This paper discusses the fresco decoration of Santa Maria ad Cryptas. The frescoes are described and analyzed, and then compared to similar programs in order to determine which features are based on earlier sources, and which are unusual or unique to this particular church. The traditional features are found to reflect a long-established pattern of church decoration reflected in such monuments as Old Saint Peter’s, Sant’Angelo in Formis, the Cathedral of Monreale, and the Cappella Palatina. The unusual features (including the placement of the Passion cycle in the presbytery, and the location of the Crucifixion over the altar) are explained as modifications that emphasize themes of local importance, or of special significance to the patron. The Fossa frescoes utilize programmatic elements, such as the Old and New Testament narrative cycles, to explain sacred history as it related to a medieval man of the patron’s class and profession.

The present study concerns the use in the Hebrew Bible of paronomasia (soundplay) for the purpose of alluding to and interpreting antecedent literary traditions also found in the Bible. The focus of the investigation lies on the biblical writers' use of allusive paronomasia for the purpose of constructing theological discourse, that is, in service of their efforts to describe the nature of God and his relationship to humanity. By showing that a variety of biblical texts contain examples of allusive paronomasia employed for this purpose, the study demonstrates that this literary device played an important role in the growth of the biblical text as a whole and in the development of ancient Israelite and early Jewish theological traditions. / Near Eastern Languages and Civilizations

ISRAELITE INTERACTIONS WITH GENTILES IN THE OLD TESTAMENT AND THE IMPLICATIONS REGARDING MISSIONS Nancy Jane Eavenson, Ph.D. The Southern Baptist Theological Seminary, 2011 Chair: Dr. Russell T. Fuller This dissertation examines the missional implications of teaching regarding Israelite interactions with Gentiles found in the Hebrew Scriptures. Chapter 1 defines what is meant in this study concerning mission and Israelite interactions with Gentiles. In addition, foundation is laid for the study by detailing presuppositions, history of perspectives on the topic, and the methodology. Chapter 2 surveys the witness present in the Hebrew Scriptures concerning God's expectations for Israel's interactions with Gentiles. First, principles are highlighted for interactions from the Torah narratives and legislation. Next principles are identified in passages outside of the Torah. Finally, principles are outlined that are derived from key phrases and overall themes spanning the entire body of Hebrew Scriptures. Chapter 3 studies specific examples of Israelite and Gentile interactions throughout the Hebrew Scriptures. Analysis is provided of the interactions in view of the foundational principles identified in chapter 2. Chapter 4 examines how the intertestamental Jews interpreted and applied teaching from the Hebrew Scriptures concerning their interactions with Gentiles. Primary attention is given to the Jewish writings of the Apocrypha, Pseudepigrapha, Josephus, and the Tannaim with references to NT opinion. Chapter 5 synthesizes the data from the Hebrew Scriptures and intertestamental witness and draws conclusions about God's intention for Israel in relation to the Gentiles. In addition, observations are made concerning Israel's application of principles from the Hebrew Scriptures concerning their interactions with Gentiles. Finally, implications of the study are drawn for current application. This work maintains that although many Israelites in the Hebrew Scriptures were unaware of God's intention for mission to Gentiles, some existed who understood God's desire and cooperated with God's mission. In addition, during the intertestamental period while many Jews failed to understand and act on God's mission to have His name glorified by Gentiles, others felt called to intentionally interact with Gentiles and actively sought to bring Gentiles to know and worship Yahweh as God.

