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Architectural patterns of the Mogollon : contributions to the Anasazi Katsina cultSwainston, Charles January 2001 (has links)
No description available.
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Property and ambiguity on Missisquoi Bay: 1760-1812Lewandoski, Julia January 2014 (has links)
Between 1760 and 1812, the fertile lands around Lake Champlain's Missisquoi Bay were bisected by an international boundary. During this intense period of settlement, these lands were also subject to competing claims by various individuals, states, empires, and Native nations, all of who used grants, leases, surveys, and titles to further their claims. However, this copious property creation did not result in a coherent landscape, governed by authoritative states. Instead, participants used competing titles and overlapping grants to negotiate a spectrum of territorial claims. In many cases, the political, geographic, and economic ambiguities of property were seen as opportunities, rather than liabilities, by the diverse parties who claimed and occupied Missisquoi land. / Entre 1760 et 1812, les terres fertiles situées autour du lac Champlain, plus précisément de la baie Missisquoi, ont été coupées en deux par une frontière internationale. Durant cette période intense de colonisation, l'endroit fut également l'objet de revendications par divers états, empires, personnes et nations autochtones qui utilisèrent différents titres, baux, plan d'arpentages et concession pour faire avancer leurs demandes. Cependant, la création de ces nombreuses propriétés n'a pas abouti au façonnage d'un paysage cohérent, politiquement stable et soumis à l'autorité claire d'un état. Au contraire, les participants ont utilisé les titres litigieux pour négocier un spectre des demandes territoriales. Dans de nombreux cas, les ambiguïtés politiques, géographiques et économiques du concept de propriété furent considérées comme des opportunités plutôt que des inconvénients par les différents partis qui ont demandé et qui ont occupé les terres du Missisquoi.
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'All the world was America' : John Locke and the American IndianArneil, Morag Barbara January 1992 (has links)
This thesis examines the role played by America and its native inhabitants in John Locke's Two Treatises of Government. It begins by examining the large collection of travel books written by explorers to the new world in Locke's library. Locke uses the information from these sources selectively, employing those facts which support his view of natural man and ignoring those which do not. His reasons for using the Indians in his Two Treatises goes beyond simply providing empirical evidence. Locke, steeped in the colonial zeal of his patron, the Earl of Shaftesbury, is, particularly in the chapters on property and conquest, arguing in favour of the rights of English colonists. While it has been recognized that Locke's political philosophy reflects the domestic political needs of Shaftesbury, very little has been written in previous scholarship about the Earl's colonial aims. Locke, as secretary to both the Lords Proprietors of Carolina and the Council of Trade and Plantations, was immersed in the colonial questions of his day. Following in the steps of Hugo Grotius, whose notions of property and war were shaped by his employment In the East Indies Company, Locke uses natural law to defend England's colonization of America. His chapters on property and conquest delineate a very English form of settlement. By beginning property In a very specific form of labour, namely agrarian settlement, and denying the right to take over land by virtue of conquest, Locke creates the means by which England can defend its claims in America with regard to both other European powers and the native Indians. The strength of this argument Is demonstrated by the extent to which it was used by ministers, politicians and judges in the early years of the American republic. In particular, Thomas Jefferson's powerful attempts to transform large groups of nomadic Indians into settled farmers can be traced back to Locke's ideas of the natural state and civil society.
