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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Die Cantus firmus-Technik in den Messen Obrechts

Kyriazis, Maria, January 1952 (has links)
Inaug.-Diss.--Bern. / Vita. Bibliography: p. 75-76.
2

Die Cantus firmus-Technik in den Messen Obrechts

Kyriazis, Maria, January 1952 (has links)
Inaug.-Diss.--Bern. / Vita. Bibliography: p. 75-76.
3

The segmentation process and its influence on structure in the Malheur me bat masses of Obrecht and Josquin

Jarzombek, Ralph. January 2002 (has links)
Thesis (M.M.)--University of North Texas, 2002. / Includes bibliographical references (p. 69-70).
4

The Segmentation Process and its Influence on Structure in the Malheur Me Bat Masses of Obrecht and Josquin

Jarzombek, Ralph 12 1900 (has links)
This study examines in detail the various aspects of the segmentation process as applied by Obrecht and Josquin to the chanson Malheur me bat, especially the effect of this process on the structure of each composer's respective mass. Although musical aspects such as cadences and mode have varying degrees of influence on the structure of these two masses, the primary influence is the establishment of proportional relationships that occur as a result of the segmentation process. Sources of previous music research frequently point out that Obrecht's Mass utilizes both the Phrygian and Aeolian modes, while in Josquin's Mass the Phrygian mode is the firmly established mode throughout. Since segments in Obrecht's Mass are usually not connected to one another, strong cadences frequently occur at the end of the segments throughout. On the other hand, since the segments in Josquin's Mass are usually connected to one another, weak internal cadences frequently occur throughout, with strong cadences reserved for the end of sections.
5

The Si Dedero mass of Jacob Obrecht and that of Alexander Coppinus : a comparative study.

Nelson, John Howie. January 1972 (has links)
No description available.
6

Mensur, Cantus firmus, Satz in den Caput-Messen von Dufay, Ockeghem und Obrecht

Nowotny, Rudolf, January 1970 (has links)
Thesis--Munich. / Includes indexes. Bibliographies: p. 186-192.
7

The Si Dedero mass of Jacob Obrecht and that of Alexander Coppinus : a comparative study.

Nelson, John Howie. January 1972 (has links)
No description available.
8

Doppelt hören: Eine populäre Chanson im Spiegel ihrer Bearbeitungen

Roth, Markus 27 October 2023 (has links)
In der vorliegenden Studie verbinden sich kulturgeschichtliche und analytische Erwägungen zum »art-song reworking« im späten 15. Jahrhundert. Am Beispiel verschiedener Malheur me bat-Bearbeitungen von Agricola, Josquin und Obrecht werden vor allem inhaltliche Aspekte der Bezugnahme auf die Chanson-Vorlage thematisiert. In einem imaginären Dialog mit einem vergangenen ›Expertenhörer‹ steht dabei die Frage im Vordergrund, auf welche Weise der Schöpfer der betreffenden Chansonmessen bestimmte Eigenarten der zugrunde liegenden Vorlage in seiner Bearbeitung hervorkehrte, abschwächte oder gar zuspitzte. / The present article combines both cultural-historical and analytical reflections on »art-song reworking« of the late fifteenth century. Using the example of several reworkings of Malheur me bat – from Agricola, Josquin, and Obrecht – references are discussed primarily from the point of view of the content. In an imaginary dialog with »expert listeners« of the past, the question is raised, in which manner the composer of the respective chanson masses either highlighted, weakened or exaggerated specific idiosyncrasies of the underlying original.

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