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131	Deconstructing the myth of HIV/AIDS : one man's story Robbertse, Ilse 11 1900 (has links) HIV/Aids is a worldwide pandemic and as South Africans we are at the epicentre of this global health crisis. The harrowing statistics are useful as a means to quantify a horrific situation; however, what these facts do not do is provide connection amidst the uncertainty surrounding the disease. This research aims to bridge the disconnection and break the silence that weaves a net around the illness and those infected by it. This is done by deconstructing one man’s story of his journey with HIV; by looking at his personal epistemology; and by contextualising his story within his family and within the society in which he lives, South Africa. Finally, it is my reflections and interpretations that form the bridge between a construct of HIV/Aids and a life lived with the disease. / Psychology / M. A. (Clinical Psychology) HIV/AIDS Postmodernism Narrative theory South African discourse Stigmatisation Discrimination Disclosure 362.196979200968 AIDS (Disease) -- South Africa Discrimination -- South Africa Narrative therapy -- South Africa
132	"Aquí me río de las modas" / Procedimientos transgresivos en la narrativa de Copi y su importancia para la constitución de una nueva poética en la literatura argentina / "Hier lache ich über die Moden" / Transgressive Verfahren in der Prosa Copis und ihre Bedeutung in der Entstehung einer neuen Poetik in der argentinischen Literatur Pron, Patricio 03 July 2007 (has links) No description available. 840 Französische Literatur Philosophy Copi (1939-1987) Erzähltheorie Narratologie Aira César (1949) Copi (1939-1987) Narratologie Narrative Theory Aira César (1949) Argentine Literatur of the 20th Century 17.81 Epik Prosa 18.23 Französische Literatur 21.39 Graphik: Sonstiges IL 512: Poetik. Ästhetik {Französisch} IL 536: Roman {Französisch} IRE 512 IRE 537 IRE 574 IRE 576
133	Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009 Fanning, Sarah Elizabeth January 2012 (has links) The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the woman’s novel, in the field of adaptation studies have been dominated by long-standing concerns about textual fidelity and the generic processes of the text-screen transfer. The sociocultural patterns of adaptation criticism have also been largely ensconced in representations of literary women on screen. Taking a decisive twist from tradition, this thesis traces the evolution of representations of masculinity in the malleable characters of Rochester and Heathcliff in film and television adaptations of Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights between 1939 and 2009. Concepts of masculinity have been a neglected area of enquiry in studies of the ‘classic’ novel on screen. Adaptations of the Brontës’ novels, as well as the adapted novels of other ‘classic’ women authors such as Jane Austen, George Eliot and Elizabeth Gaskell, increasingly foreground male character in traditionally female-oriented narratives or narratives whose primary protagonist is female. This thesis brings together industrial histories, textual frames and sociocultural influences that form the wider contexts of the adaptations to demonstrate how male characterisation and different representations of masculinity are reformulated and foregrounded through three different adaptive histories of the narratives of Jane Eyre and Wuthering Heights. Through the contours of the film and television industries, the application of text and context analysis, and wider sociocultural considerations of each period an understanding of how Rochester and Heathcliff have been transmuted and centralised within the adaptive history of the Brontë novel. 823

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Deconstructing the myth of HIV/AIDS : one man's story

Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009