This thesis focuses on the two selected works of the architect/engineer/composer Iannis Xenakis (1922-2001) / Philips Pavilion (1956-58) and Le Diatope (1978). It places these works at the intersection of architecture and music by showing how they combine spatial, musical and visual performances. Accordingly, it discusses them as exceptional twentieth-century examples of Gesamtkunstwerk / &ldquo / total work of art.&rdquo

This thesis focuses on the Ottoman buildings with a T-shaped plan and their meanings with respect to the central and centrifugal tendencies in the Ottoman context in the fourteenth, fifteenth and early sixteenth centuries. The emergence of the multi-functional buildings of the T-type in the Ottoman realm is simultaneous with the burgeoning of a state in the early Ottoman frontier milieu, which is profoundly intermingled with the notion of gaza / whereas the demise of the use of the T-plan is coincident with the transformation of the Ottoman State into an empire. The tension between the centralization of the Ottoman State and the peripheral forces counteracting it is operative in the social as well as territorial repercussions inherent in the network of T-type patronage. In this respect, the thesis concentrates on the network engendered by the variations in the layouts of these buildings vis-&agrave / vis their geographical distribution and the identity of their patrons. Doing so, it is aimed not only to trace the claims to power expressed in diverse modes, but also to unveil the motive of the changes in the plan scheme and its halt in the sixteenth century.

This thesis introduces the traditional dwellings in Karacasu within the context of traditional residential architecture in Anatolia / and investigates their architectural and social characteristics. Karacasu is selected as a case-study for its preserved vernacular architecture, which dates back to the end of the 18th century and the 19th century. The architectural and social investigation of the traditional dwellings of Karacasu is based on studying the dwellings as residential and social unit. The spatial and social characteristics of the individual cases that are chosen from the historical domestic context of Karacasu are defined and discussed in reference to the existing conditions and also the changes and alterations that took place according to the functional necessities. These dwellings had social, functional and spatial changes as a result of the changing conditions and the requirements of modern life.

A multi-layered analysis on the morphological development of Ephesus in relation to the Temple of Artemis and an investigative wandering through the streets of this city in the era of Roman Empire highlights this thesis characterized by a consistent search for the significance of the notion of urban armature. From the standpoint of those who lived at that time, special attention is directed toward the colonnaded avenues as well as to their formal and social impacts within the city fabric. The thesis re-reads Ephesus within two main parts / first the urban form in relation to the topographical provision and sacred landscape provided by the site itself / and then from the ground level through a walking trip of the city as it appeared in the second century A.D. Crucial to this visual experience is the semantic quality of the environment at a collective level since the meaning of the experience would be useless without considering the meaning of signs and symbols within the environment. Thus, bounding ancient society and urban space at the phenomenological level, the small trip starts at the harbor and concludes at the Temple of Artemis, the irrefutable symbol of Ephesus and the most revered shrine in Asia Minor.

This thesis focuses on the late period mosques of architect Sinan in terms of their structural systems, the relation with their environment, and the identities of their patrons. The links amongst the role of the patron, his or her status in the state, materials used in the mosques, location choice and the spatial distribution of the mosques are researched on the bases of these six late period mosques of Sinan. In this perspective, the social background of the Ottoman Empire in the sixteenth century is the first focal point of the thesis. The relations between the decadence of the institutions, the political conditions of the Ottoman Empire and the architectural production during the last quarter of the sixteenth century are examined in the second chapter of this thesis. In the third chapter these six late period mosques as the sampling case are described in detail and evaluated in terms of their bearing systems, construction materials, the site features and the relation with their patrons. Though, being one of the favorite subjects in the Ottoman architectural history, there are many research and interpretations on Sinan&amp / #8217 / s architectural style, works on late period mosques are limited and not specifically focused. In the fourth chapter of the study these limited interpretations are brought together and evaluated in the light of the background information supplied in the previous chapter of the thesis. In this framework, the aim of this study is not only to assess the late period works of Sinan as a tool to trace his architectural process, but also to unveil the relations with the identities of the patrons and locational and structural features of the mosques.

This study aims to analyze the istanbul Hilton, the izmir Grand Efes and the Grand Ankara Hotels, which are owned by the Pension Fund, during the 1950-1980 period that witnessed the formation process of modern tourism and tourism architecture in Turkey. As the first five-star hotels of their cities, these buildings provide the possibility of tracing the social transformation processes at the second half of the 20th century beyond their architectural properties that reflect and affect the zeitgeist of the period. In this manner, besides the architectural formation of the buildings, this thesis also aims to examine the participation of the hotels in social life and the relations of architecture with the changing city life and tourism. Moreover, this thesis offers historical perspectives about tourism architecture, about which adequate researches have not been provided yet. Chronologically, the first chapter formulates a general introduction. The second chapter issues the 1950s&amp / #8217 / Turkey and the istanbul Hilton Hotel. The third chapter issues the 1960s&amp / #8217 / Turkey and the izmir Efes Hotel and the Grand Ankara Hotels. The fourth chapter examines the critique of tourism that developed in the 1970s&amp / #8217 / social and political medium, and the last chapter is a general conclusion

