Spelling suggestions: "subject:"music -- china"" "subject:"music -- shina""
11 |
Affective elements in Cantonese guquIp, Eliza Patricia 11 1900 (has links)
Two "old melodies" (guqu) from traditional Cantonese instrumental repertoire,
"The Grief of Zhaojun" (Zhaojun Yuan) and "Autumn Moon Overlooking the Han
Palace" (Hangong Qiuyue) are assigned contrasting moods by Cantonese musicians:
the former is associated with sorrowful sentiments; the latter, with bright and/or lively
qualities. This study attempts to show that affective elements in Cantonese instrumental
music intergrate ancient socio-philosophical theories with aspects of traditional
performance practice.
Chapter 1 presents the similarities between Confucian functionalist ideology and
a number of heterophonic features. Chapter 2 introduces the manifestation of Daoist
metaphysical philosophy through principles of heterophonic variation and a number of
melodic characteristics. Chapter 3 contains some general aspects of traditional
Cantonese instrumental music and the musical analysis. The musical analysis looks,
within the context of Confucianism and Daoism, at the affective role of melodic
embellishment techniques associated with heterophonic practices. / Arts, Faculty of / Music, School of / Graduate
|
12 |
Confronting a different idiom: five compositions for Chinese instruments莫健兒, Mok, Kin-yee, Raymond. January 1999 (has links)
published_or_final_version / Music / Master / Master of Philosophy
|
13 |
先秦哲學中之音樂思想硏究. / Xian Qin zhe xue zhong zhi yin yue si xiang yan jiu.January 1968 (has links)
論文(碩士)--香港中文大學, 1968. / Manuscript. / Includes bibliographical references (leaves 127-132). / Thesis (M.A.)--Xianggang Zhong wen da xue. / Chapter 第一章 --- 緒論 --- p.6 / Chapter 第二章 --- 古代音樂之發展及樂教思想之孕育 --- p.9 / Chapter 第三章 --- 孔子之音樂修養 --- p.17 / Chapter 第四章 --- 孔子之音樂思想 --- p.24 / Chapter 一 --- 音樂之作用 --- p.24 / Chapter 二 --- 禮樂相成 --- p.28 / Chapter 三 --- 禮樂主德 --- p.30 / Chapter 四 --- 樂德中和 --- p.31 / Chapter 五 --- 雅樂與淫聲 --- p.35 / Chapter 第五章 --- 墨子哲學與其非樂思想之關係 --- p.41 / Chapter 第六章 --- 孟子之音樂思想及其與孔子之異趣 --- p.47 / Chapter 第七章 --- 莊子哲學凹其音樂思想之關係 --- p.57 / Chapter 第八章 --- 附論:苟子樂篇與樂記之糾葛 --- p.65 / Chapter 第九章 --- 荀子之音樂思想 --- p.81 / Chapter 一 --- 樂論篇中之疑點 --- p.81 / Chapter 二 --- 荀子倡導樂教之緣由 --- p.84 / Chapter 三 --- 樂感人心與人心感樂 --- p.89 / Chapter 四 --- 雅樂與浮聲 --- p.91 / Chapter 五 --- 禮樂異同 --- p.92 / Chapter 六 --- 孔旬音樂思想之異趣 --- p.94 / Chapter 第十章 --- 樂記中之音樂理論 --- p.98 / Chapter 一 --- 樂記之矛盾謬誤處 --- p.98 / Chapter 二 --- 樂記本義試探 --- p.102 / Chapter (一) --- 樂律度數 --- p.103 / Chapter (二) --- 音樂之原 --- p.105 / Chapter (三) --- 聲、音、樂之別 --- p.109 / Chapter (四) --- 人心感樂與樂感人心 --- p.112 / Chapter (五) --- 禮樂王德 --- p.115 / Chapter (六) --- 禮樂之道與天地之道 --- p.117 / Chapter (七) --- 禮樂相成 --- p.121 / Chapter 第十一章 --- 結論 --- p.124 / 參考書目 --- p.127
|
14 |
The performances of J.S. Bach's music in the Hong Kong Arts Festival: a case study of Bach reception in Hong KongYip, Lam, Christine., 葉琳. January 1997 (has links)
published_or_final_version / Music / Master / Master of Philosophy
|
15 |
A study of Hong Kong popular song lyrics from 1970s to 1990s葉嘉敏, Yip, Ka-man. January 2000 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
|
16 |
A critical study of the Yueh-chi or, Record of musicChan, Hok-man., 陳學文. January 1965 (has links)
published_or_final_version / Chinese / Master / Master of Arts
|
17 |
He Zhanhao and Chen Gang: "The Butterfly Lovers" violin concerto.Lang, Xiaoming. January 1992 (has links)
Musical study of The Butterfly Lovers violin concerto by He Zhanhao and Chen Gang. Tracing its cultural background in China, analyzing in terms of the concerto's form, melody, scale, mode, harmony, and orchestration and discussing the more unusual technical demands of violin playing made by this concerto.
|
18 |
Theory and Practice in the Traditional Chinese Music: Observations and AnalysisHuang, Hsun-Pin 12 1900 (has links)
Chinese music has one of the longest histories of development of all music cultures of the world. A system of music (theory) was formulated, in its unique way, but is differed fundamentally from its occidental counterpart. The discussion of this thesis focuses on the following two aspects: (1) the observations on those musical and non-musical factors, which had conditioned the course of development of Chinese music and (2) the analysis of selected examples to summarize the tonal structures and modal patterns, particularly, on the modal and modulatory analysis. A comparison of similarities and differences on melodic gesture between Chinese and Western tonal practice is also included in this study.
|
19 |
The aesthetics of Wu : Wang Bi's ontological paradigm and the transformation of Chinese aesthetics /Chang, Edmond Yi-teh. January 2001 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2001. / Vita. Includes bibliographical references (leaves 300-308).
|
20 |
Contemporary Chinese music in Hong Kong: the Wuji Ensemble, a case studyKam, Chi-lim, Daniel., 甘志廉. January 2010 (has links)
published_or_final_version / Music / Master / Master of Philosophy
|
Page generated in 0.0787 seconds