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Diné Education from a Hózhó PerspectiveJanuary 2010 (has links)
abstract: ABSTRACT Diné Education is equal and is as valid as this nation's mainstream education, yet it does not share the same ideas, processes or goals as its counterpart. It is more complicated because it is based on oral traditions and the philosophies of Hózhó, a construct that requires a learner to embrace one's surroundings, actions, interactions, and being. A central part of Diné education focuses on spirituality and self awareness which are intertwined with every dimension of this universe. In order to become educated in the Diné world a learner must first learn to "walk in beauty" and have a positive self image. Being Diné, this researcher sought to capture his own childhood memories, including the special teachings and teachers that have guided his learning, as a way to document the process of acquiring a Diné education. The methods of inquiry for this research included self-reflection documented in a journal and an extensive literature review. The literature review was guided by three research questions: 1. What is Diné Education? 2. How important is it to today's Diné people? 3. What are the future prospects for the existence of Diné education? / Dissertation/Thesis / M.A. Curriculum and Instruction 2010
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"An Anxious Desire of Self Preservation": Colonialism, Transition, and Identity on the Umatilla Indian Reservation, 1860-1910Lozar, Patrick 03 October 2013 (has links)
In the late nineteenth and early twentieth centuries, the United States government, in its relations with Native Americans, implemented a policy of assimilation designed to detribalize Indian peoples and absorb them into the dominant society. Subjected to this colonial agenda, the Cayuse, Walla Walla, and Umatilla tribes of Oregon's Umatilla Indian Reservation, as a matter of survival, endeavored to maintain community cohesion and retain their indigenous identity. In this context, I argue that the tribes confronted federal initiatives with a strategy of adaptive resistance that allowed them to approach these onerous impositions on their own terms. This study examines their diverse responses to assimilation and colonialism, specifically accommodation, adaptation, and diplomacy. Employing the investigative frameworks of education, religion, and economics reveals the variety of tactics applied within these categories, which range from incorporation to evasion. Through these actions and reactions, the tribes reaffirmed their capacity to assert native agency.
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An operational paradigm of cultural sovereignty at Taos PuebloJanuary 2015 (has links)
abstract: In this dissertation, I engaged the doctrine of cultural sovereignty to demonstrate that an operational paradigm of cultural sovereignty exists at Taos Pueblo, a federally-recognized Indian tribe in New Mexico, which was capable of application to contemporary decision-making practices and policy. I turn to the knowledge, history, and principles of my people of the Taos Pueblo for creating such a model. To be clear, I am not advocating for a wholesale return to a pre-European existence. Rather, I am advocating for the development of a culturally-grounded approach to evaluating the various aspects of modernity to determine what to embrace and/or continue to adapt. I produced an evaluative model that answers what is Taos epistemology, ontology, methodology, and axiology (EOMA)? And, what does Taos EOMA mean for Taos sovereignty, self-determination, and self-governance? What is the Taos pedagogy of sovereignty, self-determination, and self-governance? And, third, what is the Taos praxis of sovereignty, self-determination, and self-governance? By constructing a Taos sovereignty model that continues, repatriates, or reclaims our history, tradition, and cultural identity, we are in a better position to integrate and align the Taos way of life and our political sovereignty. My hope is that this model can help not only the Taos people but Pueblo people of New Mexico imagine a collective future that balances modern/contemporary non-Pueblo practices and systems with our own rich traditions and heritage. / Dissertation/Thesis / Doctoral Dissertation Liberal Studies 2015
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"The Story Must Be Told As It Is": Colonial Spiritual Self-Identification and Resistance in Leslie Marmon Silko and Luci TapahonsoJanuary 2016 (has links)
abstract: This thesis will examine the novels and poetry of Leslie Marmon Silko (Laguna) and Luci Tapahonso (Navajo), exploring how they are working to maintain, control, protect and develop their spiritual Indigenous identities. I link their literary work to Article 31.1, from the United Declaration of the Rights of Indigenous Peoples (UNDRIP), which states that “Indigenous people have the right to maintain, control, and protect and develop their cultural heritage, traditional knowledge and traditional cultural expressions, as well as the manifestations of their sciences, technologies, and cultures, including human and genetic resources, seeds, medicines, knowledge of the properties of fauna and flora, oral traditions, literatures, designs, sports and traditional games and visual and performing arts. They also have the right to maintain, control, protect and develop their intellectual property over such cultural heritage, traditional knowledge, and traditional cultural expressions.” I argue that both Silko and Tapahonso create narratives and characters that illustrate how indigenous identity is self-determined and maintained through resistance to colonization and assimilation. I examine how these stories and characters incorporate new knowledge, about modern lifeways, into traditional Indigenous oral traditions and histories. Both Silko and Tapahonso connect nature and history, as they illustrate how oral traditions are passed down through the continual sharing of inter-generational stories and ethnobotanical information about plants, animals and food. This study will track how oral stories help the characters (re)connect with the land, and with foodways, by re-establishing a relationship of resistance against the exploitation, assimilation, and colonization of indigenous peoples, lands, and resources and the maintenance of spirituality through oral traditions. / Dissertation/Thesis / Masters Thesis English 2016
