published_or_final_version / Architecture / Master / Master of Architecture

published_or_final_version / Architecture / Master / Master of Architecture

published_or_final_version / abstract / Asian Studies / Doctoral / Doctor of Philosophy

published_or_final_version / abstract / Literary and Cultural Studies / Master / Master of Arts

by Wong Yan Chau, Christina. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1994. / Includes bibliographical references (leaves 175-186). / Chapter I. --- Introduction --- p.2 / Chapter II. --- Historical Background --- p.5 / Chapter III. --- A Review of the Related Literature --- p.14 / Chapter A. --- The Culture Industry Approach --- p.15 / Chapter B. --- The Liberal-Pluralist Approach --- p.26 / Chapter C. --- The Technological Approach --- p.31 / Chapter IV. --- The Theoretical Perspective --- p.36 / Chapter V. --- Methodological Approach to Study --- p.42 / Chapter A. --- Content Analysis of Lyrical Messages --- p.42 / Chapter 1. --- Method --- p.42 / Chapter 2. --- Data --- p.43 / Chapter 3. --- Analytic Framework of the Textual Analysis --- p.45 / Chapter B. --- Analysis of Rock Music within Hegemony --- p.48 / Chapter 1. --- Method --- p.48 / Chapter 2. --- Data --- p.50 / Chapter VI. --- Meanings in Rock Music --- p.52 / Chapter A. --- Themes in each fictional mode --- p.52 / Chapter B. --- Thematic content of Rock Music --- p.54 / Chapter 1. --- The Ironic Mode --- p.54 / Chapter 2. --- The Mimetic Mode --- p.64 / Chapter a. --- Phenomena of Identity Crisis --- p.64 / Chapter i. --- Loss of direction --- p.65 / Chapter ii. --- Roots-seeking --- p.68 / Chapter iii. --- Alternating identity --- p.69 / Chapter iv. --- Alienation --- p.71 / Breakaway --- p.71 / A Stranger in the City --- p.74 / Chapter b. --- Outlook on Life --- p.76 / Chapter c. --- Social Problems --- p.79 / Chapter i. --- War --- p.79 / Chapter ii. --- Incivility --- p.81 / Chapter d. --- The Experience of Growing Up --- p.82 / Chapter i. --- Anti-patriarchism --- p.82 / Chapter ii. --- Wandering --- p.83 / Chapter iii. --- The Loss of Childhood --- p.84 / Chapter e. --- Love --- p.85 / Chapter i. --- Yearning for love --- p.85 / Chapter ii. --- Frustrations with love --- p.86 / Chapter iii. --- Wild love --- p.88 / Chapter iv. --- Inauthentic love --- p.90 / Chapter 3. --- The Leadership Mode --- p.93 / Chapter a. --- The Exploratory Spirit --- p.93 / Chapter b. --- Individuality and Non-Conformity --- p.96 / Chapter c. --- The Authentic Self --- p.98 / Chapter 4. --- The Romantic Mode --- p.102 / Chapter a. --- Nostalgia for a Glorious Past --- p.102 / Chapter b. --- Anarchy in the Demonic World --- p.105 / Chapter c. --- Union with nature --- p.107 / Chapter d. --- The Pastoral Utopia --- p.111 / Chapter e. --- Fictional Characters and Objects Speaking --- p.112 / Chapter 5. --- The Mythic Mode --- p.117 / Chapter C. --- The World View of Rock Music --- p.120 / Chapter VII. --- The Relations of Rock Music to Hegemony --- p.125 / Chapter A. --- Messages of Rock and the Hegemony --- p.125 / Chapter B. --- Music as a Contested Terrain --- p.130 / Chapter 1. --- The Hegemonic Power: Cooptation and Marginalization --- p.130 / Chapter 2. --- The Deviant Culture: Struggle by Means of adaptation and negotiation --- p.140 / Chapter VIII. --- Conclusion --- p.155 / Chapter IX. --- Limitations of the Study --- p.158 / Chapter X. --- Future Studies on Rock Music --- p.161 / Notes --- p.165 / Bibliography --- p.175 / Discography --- p.185 / Appendix 1. The Sample of Rock Songs --- p.187

