<p>This dissertation traces both professional and public concerns about the Earth’s environmental limits from the late 1960s to 1990s, at the intersection of reproductive rights and aerospace technology. It considers two rather ‘radical’ and opposing grassroots activist approaches for how to best address the environmental and population crises that gained public traction at the turn of the 1970s: zero population growth and space settlement. The current scholarship has examined the ‘era of limits,’ and modern environmentalism and population control activism from both U.S. and global perspectives, considering how policy, science, gender, politics, and the media shape public understandings and both local and state responses. Zero growth proponents, through both coercive and voluntary campaigns, sought to demonstrate and halt the damage that unchecked economic and population growth was causing the planet. Yet these histories rarely consider the rise of new spaceflight technologies and thought during the same period, which promised a pro-growth, technology-infused solution to the limits to growth, one that would not impose restrictions on consumptive, environmental, or reproductive behavior. Responding to recent scholarly efforts to better contextualize aerospace technology into social and cultural histories of the post-Apollo era, this dissertation focuses on the grassroots activism of two organizations: Zero Population Growth (ZPG), which advocated for zero growth, and the L-5 Society (including a student-run affiliate chapter called the Maryland Alliance for Space Colonization), which promoted space settlement and the manufacturing of clean, pollution-free energy and mining resources for Earth. In this dissertation, I argue that in order to fully understand the implications of ‘Earthly limits’ on American society, we need to look at the role of grassroots activists. How did their concerns form, persist, and change over the course of the late twentieth century? Using primary and archival material and oral histories of the members, it analyzes their dynamics, goals, and stakes in ideas about limits to growth and a finite Earth. Centering on the diverse personal stories and experiences of former activists reveals their unique motivations for joining their respective groups, why they advocated for such different approaches to the limits to growth, and how their drive for a better future continued long after popular enthusiasm for zero growth and space settlement waned by the late 1970s.</p>

<p>In 1917, the Romanov dynasty in Russia came to an end as Tsar Nicholas II abdicated during the February Revolution and the First World War. The Romanovs ruled Russia for over three-hundred years as absolute monarchs and until 1917, Nicholas II and his wife Tsarina Alexandra Feodorovna fervently clung to their autocratic rule and projected an image of power and stability. Yet, their choices not only shaped Russia itself but also dictated Russia’s diplomatic and cultural relationship with their future allies in the First World War: Great Britain, France, and the United States of America. From 1896 to 1917, Tsar Nicholas II floundered amid a series of crisis and this dissertation considers five key moments in his reign that illustrate the complex relationship between Russia and the allies of the First World War. These events are: the Coronation of Nicholas II in 1896; Bloody Sunday and the Treaty of Portsmouth in 1905; the Romanov Tercentenary in 1913; the role of Tsarina Alexandra in the First World War from 1914-1917; and the abdication of Nicholas II and asylum request by the Romanovs in 1917. All of these events showcase the diplomatic and media representations of the Romanovs among allied nations and how Nicholas performed and presented his view of himself to the rest of the world. Each Tsar of Russia fashioned himself into a mythic and ceremonial figure to the Russian people and this dissertation argues that the governments of Great Britain, France, and the United States accepted Nicholas’ self-representations for many years and ignored his autocratic rule in favor of their own military and financial interests. In 1917, after years of excusing his behavior, they finally rejected him. Ultimately, the Romanovs held great power at home and abroad and were major players in international events in the early twentieth century but they were unable to reconcile their autocratic regime with modern democracies. In the end, Nicholas’ and Alexandra’s failure to adapt and perform their roles effectively cost them their throne and left Russia in a state of war and disarray.</p>

<p>My thesis examines how eugenicist and psychologist Robert M. Yerkes’ experimental intelligence research helped to situate the non-human primate as the ideal research subject for human betterment research in the twentieth century U.S. Yerkes believed that the primate was the ideal research subject to address questions of human betterment and social welfare, specifically best to create methods of evaluating the imagined threat of intellectual disability. While Yerkes has been studied extensively in the history of psychology, primatology, and eugenics, rarely have his separate contributions to these fields been placed in conversation with one another. Placing the primate at the center of Yerkes’ work allows for all three fields to engage with one another in a new perspective. By analyzing Yerkes’ publications about the Multiple-Choice Experiment within the context of the American eugenics’ movement, we can see how the primate came to hold a central position in U.S. scientific research, the advancement of human welfare and betterment, and as a means of defining what it means to be human. This story offers a glimpse into this longer process of how the primate came to occupy this position, but even a glimpse offers historians of the American eugenics’ movement new questions. What was the role of the non-human animal in the formulation of American eugenic theories? How have we historically used the natural world in our attempts to separate ourselves from it? And can we truly reconcile a history with eugenics if we continue to ignore the role of animals within it, they who today exist unquestionably within the status of the sub-human?</p>

