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1	Genealogie apollinského a dionýského principu / The Geneaology of the Apollinian and Dioynisian Principle Soška, Bernard January 2020 (has links) This work is focused on the work The Birth of Tragedy by Friedrich Nietzsche. The aim of this work is an attempt to reveal the origin of the concept of the apollinian and dionysian principle. We assume that Nietzsche conceals his true sources in the Birth of Tragedy from the reader. However, in this work, based on numerous clues from the primary text, we show that both the Dionysian and the Apollonian principle derives from the German Romantic tradition of the first half of the 19th century. In this thesis we prove this statement on many examples of authentic sources which Nietzsche has demonstrably worked with. The main "discovery" of the work lies in the historical contextualization of the formation of both principles within the conflict between Romanticism and Classicism concerning the true nature of Greek culture.
2	Eichendorffs Kritik romantischer Fehlentwicklungen Hesse, Angelika 11 1900 (has links) Summary in English / Romanticism as a broad movement of thought developed as a reaction against rationalism and empiricism in the period of Enlightenment. In his critical evaluation of Getman literature Eichendorff as a historian exammes the excessiveness of esoteric theories in the work of the young intellectuals of the early romantic period in Getmany. The romanticists' idealist celebration of the self, and their tendency to overestimate the power of the imagination and the supreme value of art led to self-adulation and subjectivism which was unacceptable to Eichendorff s understanding of art and religion. The "romantic" attempt at creating a new mythology usmg art as a new kind of religion and thereby making the poet an omnipotent creator could only be rejected by Eichendorff whose moral convictions were strongly based on Christian Catholic beliefs. The young romanticists replaced ethics with aesthetics. Eichendorffs judgement of this development is devastating. He describes the early romantic movement as a "premature abortion". / Classics and Modern European Languages / M.A. (German) Romanticism Eichendorff's criticism Subjectivism of spirit New mythology Autonomy of art Universality of romanticism Aesthetics versus ethics Esoterics Art and religion Catholicism 831.6 Romanticism -- Germany Art and religion -- Germany Myth in literature
3	Eichendorffs Kritik romantischer Fehlentwicklungen Hesse, Angelika 11 1900 (has links) Summary in English / Romanticism as a broad movement of thought developed as a reaction against rationalism and empiricism in the period of Enlightenment. In his critical evaluation of Getman literature Eichendorff as a historian exammes the excessiveness of esoteric theories in the work of the young intellectuals of the early romantic period in Getmany. The romanticists' idealist celebration of the self, and their tendency to overestimate the power of the imagination and the supreme value of art led to self-adulation and subjectivism which was unacceptable to Eichendorff s understanding of art and religion. The "romantic" attempt at creating a new mythology usmg art as a new kind of religion and thereby making the poet an omnipotent creator could only be rejected by Eichendorff whose moral convictions were strongly based on Christian Catholic beliefs. The young romanticists replaced ethics with aesthetics. Eichendorffs judgement of this development is devastating. He describes the early romantic movement as a "premature abortion". / Classics and Modern European Languages / M.A. (German) Romanticism Eichendorff's criticism Subjectivism of spirit New mythology Autonomy of art Universality of romanticism Aesthetics versus ethics Esoterics Art and religion Catholicism 831.6 Romanticism -- Germany Art and religion -- Germany Myth in literature

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