abstract: Music is often used to induce relaxation and encourage calm surroundings, but in a group psychiatric treatment environment creating such a space can be complicated by varying and conflicting music preferences. Although best practices in music therapy encourage use of preferred music in sessions, adolescents’ tastes can be so closely tied with their sense of identity that tension may arise between peers in a group setting. On an inpatient adolescent psychiatric unit this issue becomes compounded by additional factors such as inadequate communication skills and difficulties with self-regulation. Although one must be careful not to generalize or romanticize, current literature suggests specific nature sounds may have a calming effect across settings and cultural backgrounds. However, nature sound research done from the music therapy perspective is scarce, and thus evidence-based guidelines for the use of such sounds could prove useful in further exploration of their potential uses in music therapy interventions. This thesis explores the use of nature sounds as a part of music therapy treatment interventions, as well as on the behavioral health adolescent unit during daily routine where environmental sounds can be a problem. If successfully implemented in an acute psychiatric setting with adolescent patients, both during the therapy session and throughout the day, administered by the person receiving treatment and under the guidance of the music therapist, these interventions have the potential to decrease the number and severity of behavioral emergency codes, potentially leading to fewer instances of restraint, as well as more effective functioning after discharge from the inpatient setting. / Dissertation/Thesis / Masters Thesis Music Therapy 2018

No description available.

Research suggests that interacting with nature has positive psychological, physiological, and cognitive benefits. Views to nature, interacting with nature, and other visual nature stimuli have been widely studied. However, nature soundscapes have received less attention; and the limited research that has been published has mixed findings. The present study assessed whether nature soundscapes influenced performance on cognitive and affective assessments. Participants completed the Flanker task, the Stroop task, a Visual Search task, and the Positive and Negative Affect Schedule, while exposed to either nature sounds alone, nature sounds with outdoor views, or neither. No statistically significant differences in performance were found for any of the three conditions, on either the cognitive and affective assessments. These findings indicate that the relation between nature sounds and cognition is more complex than originally presumed, and potential future directions are discussed. / Graduate / 2020-04-11

Thesis (Ph.D.) --University of Montana, 2008. / Title from author supplied metadata. Description based on contents viewed on May 15, 2009. ETD number: etd-12112008-123204. Author supplied keywords: natural sounds ; recreation ; visitor experiences ; national park policy ; soundscape policy ; soundscape management ; winter visitor experiences ; wildland recreation. Includes bibliographical references.

Through careful analysis of sound in Walden with some attention to related works, this study demonstrates the three major facets of Thoreau's use of sound: first, an unusual aural sensitivity illustrated by his many varied sound images, which add concreteness and experiential immediacy; next, the depth of meaning that sound has as his metaphysical symbol in perception and expression of spiritual truth; finally, his effectiveness with such auditory devices as rhythm, alliteration, assonance, and onomatopoeia to achieve a poetic quality-. Of equal importance to Thoreau are the sounds of his writing and the sounds in his writing. Realizing the reality, depth, and texture Thoreau gives his prose through his remarkable treatment of sound increases one's appreciation of Walden as art and of Thoreau as literary artist.

The topic of the thesis is econaratology in conjunction with folk songs, which is subject to the laws of nature and forms a sort of mind set of the of nature life. Singing songs is an integral part of the narrative approach, narrative is complemented by tones and melodies for better memorization. The theoretical part defines the terms: narration, econaratology and folk song. I am interested in what place there the narrative approach in environmental education takes and what are its benefits. I allude to the use of narrative and folk songs as a means of education in practice. The aim of the thesis is based on research findings to determine the extent to which children are able to follow recordings of sound recording recognize and identify vocalizations of domestic or wild animals and industrial sounds of outside world. The research findings are utilized qualitative research, supplemented in some parts of quantitative research. Research tools are the individual interviews over the audio material, which I apply in preschool children. Keywords: narration, econaratology, folk song, nature sounds, folk traditions, research.