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Robert Mayrhofer's Theory of HarmonyThomson, Sten Unknown Date
No description available.
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Music and art and the crisis in early modernism : An introduction to some non-serial dodecaphonic techniquesMiller, S. T. January 1988 (has links)
No description available.
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Assessing the degree of relatedness between key areas : a quantitative model of key distance and tonal similarity / Quantitative model of key distance and tonal similarityDousa, Dominic January 2003 (has links)
In this dissertation, I propose a model for comparing the degree to which diatonic major and minor keys are related to one another. I consider specific tonal and interval relationship factors (e.g., circle-of-fifths distance, tonic-to-tonic interval class) and their influence on the perception of how two keys are related. For all forty-eight possible relationships of two diatonic keys, I assign numerical values for each factor. These values are based on theoretical concepts where appropriate (e.g., the number of steps between the keys on the circle of fifths) and on an intuitive assessment in cases where there is no accepted numerical designation (e.g., the direction along the circle of fifths one travels from the first key to the second). I weight the values according to the relative significance of each factor and sum the weighted values to obtain a single numerical measure that describes the "distance" from the first key to the second. This abstract idea of distance represents the degree of relatedness between two keys. Larger distance values denote a lesser degree of relatedness. The model incorporates the idea of keydistance asymmetry - that the perceived distance between two keys depends on the order in which they occur.I devote one chapter to a general discussion of key relationships and another to the application of the model as a tool for analyzing the harmonic structure of tonal compositions from the standard literature. Using the key-distance model I develop in Chapter 2, I also provide a harmonic analysis of a composition for symphonic band which I have written to complement the theoretical portion of this dissertation. The score of this piece is included as an appendix. / School of Music
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Elementi teorico-practici de musica by Francesco Galeazzi; an annotated English translation and study of volume 1.Galeazzi, Francesco, Frascarelli, Angelo. January 1968 (has links)
Thesis (D.M.A.)--University of Rochester, 1968. / Vita. Includes tables (5 fold.) in pocket. Bibliography: leaves 434-439. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/7697
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Musica Hermanni Contracti. Presented from a new source and collated with the previous editions of Gerbert and Brambach, with parallel English translation. Together with a discussion of the Rochester codex from which this is taken, and a brief discussion of the author.Hermannus Contractus, Ellinwood, Leonard, January 1900 (has links)
Thesis (M.M.)--University of Rochester, 1934. / Typewritten. Bibliography: p. 162-167. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/3127
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Die Theorie und Praxis der Intonationen in der traditionellen koreanischen Musik, gemessen an den Wölbbrettzithern Kǒmun'go und K'ayagǔmKwon, O-Yeon, January 1992 (has links)
Thesis (doctoral)--Universität zu Köln, 1991. / Includes bibliographical references (p. 231-237).
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"Informed spontaneity" a theoretical approach to the enhancement of creativity in performance /Jakubowski, Kelly Joan, January 2009 (has links)
Thesis (M.A.)--Ohio State University, 2009. / Title from first page of PDF file. Includes vita. Includes bibliographical references (p. 90-91).
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Mod-7 transformations in post-functional music /Kelley, Robert Tyler. January 2004 (has links)
Prospectus (Ph.D.) Florida State University, 2005. / Includes biographical sketch. Includes bibliographical references.
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Seventeenth-century musical fantasy origins of freedom and irrationality /Park, Yoon Kyung. January 2008 (has links)
Thesis (Ph.D.) - University of Glasgow, 2008. / Ph.D. thesis submitted to the Department of Music, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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Adam von Fulda on musica plana and compositio De musica, book II, a translation and commentary /Slemon, Peter John. Adam, January 1900 (has links)
Thesis (Ph. D.)--University of British Columbia, 1994. / Text of De Musica, Book II, Latin and English: leaves 167-217. Includes bibliographical references (leaves 139-160) and index.
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