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The problem investigated in this study is the following: “What is the nature and function of the theme of God’s speech in the book of Hebrews and within the whole of the revelation in Scripture?”. This problem can only be solved if the unfolding nature of God’s speech from the Old to the New Testament is taken into account (cf. Heb 1:1-2), the theme is researched grammatical-historically, and then placed revelational-historically within the whole of Scripture. The introductory questions of the book of Hebrews are investigated for the potential light that answers to these questions can shed on the appearance, function and interpretation of references to God’s speech in the book. Subsequently, the structure of Hebrews is investigated and analysed to determine the position which the theme of God’s speech assumes within the sermon. This goal is achieved through a literature study on suggestions for Hebrews’ structure, followed up by an independent thought structure analysis of Hebrews according to the method of Coetzee (1988a:19-37). From the position of the theme of God’s speech within the structure of the sermon the nature and content of the author of Hebrews’ references to the theme of God’s speech as introductory formulae, and as part of Old Testament quotations themselves, are determined. This is done by examining the 38 introductory formulae in Hebrews in detail on the basis of a literature and independent study. Subsequently, eleven pericopes in Hebrews where keywords of the theme of God’s speech come together as part of the argumentation of the sermon are researched grammatical-historically using a combined method of Coetzee (1997), Tolar (2002), Jordaan (2004a) and Fee (2009). Ultimately it is determined how the theme of God’s speech unfolds in the book of Hebrews regarding manner, nature and content by giving an overview of the collected material by means of analysis, interpretation and synthesis. From this overview it is determined how the author of Hebrews’ theme of God’s speech fits into the whole of God’s revelation in Scripture. This is achieved by doing a cursory revelational-historical study using a combined method of Coetzee (1995) and Jordaan (2003) on six topics that form the overview of the theme of God’s speech in Hebrews. Finally, a general conclusion is reached by answering the problem of this study by way of enumeration: The revelational-historical importance of the theme of God’s speech in Hebrews is that the author shares the presupposition of other biblical authors that the Old Testament is divinely inspired and therefore absolutely authoritative, but then with the explicit emphasis that God is presently still speaking directly and urgently with man through it. The unfolding of God’s revelation also has a specific accentuation in Hebrews by means of the author’s emphasis that God revealed Himself superior and finally in his Son. The author of Hebrews’ emphasis on the greater responsibility of the hearers to listen faithfully and obediently because of God’s superior revelation in his Son, is also unique. For these reasons alone Hebrews has an indispensable role within the Canon. / PhD (New Testament), North-West University, Potchefstroom Campus, 2014

This thesis aims to uncover music’s important role in shaping and defining the selfidentity of ancient Israel. Functional music was integrated into Israel’s daily life, accompanying activities as diverse as manual labor and royal processionals. At key junctures and in core institutions, musical tones were used to formulate and deliver messages, convey and heighten emotions, assert and strengthen communal bonds, and establish and intensify human-divine contact. The intricate and multi-faceted nature of this music will be demonstrated through a detailed look into four main episodes and genres: the Song of the Sea (Exod. 15), King Saul and David’s harp (1 Sam. 16), the use of music in prophecy, and the Book of Psalms. Specifically, it will be argued that Israel’s birth as a free nation was marked by the Song of the Sea, its monarchic system was defined by the archetypical musician-king David, it depended on God’s word delivered through the often musical messages of prophecy, and its appointed institution for mediating worship was designed and officiated by a class of priestly musicians. Moreover, three of these four areas involve the main leadership categories of Old Testament society—king, prophet and priest—giving added support to the view that music held a prominent place and played a defining role within that civilization. The conception of music as a central element of biblical society will be developed using an interdisciplinary approach, wherein pertinent information from an array of specializations and sources is put into conversation and Old Testament passages are analyzed through a modern-scientific lens. Rather than relying on a single methodology, this study is rooted in the premise that by applying a variety of contemporary theoretical tools to selected Old Testament passages, essential functions of music in biblical life can be illuminated. Such an endeavour requires tools from a number of fields, including but not limited to theology, sociology, anthropology, musicology, cognitive science and music therapy, as well as the classification of musical references into four primary functions: cohesive, therapeutic, emotive/spiritual and didactic. The result is a thesis that identifies reasons for—and not just the existence of—music in biblical life, and, most centrally, shows significant ways music informed Israel’s understanding of itself. / Thesis (PhD (Old Testament))--North-West University, Potchefstroom Campus, 2012.

This thesis aims to uncover music’s important role in shaping and defining the selfidentity of ancient Israel. Functional music was integrated into Israel’s daily life, accompanying activities as diverse as manual labor and royal processionals. At key junctures and in core institutions, musical tones were used to formulate and deliver messages, convey and heighten emotions, assert and strengthen communal bonds, and establish and intensify human-divine contact. The intricate and multi-faceted nature of this music will be demonstrated through a detailed look into four main episodes and genres: the Song of the Sea (Exod. 15), King Saul and David’s harp (1 Sam. 16), the use of music in prophecy, and the Book of Psalms. Specifically, it will be argued that Israel’s birth as a free nation was marked by the Song of the Sea, its monarchic system was defined by the archetypical musician-king David, it depended on God’s word delivered through the often musical messages of prophecy, and its appointed institution for mediating worship was designed and officiated by a class of priestly musicians. Moreover, three of these four areas involve the main leadership categories of Old Testament society—king, prophet and priest—giving added support to the view that music held a prominent place and played a defining role within that civilization. The conception of music as a central element of biblical society will be developed using an interdisciplinary approach, wherein pertinent information from an array of specializations and sources is put into conversation and Old Testament passages are analyzed through a modern-scientific lens. Rather than relying on a single methodology, this study is rooted in the premise that by applying a variety of contemporary theoretical tools to selected Old Testament passages, essential functions of music in biblical life can be illuminated. Such an endeavour requires tools from a number of fields, including but not limited to theology, sociology, anthropology, musicology, cognitive science and music therapy, as well as the classification of musical references into four primary functions: cohesive, therapeutic, emotive/spiritual and didactic. The result is a thesis that identifies reasons for—and not just the existence of—music in biblical life, and, most centrally, shows significant ways music informed Israel’s understanding of itself. / Thesis (PhD (Old Testament))--North-West University, Potchefstroom Campus, 2012.

