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Notation as a guide to modality in the Offertories of Paris, B.N., Lat. 903 /Frasch, Cheryl Crawford January 1985 (has links)
No description available.
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Adaptive optical music recognitionFujinaga, Ichiro January 1996 (has links)
No description available.
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Becoming Chinese music: guqin and music scholarship in modern China.January 2002 (has links)
Chuen Fung Wong. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 94-102). / Abstracts in English and Chinese. / Abstract --- p.i / Abstract (Chinese Translation) --- p.iii / Acknowledgements --- p.v / Table of Contents --- p.vi / List of Figures and Tables --- p.viii / Romanization and Translation --- p.ix / Chapter 1. --- Introduction --- p.1 / Beyond Ethnomusicology and Music History --- p.1 / Music Scholarship and Historiography in Modern China --- p.3 / Modern Research on Guqin: Becoming a Chinese Instrument --- p.8 / On Methodology --- p.11 / Chapter 2. --- The Making of Modern Notation: Reformation Models of Guqin Notation in the Twentieth Century --- p.14 / Introduction --- p.14 / Guqin Notation --- p.16 / Traditional Notation/Pre-Modern: An Imagined Tradition --- p.18 / Modern Changes --- p.20 / Notation Model in Oinxue Rumen --- p.21 / Notation Model in Qinjing --- p.23 / Wang Guangqi's Model --- p.25 / Yang Tinliu's Reformation Proposal --- p.28 / Gong Yi´ةs Guqin Yamoufa --- p.31 / Concluding Remarks: The Making of a Modern Notation --- p.35 / Chapter 3. --- Between Creativity and Reconstruction: Dapu and Its Changing Concept --- p.38 / Introduction --- p.38 / Defining Dapu --- p.40 / "Between Ancient and Modern, Historical and Creative" --- p.41 / The Power of Silk String --- p.46 / Dapu in Modern China and Its Practical Uses --- p.48 / Concluding Remarks: Dapu and Modernity in China --- p.51 / "Epilogue: A Brief Report on the Fourth National Dapu Conference,19-26 August 2001, Changshu" --- p.56 / Chapter 4. --- Becoming a Chinese Music history: Guqin and Music Historiography --- p.60 / Introduction --- p.60 / Music Historiography and the Work-Concept in China --- p.63 / Guqin and Musical Works --- p.66 / Situating Guqin Music into History: The Irony of Meihua Sannong --- p.68 / The Tactics of Historicization: The Case of Lisao --- p.72 / Werktreue and Chinese Music Historiography: A Conceptual Imperialism --- p.76 / Chapter 5. --- Conclusion: Guqin and Postcolonial Modernity in China --- p.80 / Introduction --- p.80 / A Postcolonial Reading --- p.82 / The Quest for Modernity --- p.83 / Final Remarks: On Translation and Chinese Music Scholarship --- p.86 / Appendix A Chinese Dynasties and Historical Periods --- p.88 / "Appendix B Map of China, Hong Kong, and Taiwan" --- p.89 / Appendix C General Histories of Chinese Music --- p.90 / Reference Cited --- p.94 / Glossary of Chinese Terms --- p.103
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The production and notation of Dominican manuscripts in thirteenth-century ParisGiraud, Eleanor Joyce January 2014 (has links)
No description available.
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The Rhythm of Western Polyphonic Music from About 850-1300Wiehe, Douglas Dean, 1926- 01 1900 (has links)
Rhythm in early Western polyphonic music.
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Musical notation in Bamberg 1007-1300Wendling, Miriam Monroe January 2012 (has links)
No description available.
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A program of instruction in braille music for teachers of visually impaired students : a project presented to the Faculty of Education, the University of Western Sydney, Nepean in partial fulfilment for the degree of Master of Education /Clark, Margaret Ann. January 1992 (has links)
Thesis (M.Ed.) -- University of Western Sydney, Nepean, 1992. / Spiral binding. Parallel text in print and braille. Includes bibliography.
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A comparison of computer-assisted and peer-partner practice in treble-staff note recognition /Goodenough, Pammala K., January 2010 (has links) (PDF)
Thesis (M.A.)--Eastern Illinois University, 2010. / Includes bibliographical references (leaves 28-30).
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The sonido trece theoretical works of Julián Carrillo a translation with commentary /Carrillo, Julián, Bellamy, Laurette, January 1972 (has links)
Laurette Bellamy's thesis (Ph. D.)--Indiana University, 1973. / Includes vita. Includes bibliographical references (leaves [567]-573).
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Musical accompaniments in the preparation of marimba concerti a survey of selective interactive music software programs /Frye, George Daniel. January 1900 (has links)
Dissertation (D.M.A.)--The University of North Carolina at Greensboro, 2009. / Directed by Randy Kohlenberg; submitted to the School of Music. Title from PDF t.p. (viewed May 13, 2010). Includes bibliographical references (p. 51-54).
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