O conceito de interatividade tem sido amplamente utilizado como premissa para a estruturação institucional de museus, sendo comumente introduzido no espaço museológico nas décadas recentes. A museografia interativa frequentemente aparece como alternativa para a apresentação de acervos formados a partir de bancos de dados digitais, participando ativamente da constituição de museus encarados como centros de referências e da criação das narrativas museais. O estudo pretende analisar a interatividade entendida como diálogo entre arquitetura, museografia e museologia, investigando sua relação com a concepção e recepção do espaço expositivo contemporâeo. Para tanto, possui como foco principal a análise do contexto brasileiro a partir dos casos de referência selecionados: Museu do Futebol (São Paulo, 2008) e Museu do Amanhã (Rio de Janeiro, 2015). A partir da análise proposta, pretende-se aprofundar o entendimento sobre a consolidação do campo da museografia interativa no Brasil, verificando suas implicações para o projeto de arquitetura de museus ao avaliar como se configura a relação entre acervos digitais, museografia interativa e arquitetura de museus. / Interactivity has been a widely used concept for the structuring of institutional museums. It has been frequently introduced in the museological space as an important point of consideration by the exhibition´s design, markedly in recent decades. The interactive museography is a common solution used to present digital collections, having assumed an important role to reference center museums. Although interactivity in museums has been a recurring theme developed in recent studies, the relation between interactivity and architectural design has not yet been enough analyzed. For this reason, this is the central question addressed by this article: to investigate the interactivity concept known as the relation between architecture, museography and museology, focusing on the relation between the creation and the reception of the exhibition contemporary space. For this reason, the study intends to deepen the analysis of the Brazilian context, especially in the lights of the Museum of Football (São Paulo, 2008) and the Museum of Tomorrow (Rio de Janeiro, 2015). By this research, we intend to deepen the present comprehension of interactive museography in Brazil, investigating the relation between digital collections, interactive museography and museum contemporary architecture.

O conceito de interatividade tem sido amplamente utilizado como premissa para a estruturação institucional de museus, sendo comumente introduzido no espaço museológico nas décadas recentes. A museografia interativa frequentemente aparece como alternativa para a apresentação de acervos formados a partir de bancos de dados digitais, participando ativamente da constituição de museus encarados como centros de referências e da criação das narrativas museais. O estudo pretende analisar a interatividade entendida como diálogo entre arquitetura, museografia e museologia, investigando sua relação com a concepção e recepção do espaço expositivo contemporâeo. Para tanto, possui como foco principal a análise do contexto brasileiro a partir dos casos de referência selecionados: Museu do Futebol (São Paulo, 2008) e Museu do Amanhã (Rio de Janeiro, 2015). A partir da análise proposta, pretende-se aprofundar o entendimento sobre a consolidação do campo da museografia interativa no Brasil, verificando suas implicações para o projeto de arquitetura de museus ao avaliar como se configura a relação entre acervos digitais, museografia interativa e arquitetura de museus. / Interactivity has been a widely used concept for the structuring of institutional museums. It has been frequently introduced in the museological space as an important point of consideration by the exhibition´s design, markedly in recent decades. The interactive museography is a common solution used to present digital collections, having assumed an important role to reference center museums. Although interactivity in museums has been a recurring theme developed in recent studies, the relation between interactivity and architectural design has not yet been enough analyzed. For this reason, this is the central question addressed by this article: to investigate the interactivity concept known as the relation between architecture, museography and museology, focusing on the relation between the creation and the reception of the exhibition contemporary space. For this reason, the study intends to deepen the analysis of the Brazilian context, especially in the lights of the Museum of Football (São Paulo, 2008) and the Museum of Tomorrow (Rio de Janeiro, 2015). By this research, we intend to deepen the present comprehension of interactive museography in Brazil, investigating the relation between digital collections, interactive museography and museum contemporary architecture.

published_or_final_version / Architecture / Master / Master of Architecture

The project under investigation here is a museum facility to house the full collection of historic Canadian trains currently on display at the existing Canadian Museum of Rail Travel located in Cranbrook, British Columbia. The site of the proposed museum is on a narrow strip of vacant land bordered along one edge by an operating railway yard and on the other by Highway 3/21 the major transportation route through Southern British Columbia. The intention of this siting is to allow the proposed museum to act as a backdrop to the city providing both a buffer between it and the industrial developments beyond the rail yards, as well as a reconnection of the City to the railway on which its history and development has been so dependant. The building itself is organized as two buildings (or layers) lying along side each other like rail cars on a series of tracks. The first building (entry building) houses the public activities of the museum including entry and information, gift shop, tea room/ cafe, temporary gallery, administration offices, archives, shipping/receiving and entrance to the orientation theatre. The second building (the train shed) houses the body of the collection and museum including the restored train sets and cars, elevated discussion space, orientation theatre, and restoration workshops. These two main buildings are connected by a long narrow spine which provides circulation from the entry building through the orientation theatre into the train shed and the collection itself. The spine also houses display areas and visible archives along its length which provide the passing viewer with further explanation of particular aspects of the museum's collection.

Thesis (M. Arch.)--Carleton University, 2004. / Includes bibliographical references (p. 89-90). Also available in electronic format on the Internet.

Thesis (Ph. D.)--University of Chicago, Dept. of Art History, March 1999. / Includes bibliographical references. Also available on the Internet.

Thesis (Ph. D.)--University of Pennsylvania, 1994. / Typescript. Also issued in print.

Thesis (M.S.)--The University of North Carolina at Greensboro, 2009. / Directed by Patrick Lucas; submitted to the Dept. of Interior Architecture. Title from PDF t.p. (viewed Jul. 29, 2009). Includes bibliographical references (p. 97-101).

Thesis (Ph. D.)--University of Pennsylvania, 1994. / Typescript. eContent provider-neutral record in process. Description based on print version record.

Thesis (M.Arch.)--University of Detroit Mercy, 2009. / Includes bibliographical references (p. 124).