Austin is the self-proclaimed “Live Music Capital of the World,” and its commitment to the practice of musical performance has created a unique environment for musicians and audiences. In particular, this paper focuses on the history of music in public places in Austin. This creative identity has helped encourage growth that creates stress on cultural and social relations. The conflict over amplified music is one front where this opposition plays out. Currently, the Austin noise ordinance is a decibel-based, quantifiable measurement, but everyone involved must make a greater effort to communicate and compromise in the social sphere. To cultivate a thriving live music scene, a strong commitment from venues, musicians, residents, and city hall is necessary. / text