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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Emotion und Ästhetik das "Ashiwake-obune" - eine Waka-Poetik des jungen Motoori Norinaga im Kontext dichtungstheoretischer Diskurse des frühneuzeitlichen Japan

Buck-Albulet, Heidi Motoori, Norinaga January 2002 (has links)
Zugl.: Tübingen, Univ., Diss., 2002
2

Education and the art of calligraphy in Japan's Middle Ages the Jubokusho and the Saiyosho /

DeCoker, Gary. January 1987 (has links)
Thesis (Ph. D.)--University of Michigan, 1987. / Includes glossary. Includes bibliographical references (p. 205-210).
3

A Christian Augustinian response to the problem of evil in the Shinto religion with reference to the thought of Motoori Norinaga

Ursulescu, Delia. January 2010 (has links)
Thesis (M.A.)--Liberty University, 2010. / Includes bibliographical references.
4

Emotion und Ästhetik : das "Ashiwake obune" - eine Waka-Poetik des jungen Motoori Norinaga im Kontext dichtungstheoretischer Diskurse des frühneuzeitlichen Japan /

Buck-Albulet, Heidi. January 2005 (has links)
Univ., Diss.--Tübingen, 2002.
5

Neither past nor present : the pursuit of classical antiquity in early modern and modern Japan /

Satō, Yasuko. January 2002 (has links)
Thesis (Ph. D.)--University of Chicago, Dept. of East Asian Languages and Civilizations, August 2002. / Includes bibliographical references. Also available on the Internet.
6

Neither past nor present the pursuit of classical antiquity in early modern and modern Japan /

Sato, Yasuko. January 2002 (has links) (PDF)
Thesis (Ph.D.)--The University of Chicago, 2002. / Includes bibliographical references.
7

Neither past nor present : the pursuit of classical antiquity in early modern and modern Japan /

Satō, Yasuko. January 2002 (has links)
Thesis (Ph. D.)--University of Chicago, 2002. / Includes bibliographical references (leaves 384-397). Also available on the Internet.
8

Aware as a Theory of Japanese Aesthetics

Flowers, Johnathan Charles 01 December 2011 (has links)
Aware, as generally conceived in Japanese aesthetics, refers to the felt content within a particular work of art that drives the aesthetic value of that work. In this thesis presents a theory of art that places aware as central to the aesthetic experience in the Japanese as derived from Shinto and Buddhist ontology, as well as the aesthetic theories of Motoori Norinaga. This theory is then contrasted with the aesthetic theory of Susanne K. Langer as presented in Philosophy in a New Key, Feeling and Form, and Problems of Art, to provide a full explication of what it means to have an aesthetic experience or create art in the Japanese context.
9

Mono no Aware as a Poetics of Gender

Flowers, Johnathan Charles 01 August 2018 (has links)
Traditional theories of gender performativity, grounded in the tradition of Judith Butler, fail to capture the experience of encountering a gendered subject. By reducing gender to a series of discursive acts and ignoring the aesthetic dimension of gender, these theories neglect the possibility for alternative gender performances divorced from the materiality of the body, except through acknowledging the ficticious nature of gender as a consequence of citational acts. In contrast, this dissertation presents a theory of gender as aware, or the “aboutness” that emerges through the repeated citational acts that make present gender in our lived experience. Gender, therefore, does not possess any ontological essence except insofar as it is articulated by citational practices, without which it cannot exist. To this end, this dissertation argues for an expansion of our discourse on gender through appealing to Japanese aesthetic and poetic concepts of aware and mono no aware to demonstrate the aesthetic nature of gender. In so doing this dissertation will present gender as fundamentally aesthetic through appeal to no, kabuki, and the Takarazuka Revue, all sites which divorced gender form biological sex for the purpose of an aesthetic praxis.
10

Changing Perspectives on a Classic: Pre-Modern Commentaries on the First Chapter of the Tale of Genji

Kern, John Christopher 26 December 2014 (has links)
No description available.

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