This project examines how Nadya Suleman and Kate Gosselin were represented in the media following the births of their higher order multiples by conducting a critical textual analysis of newspaper and entertainment magazine articles to answer the following questions: How were Suleman and Gosselin portrayed as mothers? And how were they portrayed as recipients of reproductive technology? The findings illustrate that race and class combined with gender to play an important role in determining who has a right to be a mother and what that mother should look like. Traditional stereotypes within media coverage about good mothers and bad mothers reinforced prejudices about who deserves access to reproductive technology and who does not.

<i>Picassos Woman: A Breast Cancer Story</i> (1994) and <i>Ordinary Life: A Memoir of Illness</i> (1997) tell of the breast cancer experiences of Rosalind MacPhee and Kathlyn Conway, respectively. This thesis examines how three particular social movementsthe breast cancer, healthy-mindedness, and new momism movements, all described in Chapter Oneaffect how MacPhee and Conway experience breast cancer and then write about it in the 1990s. Chapter Two examines the language of war that MacPhee and Conway adopt to describe illness and how such language leads them to examine the possibility proposed by the healthy-mindedness movement: that they are personally responsible for bringing a determined killer (Conway 125) into their lives. Chapter Three studies their active patient behaviours, as advocated by the breast cancer movement, as well as their more passive ones. I consider the relation between these active and passive behaviours in light of the severe nature of mastectomies and the presentation of post-surgical options. Chapter Four investigates how MacPhee and Conway struggle to maintain their roles as supermoms, busily attending to responsibilities at home and work, while simultaneously managing their recoveries. In each Chapter, the influence of the social movements named above becomes apparent as MacPhee and Conway attempt to move themselves and others out of the breast cancer experience and back into a sense of normality (MacPhee 106).

<i>Picassos Woman: A Breast Cancer Story</i> (1994) and <i>Ordinary Life: A Memoir of Illness</i> (1997) tell of the breast cancer experiences of Rosalind MacPhee and Kathlyn Conway, respectively. This thesis examines how three particular social movementsthe breast cancer, healthy-mindedness, and new momism movements, all described in Chapter Oneaffect how MacPhee and Conway experience breast cancer and then write about it in the 1990s. Chapter Two examines the language of war that MacPhee and Conway adopt to describe illness and how such language leads them to examine the possibility proposed by the healthy-mindedness movement: that they are personally responsible for bringing a determined killer (Conway 125) into their lives. Chapter Three studies their active patient behaviours, as advocated by the breast cancer movement, as well as their more passive ones. I consider the relation between these active and passive behaviours in light of the severe nature of mastectomies and the presentation of post-surgical options. Chapter Four investigates how MacPhee and Conway struggle to maintain their roles as supermoms, busily attending to responsibilities at home and work, while simultaneously managing their recoveries. In each Chapter, the influence of the social movements named above becomes apparent as MacPhee and Conway attempt to move themselves and others out of the breast cancer experience and back into a sense of normality (MacPhee 106).