Thesis (M.S.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-01

Thesis (M.M.E.)--Boston University / This study is needed to acquaint music educators with the wider application of music in areas of activity other than just the school and the concert halls. These areas where music is used in a manner different from that of the public school and concert hall include: A. Music in the industries over a reproducing system as an accompaniment to work B. Workers participating in choral groups, bands, orchestras and shows. The uses of music in our modern industries with its various possibilites, advantages and contribution to the morale of the worker, has been investigated in this study. A survey of the extent of the present day actual utilization of music in the various factories of the greater Boston area has been evaluated and studied [TRUNCATED]

The purpose of this case study was to explore the perspectives and reflections of students and an educator who engaged in the assessment techniques of versioning and critique in a high school classroom employing Technology-Based Music Instruction (TBMI). The use of versioning (whereby students saved projects daily with a different file name), and critique was supported by and chosen based on a constructivist perspective of learning and assessment (Fosnot, 2005; Jonassen, 1992; Scott, 2012). I sought to document what students expressed about their experiences with versioning and critique in a TBMI classroom in relation to their learning process. I also explored the ways students constructed meaning and understanding through the process of reflection and discourse while using versioning and critique in a TBMI setting, as well as the ways their experiences with versioning and critique influenced their views of growth and self-expression. I presented one educator’s impressions regarding how the use of versioning and critique influenced his view of assessment in a TBMI setting. Study participants included a teacher and four students engaged in composition as part of an Introduction to Music Technology class at a private high school. Over a three-month period, I conducted three observations and two interviews with each study participant. Data included transcriptions of interviews, student journals, videos of the classroom, and fieldnotes. For data analysis, I employed an iterative coding process, which included a deductive and inductive application of codes. Data were then sorted thematically and summarized. Analysis revealed that the educator and students found both versioning and critique to be helpful and valuable in a number of ways. The students and teacher reported that versioning provided information about each student’s individual productivity level and unique compositional process. Students found that sharing their music and providing feedback with their peers through the critique process enabled them to interact with a community of musicians who had varying musical tastes and backgrounds. Future research could expand on this study by implementing daily student reflections and replicating aspects of this study in other classroom settings.

Thesis (M.S.)--Boston University

Thesis (Ed.M.)--Boston University

Thesis (Ed.M.)--Boston University

Thesis (M.M.)--Boston University

<p> Music education is often one of the first programs that are removed from school districts. With the new language in the &ldquo;Every Student Succeeds Act,&rdquo; it is important that school performance is measured through student engagement, parental involvement, and school culture, for a well-rounded education including music (NAfME, n.d.). The National Coalition for Core Arts Standards redeveloped the music standards in 2014 to include technology (NAfME, n.d.). The purpose of the study is to determine the impact of parental involvement and how access to technology contribute to the success of creating independent musicians in middle school, instrumental music programs. </p><p> A mixed-methods research analysis was completed to explore parental involvement and technology impacts. Interviews were conducted between public and private school music teachers, as well as parent participants. Surveys were sent to parents of both school sites to investigate what factor of parental involvement of Epstein&rsquo;s (1986) framework was most present in a middle school music program. Interviews were coded for common themes. An intervention was also implemented into the study to determine if there was a significant difference in musical growth gained between technology and the traditional teaching method, but also to determine if technology facilitates Zimmerman&rsquo;s (1986) framework of self-regulated learning. Paired samples T-tests were computed on Statistical Package for Social Sciences (SPSS) software to calculate the comparisons between the methods and their growth scores. There was a significant difference in the pre-test and post-test for both the traditional teaching method and the intervention method. However, there was not a significant difference between the growth rates of both methods. This indicated that either method was an effective way for students to learn a piece of music. In addition, practice logs for the traditional method were coded for evidence of self-regulated learning. Positive communication between parents, teachers and technology in music education that facilitates self-regulated learning impacted the success of students becoming independent musicians in middle school instrumental-music programs. Interviews of two music teachers determined differences between the programs pertaining to support, enrollment, funding and technology. Positive communication between parents and teachers promoted a better understanding of a child&rsquo;s musical development, and that parents want to know that their teacher cares for their child. Computer-based technology in the music classroom demonstrated an effective practice session for students. Students were motivated to do well by utilizing evaluation features of the software. </p><p> Keyword: music education, middle school, parental involvement, communication, student success, self-regulated learning, technology, motivation, independent musicians.</p><p>

Thesis (Ed.D.)--Boston University

Thesis (M.M.)--Boston University