<p>A historical study on the inflince of private foundations in American political history.</p>

This thesis examines how the law dealt with international fugitives. It focuses on formal extradition and the cross-border abduction of wanted criminals by police officers and other state officials. Debates over extradition and abduction reflected important issues of state power and civil liberty, and were shaped by currents of thought circulating throughout the imperial, Atlantic, and common law worlds. Debates over extradition involved questioning the very basis of international law. They also raised difficult questions about civil liberties and human rights. Throughout this period escaped American slaves and other groups made claims for what we would now call refugee status, and argued that their surrender violated codes of law and ideas of justice that transcended the colonies and even the wider British Empire. Such claims sparked a decades-long debate in North America and Europe over how to codify refugee protections. Ultimately, Britain used its imperial power to force Canada to accept such safeguards. Yet even as the formal extradition system developed, an informal system of police abductions operated in the Canadian-American borderlands. This system defied formal law, but it also manifested sophisticated local ideas about community justice and transnational legal order. This thesis argues that extradition and abduction must be understood within three overlapping contexts. The first is the ethos of liberal transnationalism that permeated all levels of state officials in British North America/Canada. This view largely prioritised the erosion of domestic barriers to international cooperation over the protection of individual liberty. It was predicated in large part on the idea of a common North American civilization. The second context is Canada’s place in the British Empire. Extradition and abduction highlight both how British North America/Canada often expounded views on legal order radically different from Britain, but also that even after Confederation in 1867 the empire retained real power to shape Canadian policy. The final context is international law and international legal order. Both extradition and abduction were aspects of law on an international and transnational level. As a result, this thesis examines the processes of migration, adoption, and adaptation of international law.

This thesis examines how the law dealt with international fugitives. It focuses on formal extradition and the cross-border abduction of wanted criminals by police officers and other state officials. Debates over extradition and abduction reflected important issues of state power and civil liberty, and were shaped by currents of thought circulating throughout the imperial, Atlantic, and common law worlds. Debates over extradition involved questioning the very basis of international law. They also raised difficult questions about civil liberties and human rights. Throughout this period escaped American slaves and other groups made claims for what we would now call refugee status, and argued that their surrender violated codes of law and ideas of justice that transcended the colonies and even the wider British Empire. Such claims sparked a decades-long debate in North America and Europe over how to codify refugee protections. Ultimately, Britain used its imperial power to force Canada to accept such safeguards. Yet even as the formal extradition system developed, an informal system of police abductions operated in the Canadian-American borderlands. This system defied formal law, but it also manifested sophisticated local ideas about community justice and transnational legal order. This thesis argues that extradition and abduction must be understood within three overlapping contexts. The first is the ethos of liberal transnationalism that permeated all levels of state officials in British North America/Canada. This view largely prioritised the erosion of domestic barriers to international cooperation over the protection of individual liberty. It was predicated in large part on the idea of a common North American civilization. The second context is Canada’s place in the British Empire. Extradition and abduction highlight both how British North America/Canada often expounded views on legal order radically different from Britain, but also that even after Confederation in 1867 the empire retained real power to shape Canadian policy. The final context is international law and international legal order. Both extradition and abduction were aspects of law on an international and transnational level. As a result, this thesis examines the processes of migration, adoption, and adaptation of international law.

<p>This project argues that industrial fires have the capacity to illuminate the complex entanglements (political, ecological, economic, etc.) of life in the era of industrial capitalism. It retells and reframes the stories of five such fires, each off which shines a light on the networks of social, political, technological, economic, and ecological relationships in particular communities at particular moments. It thus contributes to the interdisciplinary fields of American Studies and the environmental humanities, furthering our understanding of the unfolding experience of industrial capitalism in the twentieth and twenty-first century United States. It takes the form of a public humanities project and is produced for a popular audience, using journalistic, literary, historical, and other techniques to tell the stories of these fires. In doing so, I also hope to contribute to the expansion of public humanities scholarship and help foster a thriving and creative future for the humanities both in academia and beyond.</p>

<p dir="ltr">This is a nineteenth and early twentieth century history of Irish politics in the United States. This study focuses on political identity, culture, gender, and the use of political violence. It is also a transnational history which blends the history of the United States with the history of Ireland. This study particularly examines the roles of ordinary men and women of the Irish American community throughout the United States in global efforts to bring about Irish independence. </p>