The theme of the thesis is the influence of the urban development activities on the historic commercial areas. Hence, the thesis focuses on the evaluation of these factors which cause alterations and transformations within the area and aims to propose compatible solutions against the problems in order to achieve the sustainability of the historic texture within the commercial area. In this thesis, Yeni Galle Pazari Hani,, one of the 16th century Ottoman Hans in the Hanlar District of Bursa, is studied together with its immediate surrounding. In order to define necessities and requirements of a transformed historic commercial area, it is aimed to conduct research, analysis, and decision stages concerning the studied area. For this purpose, the values, the problems and the potentials of the study area are defined and alternative conservation solutions are proposed. It is also aimed to present the principles and decisions on the preservation and rehabilitation of the study area, called as &amp / #8216 / Yeni Galle Pazari Hani and its immediate surrounding&amp / #8217 / , in environmental scale. Therefore, the main aim of the thesis is to determine the principles and the tools of an urban conservation project within the context of environmental scale and to re-gain the unity of Yeni Galle Pazari Hani as much as possible by integrating it into the current atmosphere of Hanlar District in Bursa together with the traditional texture surrounding it. In this study, the insufficiency observed in preparatory stages of most of current restoration projects was emphasized. Hence, before intervention of such kind of traditional areas, it is aimed to take care of documentation, to make a comprehensive study on unobserved parts of traditional texture such as archeological excavation, and to form a worksheet containing principles and decisions for future studies that would be done under various disciplines. The proposal for the case of Yeni Galle Pazari Hani is significant as being composed of documentation, observation and decision parts of a proper intervention, although it can be accepted as an incomplete project, since being the first step of a comprehensive restoration project for the study area. In conclusion, this study exemplifies the documentation and the evaluation of the transformation in a historic commercial area and the suggestion to solve the general problems among the Historical Commercial Center of the cities by taking decisions on conservation and rehabilitation for the sustainability of the study area.

This thesis investigates the key aspects of modern architecture in the first half of the twentieth century by an extensive reading of Sigfried Giedion&rsquo / s book on modern architecture: Space, Time and Architecture &ndash / The Growth of A New Tradition. Giedion&rsquo / s life, his education, his other writings and his relationships with the pioneers of the era are considered as significant influences on the writing of the book. After giving an informative summary of the book, the key themes of the book are analyzed. While analyzing these themes, the opinions of other architectural historians on these themes are also taken into consideration. The reviews on the book are elucidated in order to grasp the first reactions of architectural history circles, and then they were followed by the later impressions. The claim is that Space, Time and Architecture is an influential resource for the understanding of how modern architecture is written about in the first half of the twentieth century. The proof of this influence is both the written sources on the book and its rule in Manfredo Tafuri&rsquo / s formulation of &lsquo / operative criticism&rsquo / .

This study is an attempt to examine the literary house-museums located in istanbul. In the chronological order of their transformations from houses into museums, these are Tevfik Fikret house-museum in ASiyan, Rumelihisari (1945), Sait Faik Abasiyanik house-museum in Burgazada (1964), and H&uuml / seyin Rahmi G&uuml / rpinar house-museum in Heybeliada (2000). By pointing out their ambiguous position between privacy and publicity, this research seeks to juxtapose the uses of these museums as houses in the past with the uses of these houses as museums in the present. While doing that, it aims to read their spatial stories/histories by focusing not only on the writers/inhabitants of the houses and the owners/organizers of the museums, but also on the guests/visitors of these house-museums.

This dissertation investigates a middle Byzantine (10th-11th c.) typology, the rock-cut Courtyard Complexes, spread throughout Cappadocia in central Turkey, with a special focus on the A&ccedil / iksaray Group. Usually organized around three sided courtyards, these complexes stand either within an ensemble or in isolation. Nevertheless, the concentration of complexes is remarkable on strategic points near fortresses or military roads. Courtyard Complexes have large receptional suites as well as utilitarian spaces such as kitchens, stables and apparently multi-functional rooms all carved around a courtyard. The majority of the complexes have their own churches also carved in the rock mass. High decorated fa&ccedil / ades adorn the Courtyard Complexes and make them visible from a considerable distance. Because of the distinctive elaborate design, and the large number of still standing examples, as well as the communal life style that they indicate, these Cappadocian complexes have attracted scholarly attention in both monastic and secular Byzantine studies. Consequently, it was necessary for the dissertation to reconsider both religious and secular communities and their physical expressions in the form of monasteries and various dwelling types of the era. On the other hand, the idiosyncratic volcanic landscape and carved architecture required an extensive comparative architectural investigation of all Courtyard Complexes known so far in Cappadocia. Based on the results coming out from the contextual studies and architectural analysis this dissertation proposes aristocratic families with a military function on this border land of Byzantine as the initial inhabitants of the Courtyard Complexes. The A&ccedil / iksaray Group in particular, with the paucity of its churches contrasting its elaborate stables, bears the traces of a secular medieval community of some importance.