• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 60
  • 8
  • 7
  • 7
  • 4
  • 4
  • 4
  • 4
  • 4
  • 3
  • 3
  • 2
  • 2
  • 2
  • 2
  • Tagged with
  • 100
  • 100
  • 31
  • 23
  • 15
  • 13
  • 11
  • 11
  • 9
  • 8
  • 8
  • 8
  • 8
  • 7
  • 7
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

"Beowulf": Myth as a Structural and Thematic Key

Aitches, Marian A. (Marian Annette) 05 1900 (has links)
Very little of the huge corpus of Beowulf criticism has been directed at discovering the function and meaning of myth in the poem. Scholars have noted many mythological elements, but there has never been a satisfactory explanation of the poet's use of this material. A close analysis of Beowulf reveals that myth does, in fact, inform its structure, plot, characters and even imagery. More significant than the poet's use of myth, however, is the way he interlaces the historical and Christian elements with the mythological story to reflect his understanding of the cyclic nature of human existence. The examination in Chapter II of the religious component in eighth-century Anglo-Saxon culture demonstrates that the traditional Germanic religion or mythology was still very much alive. Thus the Beowulf poet was certainly aware of pre-Christian beliefs. Furthermore, he seems to have perceived basic similarities between the old and new religions, and this understanding is reflected in the poem. Chapter III discusses the way in which the characterization of the monsters is enriched by their mythological connotations. Chapter IV demonstrates that the poet also imbued the hero Beowulf with mythological significance. The discussion in Chapter V of themes and type-scenes reveals the origins of these formulaic elements in Indo-European myth, particularly in the myth of the dying god. Chapter VI argues that both historical and mythological layers of meaning reflect traditional man's view of history as cyclic, a temporal period with a beginning and an end. At the juncture between end and beginning is conflict, which is necessary for regeneration. The interlacing of Christian, historical and mythic elements suggests the impossibility of extricating the individual and collective historical manifestations from the cosmic imperative of this cycle. The Beowulf poet perhaps saw in the ancient myths which permeated his cultural traditions the basis of meaning of human existence.
12

L'emergence d'un mythe litteraire dans la poesie d'aime cesaire et dans la tragedie du roi Christophe en particulier

Blondel, Alain 12 August 2016 (has links)
Department de Francais de L'universite du Witwatersrand 1990 Degree awarded with distinction March 1991.
13

Aspects of King MacLain in Eudora Welty's The golden apples

Shimkus, James Hammond. January 2006 (has links)
Thesis (M.A.)--Georgia State University, 2006. / Mode of access: World Wide Web. Title from title screen. Pearl A. McHaney, committee chair; Thomas L. McHaney, Margaret Mills, committee members. Electronic text (83 p.) : digital, PDF file. Description based on contents viewed Apr. 16, 2007. Includes bibliographical references (p. 74-78).
14

Myth and mythic imagination : a study of the novels of James Joyce and William Golding /

Cheung, Pui-yiu, Martha. January 1977 (has links)
Thesis (M. Phil.)--University of Hong Kong, 1978.
15

The concept of mythology in Jack Hodgins' fiction /

O'Brien, Thomas Peter. January 1985 (has links)
No description available.
16

Northrop Frye and the phenomenology of myth /

Gill, Glen Robert. Lee, Alvin A., January 1900 (has links)
Thesis (Ph.D.)--McMaster University, 2003. / Advisor: Alvin A. Lee. Includes bibliographical references (leaves 275-288). Also available via World Wide Web.
17

Myth, ritual, and taboo in William Faulkner's Absalom, Absalom!

Palomaki, Kurt R. January 1992 (has links)
Thesis (M.A.)--Kutztown University of Pennsylvania, 1992. / Source: Masters Abstracts International, Volume: 45-06, page: 2835. Typescript. Includes bibliographical references (leaves [107]-110).
18

Eros skapar världen ny apokalyps och pånyttfödelse i Edith Södergrans lyrik /

Hedberg, Johan. January 1900 (has links)
Thesis (doctoral)--Göteborgs universitet, 1991. / Added t.p. with thesis statement and abstract in English inserted. Summary in English. Includes bibliographical references (p. 177-184) and indexes.
19

The use of myth in Claude Simon and Gabriel García Márquez

Sims, Robert Lewis, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1973. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
20

Mythopoesis historicized : Qu Yuan's poetry and its legacy /

Tseng, Chen-chen. January 1992 (has links)
Thesis (Ph. D.)--University of Washington, 1992. / Vita. Includes bibliographical references (leaves [294]-310).

Page generated in 0.7074 seconds