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Thesis (Ph. D.)--Ohio State University, 2001. / Includes vita. Includes bibliographical references (leaves 588-604). Available online via OhioLINK's ETD Center.

Thesis (doctoral)--Universität, Bonn, 2003. / Includes bibliographical references and index.

It is not generally known that a pro-Nazi organization, the German-American Bund, held sway among certain segments of American society during the 1920s and 1930s. The organization achieved its greatest successes after the self-proclaimed "American Fuehrer," Fritz Julius Kuhn, took up the reigns of leadership in 1936. Under Kuhn's leadership, the Bund saw a dramatic increase in its membership rolls; it is estimated that over 25,000 dues-paying members belonged to this first-ever National Socialist organization created outside the environs of Nazi Germany. This thesis explores reasons why this blatantly pro-Nazi organization thrived in the bastion of democracy. While most historians attribute other reasons for the Bund's success, this thesis argues that it was the outstanding organizational skills of Kuhn that kept the movement alive in the years prior to World War II. / by Eliot A. Kopp. / Thesis (M.A.)--Florida Atlantic University, 2010. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2010. Mode of access: World Wide Web.

Zugl.: Kassel, Univ., Diss., 2004 u.d.T.: Loch, Ulrike: Sexualisierte Gewalt und Nationalsozialismus

Univ., Diss./2003 u.d.T.: Wilhelm, Georg: Evangelische Kirche in Leipzig 1933 bis 1958--Leipzig, 2002. / Literaturverz. S. [499] - 536. I. "Drittes Reich" ; Voraussetzungen und Rahmenbedingungen des Kirchenstreites -- Nationalsozialistischer Angriff und protestantische Selbstpreisgabe 1933 bis 1935 -- Die Bekennende Kirche in Leipzig im Zangengriff von deutsch-christlichem Kirchenregiment, Polizei und Staat 1933-1935 -- Verstärkte Entkonfessionalisierung in Zeiten kirchenpolitischer Beruhigung -- Kirchenpolitik im Abseits: 1937 bis zum Ende des Zweiten Weltkrieges -- Zusammenfassung.

This thesis compares the novels Doktor Faustus: das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde (Thomas Mann) and Mephisto: Roman einer Karriere (Klaus Mann), insofar as they are portrayals of the situation in Germany during the Third Reich. Essentially a comparative study, I explore similarities and differences – thematic and conceptual – by situating both novels in their socio-historical moment (Chapter 1), exploring their conceptions of German national identity (Chapter 2), tracing intertextual connections to other works (Chapter 3), and, finally, examining their understanding of and reliance on art as insofar as it provides the allegorical framework for their respective portrayals of Nazi Germany (Chapter 4).