Thesis (M. Arch.)--Carleton University, 2005. / Includes bibliographical references (p. 121-122). Also available in electronic format on the Internet.

Thesis (M.Arch.) - Carleton University, 2005. / Includes bibliographical references (p. 102-104). Also available in electronic format on the Internet.

Thesis (Ph. D.)--Florida State University, 2005. / Advisor: Lauren S. Weingarden, Florida State University, College of Arts and Sciences, Program in Humanities. Title and description from dissertation home page (viewed Jan. 25, 2006). Document formatted into pages; contains xi, 169 pages. Includes bibliographical references.

The study investigates how museum and gallery buildings can be designed to give functional longevity and appeal. It considers this in terms of their design and relation to their surroundings and use in the context of changing social, cultural, political and economic factors. Post World War II the typological design and layout of these buildings was challenged; partly as a result of the influence of modernism and also as new modes of art production challenged the spaces and display modes. Financial instability and class perception have always been problematic and increased public expectations add to issues that need addressing. The study investigates how these factors have impacted on these buildings and if this has influenced their design and use. It considers the regional context of the West Midlands and also draws comparisons to other areas in England to investigate ways of addressing contemporary issues to achieve longevity of use. The study considers the historical influence of the typological developments. Examples from the West Midlands and investigation of the area’s historical background are used to identify if regional idiosyncrasies exist and if these influence a building’s longevity. This establishes their contemporary context and objectively reviews the resulting implications of appearance and function in relation to the social, cultural and economic issues that may be dominant within this region. A qualitative interview methodology and analysis is used to examine the views of a multidisciplinary group of museum and gallery users, capturing a snapshot in time of their views on the appearance, understanding and use of these buildings. This information is analysed and discussed in conjunction with the findings of the relevant literature. The comparison of the information researched raises regional and national issues associated to design and use of these buildings. Four key themes related to the longevity of use emerged; architectural design, location, economic viability and inclusivity.

The Inner Landscape A matrix of cognitive and environmental structures A geometric interface of mind and nature A gallery in the wood / Master of Architecture

This thesis explores the possible resolution of colliding autonomous architectural entities. The manifestation of this resolution occurs in the design of an art museum that utilizes the memory of the Victorian national spirit. The realization of this program underlies the author's continued pursuit to define the entities of boundary and threshold. This entire enquiry is presented through the utilization of photographs, drawings, and supporting text. / Master of Architecture

Thesis (M. Arch. D.U.)--University of Notre Dame, 2006. / Thesis directed by Steven W. Semes for the School of Architecture. "April 2006." Includes bibliographical references (leaves 49-50).

Structures of perfect symmetry, order, and beauty exist in both discoveries of science and objects found in natures. With careful observation and analysis, creative applications of these interesting forms can be and have been applied in many architectural structures with great success. In this project the utilization of these forms can not only bring out the purpose of this Museum of Nature and Science, but because these forms are derived from natural studies, they can also give viewers a sense of familiarity and peacefulness. / Master of Architecture

In reading that particular line from Whitman one immediately realizes that to study an architectural object takes on an air of subjectivity. To assume architecture is intrinsic to site materials, or any other variable is incorrect. Rather, it emanates from so many indescribable pieces making the whole. Taking this thought a step further and introducing history, one can suggest that just as history is sometimes transparent, the same may apply to architecture. Since one event is not necessarily dependent on another, this thesis can be viewed in much the same manner. An architectural study of the old and new, the in-between and how one element can affect the other but stand apart as its own was the focus of this thesis. / Master of Architecture

Esta investigación tiene como objetivo principal explorar y definir los lineamientos de las intervenciones contemporáneas en edificios históricos, y servir de guía para la elaboración de un programa de ampliación para el Museo de Arte de Lima. / Tesis