Submitted by Erika Demachki (erikademachki@gmail.com) on 2016-09-09T21:02:26Z No. of bitstreams: 2 Dissertação - Lorena Ferreira Alves - 2016.pdf: 2231730 bytes, checksum: d3b932928601e693afd2308d41044d15 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-12T14:43:07Z (GMT) No. of bitstreams: 2 Dissertação - Lorena Ferreira Alves - 2016.pdf: 2231730 bytes, checksum: d3b932928601e693afd2308d41044d15 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2016-09-12T14:43:07Z (GMT). No. of bitstreams: 2 Dissertação - Lorena Ferreira Alves - 2016.pdf: 2231730 bytes, checksum: d3b932928601e693afd2308d41044d15 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-05-03 / Outro / This research discusses the current musical movement via internet and its implications for the formation of the musical repertoire of Internet users. For this purpose, authors are addressed who argue about the distribution of information acted upon by the media and their sociocultural derivations during the XX and XXI centuries. With the advent of personalization of reports developed by search engines that remain increasingly present on the Internet, the concept of information democratization of cyberspace has been rethought; the internet no longer operates on a full flow of information, becoming, thus, a media that offer an individualized experience of browsing the internet. Consequently, it is questioned what effect the personalized information reflects on the contemporary social order. The aim of this study is to investigate how the current distribution of phonograms by musical entertainment in vogue proceeds in the network. To understand how the musical mediation of music services occurs, as well as analyze how it affects the formation of the musical repertoire of users, two musical entertainment services were selected, Deezer and Last.fm, and four fictitious users (MPB, Pop , Rock and Country) navigated the websites getting data from personalized and homogenized music distribution. The results show that service users receive related and unrelated musical offerings to their musical preferences. It is considered that the personalized and homogenized formation of musical repertoire of users of Deezer and Last.fm services reflects contemporary social features like the dynamic between mass/tribes, hedonism and presenteeism. The main source that drives the current musical circulation, which is included in this informational capitalism model in cyberspace, is the surveillance of navigation information from users. / Esta pesquisa discute a atual circulação musical via internet e suas implicações para a formação do repertório musical de internautas. Com esta finalidade, são abordados autores que argumentam sobre a distribuição de informações atuadas pela mídia e suas decorrências socioculturais durante os séculos XX e XXI. Com o advento da personalização de informes desenvolvido por serviços de busca que permanecem cada vez mais presentes na internet, o conceito de democratização informacional do ciberespaço foi repensado, a internet não opera mais sobre um fluxo integral de informações, tornando-se, assim, uma mídia que oferta uma experiência individualizada de navegação aos internautas. Logo, são questionados quais efeitos a personalização de informações reflete para a ordem social contemporânea, sendo o objetivo deste trabalho investigar como procede a atual distribuição de fonogramas através de serviços de entretenimento musical que estão em voga na rede. Para compreender como ocorre a mediação musical dos serviços de música, bem como analisar de que modo ela afeta a formação do repertório musical dos usuários, foram selecionados dois serviços de entretenimento musical, Deezer e Last.fm, onde quatro usuários fictícios (MPB, Pop, Rock e Sertanejo) navegaram nos sites obtendo dados de distribuição musical personalizada e homogeneizada. Os resultados apontam que os usuários dos serviços recebem ofertas musicais conexas e desconexas às suas preferências musicais. Considera-se que a formação personalizada e homogeneizada do repertório musical dos usuários dos serviços Deezer e Last.fm reflete características sociais contemporâneas, como a dinâmica entre massas/tribos, o hedonismo e o presenteísmo, sendo a vigilância sobre as informações de navegação dos usuários a principal fonte que impulsiona a atual circulação musical, a qual se insere no modelo de capitalismo informacional presente no ciberespaço.

The dissemination of monastic culture int he Grand Duchy of Lithuania had a profound effect on the country’s cultural life. By the seventeenth century quite a few Christian religious orders had sent their members to settle here. Since the Christianization of the Grand Duchy of Lithuania in 1387 monastics became instrumental in creating, preserving and enhancing the institutions of religious and secular learning and in transmitting Western cultural goods, artefacts, and intellectual skills. When the first Franciscan and Dominican friars settled in the territory of pagan Lithuania in the beginning of the thirteenth century, they sought acceptance within the local society and laid foundation for the arrival of Roman Catholic Church in theselands. The official Christianization of the Grand Duchy of Lithuania led to even more active expansion of monastic networks and activities. The latter extended to various domains of culture and social life, catering to theneedsofdifferentclasses. Living in isolated communities, some of them under a strict rule,monks and mendicant friars were harbingers of Western civilization in many areas of the country’s life (like medicine, agronomy, gastronomy) and social domains, including learning and arts.