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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

Aus Liederbüchern der Humanistenzeit eine bibliographische und notentypographische Studie,

Bernoulli, Eduard, January 1910 (has links)
Habilitationsschrift--Zürich. / "Literatur": p. 29. "Notenbeilagen": p. [31]-116.
22

The origin and development of the Armenian neumes (xaz) a survey of recent scholarship /

Mailian, Rubik. January 1998 (has links)
Thesis (M. A.)--St. Vladimir's Orthodox Theological Seminary, 1998. / Most titles in bibliography in Armenian. Includes bibliographical references (leaves 37-47).
23

Polymeter in twentieth-century music a study in notational methods /

Daoust, Timothy James. January 1900 (has links)
Thesis (M.M.)--The University of North Carolina at Greensboro, 2008. / Advisor: Alejandro Rutty; submitted to the School of Music. Title from PDF t.p. (viewed May 28, 2009). Includes bibliographical references (p. 28).
24

The origin and development of the Armenian neumes (xaz) a survey of recent scholarship /

Mailian, Rubik. January 1998 (has links) (PDF)
Thesis (M. A.)--St. Vladimir's Orthodox Theological Seminary, 1998. / Most titles in bibliography in Armenian. Includes bibliographical references (leaves 37-47).
25

Über die abweichende Bedeutung der Ligaturen in der Mensuraltheorie der Zeit vor Johannes de Garlandia. Ein Beitrag zur Geschichte der altfranzösischen Tonschule des XII. Jahrhunderts

Niemann, Walter, January 1901 (has links)
Inaug.-Diss.--Leipzig.
26

Entwicklung und Probleme der Blindennotenschrift

Reuss, Alexander Peter, January 1900 (has links)
Inaug.-Diss.--Heidelberg. / Lebenslauf. Includes bibliographical references.
27

Medieval letter notations a survey of the sources /

Browne, Alma Colk, January 1979 (has links)
Thesis (Ph. D.)--University of Illinois at Urbana-Champaign, 1979. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 380-400).
28

The origin and development of the Armenian neumes (xaz) a survey of recent scholarship /

Mailian, Rubik. January 1998 (has links)
Thesis (M. A.)--St. Vladimir's Orthodox Theological Seminary, 1998. / Most titles in bibliography in Armenian. Includes bibliographical references (leaves 37-47).
29

The impact of increased music notation instruction on the perceptual speed of third grade students in a public school setting

Almeida, Artie 01 April 2002 (has links)
No description available.
30

Addressing the idiosyncrasies of contemporary notation in recorder compositions, with specific references to unconventional symbols in Music for a bird by Hans-Martin Linde and Sieben Stucke fur altblokflote by Markus Zahnhausen

Bartle, Lynne January 2009 (has links)
This treatise provides recorder performers and teachers with a guide to understanding the unconventional notation symbols encountered in Music for a Bird by Hans-Martin Linde and Sieben Stücke Für Altblockflöte by Markus Zahnhausen. Given the context of the overall history of notation, it argues that the idiosyncrasies of the unconventional notation symbols encountered in the recorder repertoire of contemporary composers such as Linde and Zahnhausen are by no means an anomaly. Throughout history, notated scores have functioned merely as incomplete guides to the reconstruction and the realization of musical works. Along with the decoding of these instructions, a host of acculturated meanings have always been taken for granted on the part of the writers of such guidelines. In the light of the modernist crisis and the resultant exacerbation of the gulf between composers and their audience, however, it would seem that the need for such acculturated intervention is greater then ever before. This treatise serves to bridge the gulf between the works of Linde and Zahnhausen on the one hand, and the average performer and teacher of the recorder on the other, by offering an analysis both of the meaning of the unconventional symbols these works contain as well as of the method according to which they should be executed on the recorder.

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