Thesis (Ph. D. in History)--University of California, Berkeley, December 1992. / Includes bibliographical references.

Thesis (M.A.)--University of California, Santa Cruz, 1994. / Typescript. Includes bibliographical references (leaves 110-113).

Thesis (EdD)--Montana State University--Bozeman, 2009. / Typescript. Chairperson, Graduate Committee: Priscilla Lund. Includes bibliographical references (leaves 140-146).

Thesis (Ph. D.)--Ohio State University, 2006. / Title from first page of PDF file. Includes bibliographical references (p. 142-153).

Since European settlement of Australia, patriotic and nationalistic songs have provided entertainment and given an emotional outlet to the people of Australia. Due to their largely printed form, a significant proportion of these songs is still extant. The songs form a distinct subset of the larger popular song tradition. / This thesis documents and analyses all known patriotic and nationalistic songs written and published in sheet music form to the close of World War One. This end date has been determined because it represents a peak in this genre and also signals a radical shift in direction for popular songs with the advent of widespread music recording and broadcasting. / Distinct historical events (e.g. the Sudan conflict, Boer War, and First World War) or themes (e.g. military threats, the rising nationalism leading to Federation of Australian colonies) which influenced or inspired songs in this genre will be discussed. Songs are grouped in distinct chronological or thematic samples. The songs are analysed in this thematic context and then treated using more conventional musicological techniques. The often conflicting ideals of patriotism and nationalism are discussed using the songs as a reflection of contemporary opinion.

The editor's thesis (Ph.D.)--University of North Carolina at Chapel Hill, 1967. / Typescript (v. 1) Hymns, psalms, sacred and secular part-songs. For cantus, altus, tenor, and bassus. German words; editor's commentary in English. "Simler ... wrote many of the poems set to music and some of the music, but in the first edition ... he names Andreas Schwilge as the composer and arranger of the melodies." -- Leaf 30. eContent provider-neutral record in process. Description based on print version record. Bibliography: v. 1, leaves [281]-285.

Thesis (Ph.D.)--Faculty of Music, University of Melbourne, 2000. / Typescript. Includes bibliographical references (p. 257-280).

Thesis (M.A.)--University of California. / Bibliography: l. 139-149.

Thesis (Ph. D.)--University of Washington, 1986. / Vita. Bibliography: leaves [706]-729.

Submitted by Irene Nascimento (irene.kessia@ufpe.br) on 2016-10-18T18:56:41Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) A CASA EM VERSO E PROSA [Dissertação-MDU] - Nilson da Rocha Cordeiro.pdf: 2180963 bytes, checksum: 9626e909e5530d9a9c4943c189b62e12 (MD5) / Made available in DSpace on 2016-10-18T18:56:41Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) A CASA EM VERSO E PROSA [Dissertação-MDU] - Nilson da Rocha Cordeiro.pdf: 2180963 bytes, checksum: 9626e909e5530d9a9c4943c189b62e12 (MD5) Previous issue date: 2015-07-21 / CNPQ / Ao iniciar estas reflexões sobre a moradia, buscamos destacar o aspecto basilar da casa – enquanto abrigo – para o desenvolvimento do indivíduo, da cidade e da sociedade. Com o objetivo de investigar as concepções de casa, como esse termo é percebido e qual a sua real importância na constituição do indivíduo, utilizamos como porta de acesso para esse universo as representações feitas sobre a casa e o lar encontradas em canções e poemas que abordam a temática, seja de forma explicita ou implícita. A construção e análise dos dados deram-se de forma qualitativa na perspectiva interpretativa das ciências, nas quais, os atos humanos, assim como seus discursos, constroem e carregam significados que tecem os tecidos da história, da sociedade e das pessoas. Tentamos, por meio de uma leitura de canções e poemas, por meio da análise do conteúdo (BARDIN, 1977) e fundamentados na teoria das representações sociais (MOSCOVICI, 1978, 1985; JODELET, 1985, 1991), pesquisar a ideia de casa que está presente em nosso imaginário. Tomamos de empréstimo alguns conceitos da psicanálise (FREUD, 1973; WINNICOTT, 1983, 1985, 1989). Pudemos perceber que uma primeira ideia de casa é aquela associada à herança. Uma casa-memória onde encontramos os traços de uma afetividade intensa e geralmente associada à infância. Uma segunda projeção da casa é a casa-identidade que se projeta no tempo presente. Ela é o espaço de pertencimento e de segurança. Finalmente, uma terceira projeção da casa é a que se lança para o futuro: a casa-promessa ou casa-esperança, uma casa idealizada e que é sonhada e desejada, sempre como uma promessa de felicidade e realização. / When starting these reflections on the home, we seek to highlight the fundamental aspect of the house - as shelter - for the development of the individual, the city and society. In order to better understand the concepts of “home”, as that term is perceived and what is its real importance on the individual's constitution, we used the representations made about the house and the home found in songs and poems addressing the issue as an entry point for this universe, either explicitly or implicitly. The construction and analysis of the data is given in a qualitative way in the interpretative perspective of science, in which the acts of humans, as well as his speeches, build and carry meanings that weave the fabric of history, society and people. We try, through a reading of poems and songs, through content analysis (BARDIN, 1977) and based on the theory of social representations (MOSCOVICI, 1978, 1985; JODELET, 1985, 1991). Search the home of idea that is present in our imagination. We also borrow some concepts of psychoanalysis (FREUD, 1973; WINNICOTT, 1983, 1985, 1989). We noticed that a first idea of home is that of inheritance. A memory-home, in which we find traces of intense affection and usually associated with childhood. A second projection of the house is the house-identity that is projected in the present times. It is the space of belonging and security. Finally, a third projection, the desired house of the future: The promise-house or the home one hopes to obtain, idealized, dreamed and desired, always as a promise of happiness and fulfillment.