<p> </p> <p>Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authentic,” and conservative image and sound. By examining the country music industry, during the long 1970s, this dissertation highlights how authenticity, Southern heritage, and traditionalism within country music overlapped with the South’s broader resistance to social change. Past studies of country music have primarily been concerned with how the music and its traditional format represent the working-class culture of its audience. However, very little attention has been paid to how this adherence to authenticity and traditionalism impacted its artists, particularly the female ones. In turn, the scholarship that does pertain solely to female artists is often dismissive of the impact that the country music industry and its restrictive culture had on female artists and instead opts to foster a retroactively feminist portrayal of the them and their music.</p> <p>In examining the careers of Loretta Lynn, Dolly Parton, Tanya Tucker, and Tammy Wynette, this dissertation argues that country music held its female artists to a far stricter standard than its male artists throughout the long 1970s and actively encouraged them to foster lyrics and personas that were in line with the genre’s conception of traditional femininity. Over time, artists like Lynn and Wynette became so intrinsically connected to these traditional personas that they could not escape it, which negatively impacted not only their careers but personal lives as well. Likewise, when Parton and Tucker attempted to challenge the gendered restriction that they encountered within country music, they were punished and shunned by the broader country music community to the point that they left it altogether. </p> <p>By exploring these highly calculated measures that the industry used to maintain each of these elements and its broader effects on the genre, its artists, and audience base, this dissertation also highlights how the authenticity label evolved into a gatekeeping term, employed at various times throughout the industry’s history to prevent unsatisfactory or controversial ideologies, images, people, and musical elements from gaining access to or the ability to change and diversify the genre. </p>

<p dir="ltr">This dissertation is a Black feminist qualitative inquiry of the interconnections between Black women, literary activity, community, activism, and restoration and healing. In the 1970s and 1980s, the Black Women’s Literary Renaissance and the Black feminist movement converged to create one of the richest periods in Black women’s history. Black women came together in community, through the text, and through various literary spaces–often despite or even because of their differences–to build an archive that articulates a multivocal Black women’s standpoint which many believed to be monotonously singular. During this period, for example, Black women writer-activists wrote more novels, plays, and poetry in these two decades than in any period prior while also establishing new literary traditions. These traditions included the recovery of previously published yet out of print Black women writers, the development of the Black Women Anthology era, the creation of Black women writer-activist collectives, the founding of bookstores, as well as the development of Black Women’s Studies and Black feminist literary criticism in the academy. In the dissertation, these traditions are intrinsically tied to the articulation and definition of the theoretical concept of literary kinship. Conceptually, relationally, and materially literary kinship is the connection generated by the intergenerational literary activity between Black women and girls. In the dissertation, I use literary activity in slightly different ways including to denote community-engaged oral practices, publication, relationships defined around literary sites, and the practice of reading. Literary kinship provides access to community based on and derived from a connection to the literary that is often marked by intergenerational activity. I argue that Black women writer-activists during the period of the BWLR articulate and define literary kinship as a practice of communal restoration and healing for individuals and the collective.</p><p dir="ltr">Literary kinship is explored in four interrelated, yet distinct ways in the dissertation. In chapter two, literary kinship is located in and operationalized through Black women’s literary kinship “networks” founded during the Black Women’s Literary Renaissance. In chapter three, the focus is on the Black Women’s Anthology era that begins in 1970 and becomes a pipeline for the development of the interdisciplinary field of Black Women’s Studies in the 1980s. The fourth and fifth chapters shift the impact of the Black Women’s Literary Renaissance to the 21st century and examines how literary kinship is rearticulated or re-visioned a generation later. The fourth chapter, in this vein, uses autoethnography and literary analysis to illuminate the interconnections between Black girlhood, geography, and my concept of literary kinship. The chapter explores my experience of literary kinship at the kitchen table, in public libraries, and in secondary and higher education as transformative opportunities that fostered my love for reading, engaging in literary community, and developing reading as a restorative and healing practice. In the final chapter, the rapid reemergence of Black women booksellers and their bookstores in the last five years (2018-2023) become integral to a contemporary rearticulation of literary kinship.</p><p dir="ltr">The Black Women’s Literary Renaissance is a significant period of literary output by Black women writer-activists that has had intergenerational impact in the lives of Black women. During the Renaissance, Black women writer-activists were catalysts for critical and necessary literary interventions, strategies, and methods that supported their sociopolitical activism, the development of a rich Black feminist and literary archive, and that manifested community functional practices of restoration and healing. Black women’s articulation, definition, and utilization of literary kinship in the 20th and 21st centuries has supported their literary labors as activists, as intellectuals, and as community members, and is therefore a practice of community restoration and healing.</p>