?gico da Taverna Minhota? e ?Bot?o-de-rosa?, do escritor mineiro Murilo Rubi?o. Nos contos de Rubi?o, identificamos a presen?a do efeito de estranhamento provocado pelo contato com o absurdo, mas este procedimento tem alian?a ?s arbitrariedades presentes em contos que tratam de tem?ticas como a reifica??o do ser humano, o consumismo desenfreado e formas de censura e autoritarismo. Como m?mese da sociedade moderna, Rubi?o escreve cr?ticas sociais de modo incans?vel e norteado por uma constante reescritura das narrativas, tendo sua obra reunida em 33 contos. Para a an?lise, apresentamos uma cr?tica integrativa entre literatura e sociedade, respaldada na an?lise do modo fant?stico nas narrativas selecionadas. Para tanto, tivemos o suporte te?rico de Chiampi (2008), Paes (1985), Todorov (1992), Garc?a e Batalha (2012) e Roas (2014) para a discuss?o sobre discurso. Aliado a essas no??es, propusemos a integra??o cr?tica ao pensamento acerca da assimila??o mercadol?gica sofrida pelo indiv?duo na modernidade (DEBORD, 1997). Em s?ntese, tivemos como maior interesse a verifica??o do uso intencional dos procedimentos fant?sticos para a den?ncia de cenas e pr?ticas autorit?rias na realidade social. / The literature, as a social representation, has several means of creation. Among them, we emphasize the fantastic literature that is far from the reality of logic to make clear the contradictions of modern society. Even the literature classified as realistic, in some cases, also makes concessions to the fantastic procedures to question the human relationships. In doing so, this dissertation analyzed the short stories ?A cidade?, ?B?rbara?, ?O ex-m?gico da Taverna Minhota? and ?Bot?o-de-rosa?, by Murilo Rubi?o. In the Rubi?o?s short stories, we identified the presence of defamiliarization effect caused by the contact with the absurd, however this procedure has allegiance to arbitrariness present in short stories that deal with themes such as the reification of human being, rampant consumerism and forms of censorship and authoritarianism. As mimesis of modern society, Rubi?o writes social criticism tirelessly and guided by a constant rewriting of the narrative, and his work held in 33 short stories. For the analysis, we present an integrative review of literature and society, endorsed on the analysis of the fantastic way in the selected narratives. To this end, we had the theoretical support of Chiampi (2008), Paes (1985), Todorov (1992), Garc?a and Batalha (2012) and Roas (2014) for a discussion about speech. Allied to these notions, we proposed the critical integration to thinking about marketing assimilation suffered by the individual in modernity (Debord, 1997). In summary, we had such great interest to verify the intended use of the fantastic procedures for reporting scenes and authoritarian practices in social reality.