Humans must process fleeting auditory information in real time, such as speech and music. The amplitude modulation of the acoustic waveforms of speech and music is rhythmically organized in time, following, for example, the beats of music or the syllables of speech, and this property enables temporal prediction and proactive perceptual optimization. At the neural level, external rhythmic sensory input entrains internal neural oscillatory activities, including low-frequency (e.g., delta, 1-4 Hz) phase, high-frequency (e.g., beta, 15-25 Hz) power, and their phase-amplitude coupling. These neural entrainment activities represent internal temporal prediction and proactive perceptual optimization. The present thesis investigated two critical but previously unsolved questions. First, do these multiple entrainment mechanisms for tracking auditory rhythm have distinct but coordinated perceptual functions? Second, does regularity in the temporal (when) domain associate with prediction and perception in the orthogonal spectral (what) domain of audition? This thesis addressed these topics by combining electroencephalography (EEG), psychophysics, and statistical modeling approaches. Chapter II shows that beta power entrainment reflects both rhythmic temporal prediction (when events are expected) and violation of spectral information prediction (what events are expected). Chapter III further demonstrates that degree of beta power entrainment prior to a pitch change reflects how well an upcoming pitch change will be predicted. Chapter IV reveals that rhythmic organization of sensory input proactively facilitates pitch perception. Trial-by-trial behavioural-neural associations suggested that delta phase entrainment reflects temporal expectation, beta power entrainment reflects temporal attention, and their phase-amplitude coupling reflects the alignment of these two perceptual mechanisms and is associated with auditory-motor communication. Together, this thesis advanced our understanding of how neural entrainment mechanisms relate to perceptual functions for tracking auditory events in time, which are essential for perceiving speech and music. / Thesis / Doctor of Science (PhD) / Perceiving speech and musical sounds in real time is challenging, because they occur in rapid succession and each sound masks the previous one. Rhythmic timing regularities (e.g., musical beats, speech syllable onsets) may greatly aid in overcoming this challenge, because timing regularity enables the brain to make temporal predictions and, thereby, anticipatorily prepare for perceiving upcoming sounds. This thesis investigated the perceptual and neural mechanisms for tracking auditory rhythm and enhancing perception. Perceptually, rhythmic regularity in streams of tones facilitates pitch perception. Neurally, multiple neural oscillatory activities (high-frequency power, low-frequency phase, and their coupling) track auditory inputs, and they are associated with distinct perceptual mechanisms (enhancing sensitivity or decreasing reaction time), and these mechanisms are coordinated to proactively track rhythmic regularity and enhance audition. The findings start the discussion of answering how the human brain is able to process and understand the information in rapid speech and musical streams.

In this paper, binaural beats were used as stimuli to induce Gamma neural activity in the brains of 18 participants with the purpose to see if the effect enhanced memory and/or speech perception. Participants conducted a word-list recall task, followed by a speech-in-noise task under three conditions: before Gamma stimulus, after Gamma stimulus, and after a placebo stimulus. The results showed that the method works to boost Gamma neural activity, but that neither memory nor speech-perception was significantly affected by the stimulus. The conclusion is that binaural beats is unreliable as a method to enhance memory and speech-perception in humans.

Neural entrainment quite recently became considered an important mechanism used by the brain to process stimuli with periodic qualities, such as the frequency and duration time of signals reaching sensory organs. An increasing amount of data strongly implies that the brain might be using neural entrainment as a mechanism to either directly process speech and/or to facilitate speech interpretation. Neural entrainment is therefore a promising marker to use for research of speech perception. This literature review aims to summarize the most recent findings within this area with the end-goal to be used as a basis for designing an EEG experiment intended to analyze speech perception as a means to distinguish human voices.    For this reason, data was collected from the scientific databases Europe PMC, Academic Search Premier, PsycINFO, PubMed, Scopus and Web of Science, where the keywords “EEG” + either the phrase “neural entrainment”, “neural oscillation”, or “cortical oscillation” were used to gather articles. Inclusion and exclusion criteria were then applied and the data was analyzed with the intention to answer the following research questions: “is it possible to observe neural entrainment to human voice/speech using EEG?”, “if so, what are the possibilities to use such neural entrainment as a marker for differentiating human voices from each other?” and “what is the nature of the mechanisms used by the brain to attain this entrainment?”. The resulting data from the articles indicated that, in order to yield reliable results when investigating neural entrainment to speech, the technique for analysis of brain activity could be done with EEG, a number of participants between 15-30 persons is enough, the spectral bands of interest are delta (<3 Hz), theta (4-8 Hz), beta (15-35 Hz) and gamma (>40 Hz), the method of analysis could be looking at both frequency and amplitude in the speech envelope, and finally the anatomical areas for investigating the brain’s ability to distinguish human voices using speech entrainment could be either areas within the auditory cortex or prefrontal areas involved in behavioral responses to speech processing.

Le rythme est un aspect important du mouvement et de la perception de l’environnement. Lorsque l’on danse, la pulsation musicale induit une activité neurale oscillatoire qui permet au système nerveux d’anticiper les évènements musicaux à venir. Le système moteur peut alors s’y synchroniser. Cette thèse développe de nouvelles techniques d’investigation des rythmes neuraux non strictement périodiques, tels que ceux qui régulent le tempo naturellement variable de la marche ou la perception rythmes musicaux. Elle étudie des réponses neurales reflétant la discordance entre ce que le système nerveux anticipe et ce qu’il perçoit, et qui sont nécessaire pour adapter la synchronisation de mouvements à un environnement variable. Elle montre aussi comment l’activité neurale évoquée par un rythme musical complexe est renforcée par les mouvements qui y sont synchronisés. Enfin, elle s’intéresse à ces rythmes neuraux chez des patients ayant des troubles de la marche ou de la conscience. / Rhythms are central in human behaviours spanning from locomotion to music performance. In dance, self-sustaining and dynamically adapting neural oscillations entrain to the regular auditory inputs that is the musical beat. This entrainment leads to anticipation of forthcoming sensory events, which in turn allows synchronization of movements to the perceived environment. This dissertation develops novel technical approaches to investigate neural rhythms that are not strictly periodic, such as naturally tempo-varying locomotion movements and rhythms of music. It studies neural responses reflecting the discordance between what the nervous system anticipates and the actual timing of events, and that are critical for synchronizing movements to a changing environment. It also shows how the neural activity elicited by a musical rhythm is shaped by how we move. Finally, it investigates such neural rhythms in patient with gait or consciousness disorders.