Submitted by Verena Pereira (verenagoncalves@uefs.br) on 2018-07-23T22:00:43Z No. of bitstreams: 1 ASPECTOS DO CINEMA DE FERNANDO CONI CAMPOS E IMAGENS POLISS?MICAS DO RISO NA OBRA O M?GICO E O DELEGAD.pdf: 7875724 bytes, checksum: 62b5a64e28234e8181b82852232b1b1d (MD5) / Made available in DSpace on 2018-07-23T22:00:43Z (GMT). No. of bitstreams: 1 ASPECTOS DO CINEMA DE FERNANDO CONI CAMPOS E IMAGENS POLISS?MICAS DO RISO NA OBRA O M?GICO E O DELEGAD.pdf: 7875724 bytes, checksum: 62b5a64e28234e8181b82852232b1b1d (MD5) Previous issue date: 2017-08-31 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The present work proposes to analyze aspects of the cinema of Fernando Coni Campos, and the polysemic images of laughter contained in the feature film O M?gico e o Delegado (1983) in order to work: the meanings of polysemy and the semiotic field Audiovisual image; The exploration of the local identity imaginary and the inference of the dialogues present in the work with literary, popular, political, economic, social and historical references; The historical and original foundations of Brazilian comedy and circus art, as well as the first cinema and national cinema; The cinematographic canon. These and other objectives are characterized in the exploratory research, which aims to provide familiarity with the problem, and bibliographical research, documentary and film, reading and audiovisual reference. Therefore, the present work intends to discuss the pertinent issues of the "absence in presence" problem in the cinematographic canon and nuances of the idea of Bahia contained in the movie / O presente trabalho se prop?e a analisar aspectos do cinema de Fernando Coni Campos, e as imagens poliss?micas do riso contidas no longa-metragem O M?gico e o Delegado (1983) a fim de trabalhar: os sentidos de polissemia e do campo semi?tico no tocante ? imagem audiovisual; a explora??o do imagin?rio de identidade local e a infer?ncia dos di?logos presentes na obra com refer?ncias liter?rias, populares, pol?ticas, econ?micas, sociais e hist?ricas; os fundamentos hist?ricos e origin?rios da comicidade brasileira e da arte do circo, bem como do primeiro cinema e do cinema nacional; o c?none cinematogr?fico. Esses e outros objetivos caracterizam-se na pesquisa explorat?ria, a qual visa proporcionar familiaridade com o problema, e da pesquisa bibliogr?fica, documental e f?lmica, de leitura corrente e de refer?ncia audiovisual. Isto posto, o presente trabalho pretende discutir as quest?es pertinentes a problem?tica da ?aus?ncia em presen?a? no c?none cinematogr?fico e nuances da ideia de Bahia contidas no filme elencado