Made available in DSpace on 2014-12-17T14:20:27Z (GMT). No. of bitstreams: 1 Betania MFM_TESE.pdf: 5735783 bytes, checksum: aa96656543e594bd12ee70db21dd8194 (MD5) Previous issue date: 2012-12-20 / This study was elaborated based on our research of the work Mithologiques by the anthropologist Claude L?vi-Strauss (1908-2009), which affirms that languages, indigenous myths and music are related. He proposes that the understanding of myths occurs in a similar manner as with an orchestral score. In the course of his tetralogy we investigated the musical terms used in the analysis and in the division of the chapters, especially in the first volume of his work. Several compositional procedures and forms are named. Composers in pairs are categorized: Sebastian Bach for the code, Ludwig van Beethoven for the message, and Richard Wagner for the myths. In this deduction, we structured in parts: theme and variations, sonata and fugue with the aforementioned composers. Within the greatness of anthropological study, from among over 800 myths, we selected the first five of the indigenous tribe Bororo to discuss within the Theme and Variation segment. In the Sonata part there are two myths with the same theme: The wife of the jaguar which relates to the compositional structure, and four myths about The origin of women. Finally, in the segment related to the Fugue, we collected four myths that address The shortness of life. Honoring the many terms expressed in opposition, contrast, or symmetry under consideration in Levi-Strauss work, we entitled this thesis emphasizing the migration between the tempos Largo and Prest?ssimo as these are oppositional presentations in music. Fifteen musical myths accompany the work supported by selected narratives. In light of this we questioned, we questioned: how are incest, murder and other events part of a society that elevates nature as an extension of life itself? And how did L?vi-Strauss think that anthropology harmonized with music? In the preparation of this study, philosophers like Peter Sloterdijk discuss the circular territory of Mythology / Este estudo foi elaborado com base em nossas pesquisas na obra Mitol?gicas do antrop?logo Claude L?vi-Strauss (1908-2009), na qual afirma que linguagens, mitos ind?genas e m?sica est?o relacionados. Ele prop?e que a compreens?o dos mitos ocorre de maneira similar com a partitura orquestral. No decorrer da sua tetralogia, investigamos termos da m?sica usados na an?lise e na divis?o dos cap?tulos, principalmente do primeiro volume da obra. V?rios procedimentos de composi??o e formas est?o nomeados. Compositores em pares s?o categorizados: Sebastian Bach para o c?digo, Ludwig van Beethoven para a mensagem e Richard Wagner para os mitos. Nesta dedu??o, estruturamos em partes: tema e varia??es, sonata e fuga com os compositores citados. Na grandeza do estudo antropol?gico, entre mais de 800 mitos, selecionamos os cinco primeiros da tribo ind?gena Bororo para discutir na parte Tema e Varia??o. Na parte Sonata h?: dois mitos com mesmo tema, A esposa do jaguar, para relacionar ? estrutura composicional e quatro mitos sobre A origem das mulheres. Por ?ltimo, na Fuga recolhemos quatro mitos que abordam A vida breve. Diante dos termos dados em oposi??o, contrastes ou simetria presentes na obra, demos o t?tulo a este trabalho migrando os andamentos largo e prest?ssimo por se apresentarem na m?sica tamb?m em opostos. Quinze mitos musicais acompanham o trabalho apoiados nas narrativas selecionadas. Para tanto, questionamos como incesto, assassinato e outros acontecimentos fazem parte da sociedade ind?gena que eleva a natureza como extens?o da pr?pria vida? E como L?vi- Strauss pensou a antropologia harmonizada ? m?sica? Na elabora??o deste estudo, pensadores como Peter Sloterdijk dialogam o territ?rio redondo da Mitologia