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Georges Gillet and the Paris Conservatoire Concours oboe solos, 1882-1919 /Margelli, Paul Louis, January 1990 (has links)
Thesis (D. Mus. Arts.)--University of Washington, 1990. / Vita. Includes bibliographical references (leaves [47]-48).
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Quintet for wind instrumentsMurphy, Dennis. January 1960 (has links)
Thesis (M. Mus.)--University of Wisconsin--Madison, 1960. / For flute, oboe, clarinet, horn, and bassoon. Holograph. eContent provider-neutral record in process. Description based on print version record.
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The oboe works of Isang Yun /Fraker, Sara E. January 1900 (has links)
Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2009. / Source: Dissertation Abstracts International, Volume: 70-06, Section: A. Adviser: John Dee. Miscellaneous chamber works for small and large ensembles also included. Includes bibliographical references (leaves 131-134) and discography (leaves 126-130). Available on microfilm from Pro Quest Information and Learning.
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Selected repertoire from the Gillet International Oboe Competition & the International Oboe Competition of Tokyo, 1995-2005Kwak, Na-Young. January 2006 (has links)
Thesis (D.M.A.)--University of Maryland, College Park, 2006. / Compact discs.
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A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and OthersGoodall, John W. (John Williams) 08 1900 (has links)
At the turn of this century, Charles Martin Loeffler (1861-1935) was considered to be among the finest of the handful of well-known American composers of the time. His music was often performed by major symphony orchestras, chamber groups and solo artists.
Deux rapsodies for Oboe, Viola and Piano: L'Etang and La Cornemuse, after poems by Maurice Rollinat (1846-1903), show Loeffler's affinity for programmatic concepts. These works, completed in 1901, are revisions of settings of 1898 for low voice, clarinet, viola and piano, and are now, unfortunately, out of print; but the oboe, viola and piano setting has been published (originally as Deux rapsodies by G. Schirmer, 1905; the latest edition, Two Rhapsodies, is by McGinnis and Marx, N.Y., 1979) and recorded several times.
Loeffler has reflected Rollinat's poetry in his settings by means of melodic, rhythmic and harmonic devices unique to his style. Formal and articulative devices also tend to point to his dependence on the poetry as a source of inspiration and as means for defining the final musical product. Indeed, the music seems incapable of existence independent of its source in the richly imagistic poetry of Rollinat.
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Duo sonatas and sonatinas for two clarinets, or clarinet and another woodwind instrument an annotated catalog /Ti, Yu-Ju, January 2009 (has links)
Thesis (D. M. A.)--Ohio State University, 2009. / Title from first page of PDF file. Includes vita. Includes bibliographical references (p. 149-152).
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A bibliography of chamber music and double concerti literature for oboe and clarinetCosta, Anthony J., January 2005 (has links)
Thesis (Ph.D.)--Ohio State University, 2005. / Title from first page of PDF file. Document formatted into pages; contains xiv, 146 p.; also includes musical examples. Includes bibliographical references (p. 142-146). Available online via OhioLINK's ETD Center
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20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France".Kim, Yeong Su. Ko, Eunae. January 2006 (has links)
Thesis (D.M.A.)--University of Maryland, College Park, 2006. / Compact discs.
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