李潔嫦. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1998. / 參考文獻: leaves 99-106. / Li Jiechang. / 撮要 --- p.iii / Chapter 第一章 --- 地水南音源流槪說 / Chapter 一´Ø --- 引言 --- p.一 / Chapter 二´Ø --- 南音的起源和發展 --- p.二 / Chapter 三´Ø --- 有關南音的原始資料及研究 --- p.四 / Chapter 第二章 --- 地水南音在香港的發展(二十至九十年代） / Chapter 一´Ø --- 南音在香港早期的槪況 --- p.八 / Chapter 二´Ø --- 地水南音的衰落與戲台、粤曲南音的蓬勃(四十至六十年代） --- p.十九 / Chapter 三´Ø --- 七十年代 --- p.二五 / Chapter 四´Ø --- 八十年代至今 --- p.二八 / Chapter 第三章 --- 地水南音的音樂風格 / Chapter 一´Ø --- 引言 --- p.四三 / Chapter 二´Ø --- 唱詞結構 --- p.四四 / Chapter 三´Ø --- 板面及過序的處理 --- p.四八 / Chapter 四´Ø --- 《霸王別姬》音樂結構分析 --- p.五四 / Chapter 五. --- 《客途秋恨》：語言聲調與旋律的關係 --- p.六八 / Chapter 第四章 --- 近代唱者個案：杜煥及唐健垣 / Chapter 一´Ø --- 杜煥的生平及唱腔風格 --- p.七八 / Chapter 二´Ø --- 唐健垣的生平及唱腔風格 --- p.八三 / Chapter 三´Ø --- 結論 --- p.九十 / Chapter 第五章 --- 結論 --- p.九四 / 參考書目 --- p.九九 / 附錄一《霸王別姬》唱腔旋律記譜 --- p.一零七 / 附錄二 《霸王別姬》的唱腔分析 --- p.一一七 / 附錄三《客途秋恨》的唱腔分析 --- p.一三一 / 表目 / 表2-1 六十至八十年代南音演出及硏討會資料 --- p.三五 / 表2-2 香港灌錄及發行的南音唱片目錄 --- p.三七 / 表2-3 八十至九十年代南音演出和講座資料 --- p.三九 / 表3-1 --- p.五五 / 表3-2 --- p.五七 / 表3-3 --- p.六五 / 表3-4 --- p.六九 / 表3-5 --- p.七二 / 表4-1杜煥生平年表 --- p.八二 / 表4-2唐健垣生平年表 --- p.八八

Wong King-chung. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 66-78). / Abstracts in English and Chinese. / Abstract --- p.i / Abstract (Chinese) --- p.ii / Acknowledgement --- p.iii / Table of Contents --- p.v / List of Figures and Tables --- p.vii / Chapter Chapter 1´ؤ --- Introduction / A New Age of Sound --- p.1 / Academic Background and Related Studies --- p.2 / Chinese Music and the Media --- p.4 / The Present Study and Methodology --- p.5 / Chapter Chapter 2´ؤ --- SoundScape of China: The Influence of Ethnomusicology in China in the 1980´ةs / Introduction --- p.8 / From Comparative to Cultural: Chinese Music Scholarship in the Twentieth Century Mainland China --- p.10 / Revealing a Soundscape of Chinese Music´ؤDevelopment of Musical Genre Study --- p.13 / Concluding Remarks --- p.18 / Chapter Chapter 3´ؤ --- Mapping a Soundscape: Analyzing the HUGO CD Catalogue(s) / Introduction --- p.20 / "Classification, Category and Catalogue" --- p.20 / Recording Industry in Hong Kong --- p.22 / Aik Yeh-goh and HUGO Production (HK) Ltd --- p.28 / HUGO'S Label Division --- p.29 / Statistical Analysis of HUGO CD Catalogues --- p.31 / An Aural Map´ؤSoundscape of China --- p.38 / Concluding Remarks --- p.42 / Chapter Chapter 4´ؤ --- Whose Music? The Role of the HUGO CD Catalogue in Chinese Cultural Memory / Introduction --- p.44 / Communication Theory in Studying Recording Industry --- p.46 / Lasswell's 5-W Formula as a System --- p.46 / Lewin's Gatekeeping Theory --- p.50 / The Role of HUGO CD: Imagination of Chinese Music outside Mainland China --- p.52 / Concluding Remarks --- p.54 / Appendix A: Name List of Record Companies in Hong Kong before the 1990's --- p.56 / Appendix B: The Catalogue of the HUGO CDs --- p.58 / Selected Bibliography --- p.66

One of the most important compositional theories of Alexander Tcherepnin (1899-1977), Russian-American composer and pianist, is the Eurasian ideology, which was a result of the influence of Eastern culture. Inspired by this theory, Tcherepnin not only extricated himself from his own compositional techniques, but also intensified his search for musical folklore. In April, 1934, he began a world tour which was to include China, Japan, Singapore, the Philippines, Egypt, and Palestine, to search for "musical folklore." He became so fascinated with the culture of ancient China that he cancelled the rest of his arrangements, and, except for visits to Japan, he remained in China for three years, until the outbreak of the Sino-Japanese War in July, 1937. During his three-year stay in China, Tcherepnin was greatly attracted to Chinese culture, and as a result, Chinese culture influenced his music to a significant degree. This essay examines the manner in which Tcherepnin's music was influenced by his experiences in China. In order to precisely analyze the close affiliation between Chinese musical elements and Tcherepnin's "Chinese Mikrokosmos," many original Chinese sources proved indispensable in this study. These sources include Chinese folk music, theater music, instrumental music, religious music, and Chinese periodicals and newspapers that reported Tcherepnin's activities in China (1934-7). The organization of this dissertation as follows: Chapter I provides a brief biographical sketch of Tcherepnin, traces his activities in China, and introduces one of his greatest "Chinese" compositions, "Chinese Mikrokosmos," which represents the fruits of his labors to scrutinize and absorb Chinese musical language. Chapters II and III are devoted to exploring how Chinese folk and instrumental music inspired Tcherepnin's "Chinese Mikrokosmos." Chapter IV summarizes this study.

