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Die Aufdeckung der nationalen Codes in der Musik von Feliksas BajorasDaunoraviciene, Grazina 31 May 2018 (has links)
No description available.
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National Aspects of Onute Narbutaite's Music: Creative and Socio-Cultural ApproachesZiuraityte, Audrone 05 June 2018 (has links)
No description available.
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Über das Nationale in der lettischen Musik des 20. JahrhundertsLindenberg, Vita 05 June 2018 (has links)
No description available.
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Die Idee des Nationalismus in der estnischen Musik der ersten Hälfte des 20. JahrhundertsLippus, Urve 05 June 2018 (has links)
In der estnischen Musikliteratur gibt es kaum Texte, die sich direkt
mit Ästhetik befassen. Was man regelmäßig findet, sind Überblicke
über die Musik und das Musikleben, Rezensionen und programmatische
Artikel über die Aufgaben, vor denen die Musiker stehen. Hierin
äußert sich eine praktische Ästhetik der jeweiligen Verfasser und eine
gewisse Überzeugung, wie estnische Musik sein sollte und welche Aufgaben
sie habe. Auf der Basis dieser Ansichten werden Werturteile
über neue Werke und musikalische Ereignisse gefällt. Dabei sind diese
Ansichten selbst möglicherweise ziemlich schwammig formuliert,
sofern man sich ihrer überhaupt bewusst ist.
Was für Ansichten waren das? Woher stammten sie? Eine Antwort
hierauf können wir in der Musikliteratur, in der Musik selbst und
auch im zeitgenössischen Musikleben suchen und dann annähernd
beschreiben, welche ästhetischen Ansichten in Estland geherrscht haben.
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Die Musik in Schweden im Spannungsfeld zwischen Nationalem und Internationalem im 20. JahrhundertAndersson, Greger 05 June 2018 (has links)
No description available.
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Narratives of Lithuanian National Music: Origins and Values: the Historiography of Music and National Music History WritingStanevičiūtė-Goštautienė, Rūta 09 August 2017 (has links)
In the current musicological discussion on the issues of historiography and the need to overcome the entrenched canons of historical writing, questions concerning the history of national music often become marginalised, and, to some extent, placed into a paradoxical situation.
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Musicology in Latvia: a Critical EvaluationZemzare, Ingrīda 09 August 2017 (has links)
The status of Latvian musicology at the beginning of the twenty-first century cannot be evaluated unequivocally. It is in manyways very complex - mainly due to financing problems and the draining of intellectual resources.
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Antonio María Valencia's "Dúo en forma de sonata": An International Approach to Colombian National MusicVillamil Gómez, Diego Esteban 05 1900 (has links)
Antonio María Valencia (1902-1952) was one of the leading Colombian composers, pianists, and educators of his generation. His Dúo en forma de sonata (1926) for violin and piano serves as an early example of the composer's aesthetic. According to the programmatic description he sent to his mother, the Dúo depicts Valencia's "indelible impressions" of his homeland. Through structural and harmonic analysis, I examine the piece in relation to the composer's informal programmatic description. The analysis argues that the work poetically re-creates the landscape of Valencia's birthplace region through an international language, devoid of Colombian folk rhythms and melodies. Valencia proposes a different perspective on Colombian music as an alternative to the use of folk-based music elements that were predominant to Colombian music during his lifetime.
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L'identité culturelle dans «Montréal», d'Ariane Moffatt : une analyse musicale sémiologiqueLaurier-Cromp, Méliane, 1983- January 2008 (has links)
No description available.
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A Discoteca Pública Municipal de São Paulo : um projeto modernista para a música nacional /Moya, Fernanda Nunes. January 2010 (has links)
Orientador: Carlos Eduardo Jordão Machado / Banca: Manoel Dourado Bastos / Banca: Célia Reis Camargo / Resumo: Mário de Andrade torna-se diretor do Departamento de Cultura de São Paulo em 1935 e, com esta oportunidade, cria a Discoteca Pública Municipal de São Paulo, uma instituição a serviço de sua busca pela nacionalização da música a partir de elementos folclóricos da cultura brasileira / Abstract: Mário de Andrade became the director of the Department for Culture of São Paulo city in 1935 and, with this opportunity, he created the São Paulo Public Record Collection, an institution in the service of his search for the nationalization of the music from folk elements of the Brazilian culture / Mestre
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