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Understanding leadership's role in inclusive, culturally-appropriate recreation programming in K'atlodeeche First NationHay River Reserve and the town of Hay River, Northwest TerritoriesRousell, Davina January 2009 (has links)
This thesis employs Foucaultian and postcolonial theories to identify, discuss, and trouble discourses surrounding leadership styles in two communities in the Northwest Territories: the Town of Hay River and the nearby community of K'atlodeeche First Nation/Hay River Reserve. The thesis is composed of two papers. The first paper analyzes the tendency of lifeguards at the Hay River swimming pool to embody an authoritarian leadership style. Further, this paper discusses how an authoritarian leadership style can foster an unwelcoming environment for Aboriginal patrons. The second paper looks at Dene women's leadership in K'atlodeeche First Nation/Hay River Reserve's Summer Day Camp and discusses its impact on one particular Eurocanadian leader. Both papers shed light on the necessity for southern-based, Euro-Canadian recreation leaders to understand Aboriginal communities' practices and norms surrounding culturally appropriate ways of leading in order to plan and implement effective and inclusive programming.
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Wailaki GrammarBegay, Kayla Rae 28 April 2018 (has links)
<p> Wailaki, a Dene language of northwestern California, is known as what is referred to in academic literature and sources such as the <i>Ethnologue </i> as an “extinct” language. While Wailaki descendant people may remember an older generation of relatives who spoke Wailaki to one another, as far as is known, there are no people alive today who grew up speaking this language (Golla 2011:81). This term <i>extinct</i> used to describe such languages, however, does not reflect the desire of communities for languages to be spoken again, and the efforts many are taking towards language revitalization. Extinct conveys finality to language loss and shift; however, the term <i> sleeping</i> is today used to describe dormant languages with substantial documentation that may be spoken again (Leonard 2011). Wailaki is one such language. </p><p> For Wailaki, documentation exists; however, no detailed description of the language exists prior to this work. For any scholar and language learner interested in the language, published materials on related languages such as Hupa or Mattole are referenced in order to make sense of available Wailaki documentation. This dissertation puts forth a phonological, morphological, and limited syntactic description of Wailaki, which is a cover term, used by many tribal descendants, for a dialect continuum also known as Eel River Athabaskan/Dene (Golla 2011). </p><p> Chapter 1 gives background information regarding the people, the resources available for analysis. Chapter 2 is a description of phonological processes within the dialect continuum. Chapter 3 is a description of word classes in Wailaki, and what criteria and behavior (either morphological or syntactic) that may be given to delineate classes. Chapter 4 describes the verbal morphology, and Chapter 5 describes the nominal morphology. Chapter 6 titled Clitics and Syntax describes clitics that express categories such as tense, aspect or mode, or perform syntactic functions. In addition, Chapter 6 gives limited description of aspects of Wailaki syntax such as conjunctions, negation, question formation, and some discussion of word order.</p><p>
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Visual Expressions of Native Womanhood: Acknowledging the Past, Present, and FutureBadoni, Georgina, Badoni, Georgina January 2017 (has links)
This dissertation explores the artistic expressions of Native womanhood by Native women artists. The intention is to offer further examples of creative acts of resistance that strengthen Native identities, reinforce female empowerment, and reclaim voice, and art. This qualitative study utilized the narratives and the artwork of six Native women artists from diverse artistic practices and tribe/nation affiliations. Visual arts examples included in this study are digital images, muralism, Ledger art, beadworks, Navajo rugs, and Navajo jewelry. Through Kim Anderson's theoretical Native womanhood identity formation model adopted as framework for this study, the results revealed three emergent themes: cultural connections, motherhood, and nurturing the future. Native women artists lived experiences shaped their visual expressions, influencing their materials, approach, subject matter, intentions, motivation and state of mind. This dissertation discloses Native womanhood framework is supportive of visual expressions created by Native women.
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