Chan Ka Yan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves p. 93-100). / Discography: p. 101. / Abstracts in English and Chinese. / Chapter Chapter 1 --- Introduction: Resistance & Incorporation in Subcultural Studies --- p.1 / Research Objective --- p.1 / The Case --- p.2 / Conceptualizing Subcultures --- p.3 / Resistance: An Antagonistic Relation between Subculture and Dominant Culture --- p.9 / Incorporation: An Exploitative Relation between Subculture and Dominant Culture --- p.12 / A Critique on Post-war Youth Subculture Studies --- p.15 / Local Studies on Subcultures and Alternative Music --- p.17 / Conceptual Framework --- p.21 / Research Methods --- p.22 / Major Argument and Outline of Paper --- p.28 / Chapter Chapter 2 --- Subcultural Discourse: Textual Analysis on LMF Music --- p.30 / Lazy Clan: Dominant Values vs. Subterranean Values --- p.31 / Hong Kong for Sure: Distrust of SAR Government --- p.34 / Challenging Music Industry --- p.35 / Attacking the Media: 'Uknuwudafuckimsayin' --- p.36 / Dramatized Masculinity --- p.38 / Subcultural Resistance? --- p.40 / Chapter Chapter 3 --- Youth's Body as a Battleground: Reception Studies --- p.45 / Domination --- p.50 / Negotiation --- p.57 / Resistance --- p.66 / "Conclusion: Discursive Struggle - Domination, Negotiation and Resistance" --- p.70 / Chapter Chapter 4 --- Dialectic between Incorporation and Excorporation --- p.73 / LMF in Mainstream Record Industry --- p.73 / LMF in Advertisements --- p.75 / LMF in Media --- p.77 / Conclusion: Dialectic of Incorporation and Excorporation --- p.80 / Chapter Chapter 5 --- "Conclusion: Populist Resistance, Multiple Identities and Imagined Authenticity" --- p.84 / Populist Resistance --- p.85 / Multiple Identities --- p.87 / Imagined Authenticity --- p.89 / References --- p.93

Yeung, Hiu Yan Dorcas. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 166-173). / Abstracts in English and Chinese. / Abstract --- p.i / Acknowledgements --- p.iv / Table of Contents --- p.v / Tables and Figures --- p.vii / Chapter Chapter 1. --- Introduction / Chapter 1.1. --- Background --- p.1 / Chapter 1.2. --- Objectives and research questions --- p.8 / Chapter 1.3. --- Significance --- p.11 / Chapter 1.4. --- Chapters overview --- p.12 / Chapter Chapter 2. --- The Scene of Classical Music and Cultural Policy in Hong Kong / Chapter 2.1. --- Defining classical music and beyond --- p.16 / Chapter 2.2. --- Development of orchestras and classical music in Hong Kong --- p.17 / Chapter 2.3. --- Models of cultural policy and policy in Hong Kong --- p.21 / Chapter 2.4. --- Supporting arts groups --- p.29 / Chapter 2.5. --- Current funding policy --- p.31 / Chapter Chapter 3. --- Literature Review / Chapter 3.1. --- Introduction --- p.38 / Chapter 3.2. --- Theorizing state and arts - the field of cultural production --- p.38 / Chapter 3.3. --- Arts administration --- p.47 / Chapter 3.4. --- Amateur --- p.51 / Chapter 3.5. --- "Chapter summary: Amateur arts group, administration and the field" --- p.58 / Chapter Chapter 4. --- Methodology / Chapter 4.1. --- In-depth interviews --- p.60 / Chapter 4.2. --- Documentation --- p.63 / Chapter 4.3. --- Limitations --- p.63 / Chapter Chapter 5. --- Being (and Surviving as) an Amateur: Case Studies of Music Groups / Chapter 5.1. --- Introduction --- p.65 / Chapter 5.2. --- Estimating number of amateur music groups --- p.65 / Chapter 5.3. --- The spectrum from professional to hobbyist --- p.67 / Chapter 5.4. --- The need for resources --- p.76 / Chapter 5.5. --- From beliefs to action --- p.89 / Chapter 5.6. --- Models of operation --- p.96 / Chapter 5.7. --- Chapter summary --- p.105 / Chapter Chapter 6. --- Between What We Want and How They Do: Matching with the Administrative Habitus / Chapter 6.1. --- Introduction --- p.107 / Chapter 6.2. --- The significance of arts administration --- p.107 / Chapter 6.3. --- The mechanism --- p.110 / Chapter 6.4. --- Getting around the system --- p.124 / Chapter 6.5. --- Arts administration as a field --- p.131 / Chapter 6.6. --- Negotiating with the administration --- p.140 / Chapter 6.7. --- Chapter summary: Mapping the field --- p.144 / Chapter Chapter 7. --- Conclusion / Chapter 7.1. --- Conclusion --- p.149 / Chapter 7.2. --- Implications on cultural policy --- p.154 / Chapter 7.3. --- Implications on amateur and amateur activities --- p.158 / Chapter 7.4. --- Limitations and future direction --- p.159 / Appendixes --- p.163 / References --- p.166