The examination of the final chapters of the books of Samuel offered here proceeds initially from an unease about the frequent pejorative appraisal of them as an unsuitable, late addition that is out of place in its context. Taking a cue from the recent interest in initial and concluding texts in the context of literary and "Canonical" methods, the work attempts to describe this text complex, with its six chiastically arranged units, in terms of its literary function as a concluding text in relation to the rest of the preceding book. Following remarks of W. Brueggemann and J. Flanagan, the ring structure is further compared with other groups of texts in the Samuel corpus. The specific, overarching macrostructure which is thus perceived is structured not according to linear-chronological principles but according to patterns of parallelism and chiasmus. This observation of a concept of order that is distinct from modem western convention is understood, following Emma Brunner-Traut, as deriving from an "aspectival" perception of reality. By means of this kind of reading, many inner relationships open up, binding the closing chapters to the other parts of the book in such a way that it is shown to be a unified literary work. The two poetic texts are shown to stand in a complex relationship with the four other songs of the books of Samuel. The allusion to the prophet Gad belongs in a series of six encounters between David and prophets, arranged as a set of three pairs. The two lists of soldiers are interpreted by analogy with the double lists of the sons and ministers of David. The final contrast, in the closing chapter, between the two kings, Saul and David, and the polarity - expressed in the tension between centre and periphery - between rule of Yahweh and sin of the kings, both mirror and finally draw together the main themes of the book. These relationships suggest that the appraisal of the closing chapters as a late addition is in need of revision. It will be argued that they should be interpreted in close connection with the rest of the book.

This thesis is divided into three distinct yet related chapters. The first chapter deals with the question of the actual calendar which is used in Jubilees. The work criticizes scholarly opinions concerning the calendar which have gone relatively unchallenged since the Qumran discovery. The chapter concludes that while the calendar question is difficult and many calendars can be detected as functioning in the work, it is the 28-day month which is dominant and not months of 30, 30 and 31 days. In the second chapter which deals with the genealogy of the patriarchs, the attention of the reader is directed to the names of the wives of the patriarchs. The question which the thesis raises at this point is related to the function of these women in the narrative in relation to the etymology of their names. The conclusion reached is that the narrative and the etymology of the names are clearly related. For example, when the etymological meaning of a woman is favourable, the narrative at that point is positive and vice versa. Chapter Three deals with chronology which is in close proximity to both calendar and genealogy. The question the thesis asks is how the chronology of Jubilees relates to the chronologies of MT, LXX and SP and also raises the question as to which chronology that of Jubilees is dependant upon for its structure. It is determined that Jubilees and SP are most closely related. The structure itself of the chronology of Jubilees is examined and it is concluded that the design is more concerned with past history than future history. The implications of the thesis on the questions of date and authorship are considered. The conclusion is reached that the author is a member of an unnamed conservative-pietist sect who wrote at a time later than Antiochus IV.

The thesis which is argued has two basic elements. First, it is asserted that the methods of using scripture which Paul exhibits in the epistles are largely adaptations of methods found in a wide range of early Jewish sources. Second, it is argued that Paul's method of scriptural interpretation and argumentation is fundamental to the theological development of the discussion in Romans 9-11. In contrast to the types of investigations which focus on specific and in some cases isolated aspects of the use of scripture in the epistles in relation to Jewish literature, a comparative method is employed in this thesis in order to relate the structural, verbal, thematic, and interpretative characteristics of Paul's manner of using biblical quotations to a wide range of Palestinian Jewish sources. With regard to Romans 9-11, the objective is the examination of Paul's method of arriving at a theological statement. Thus, the theological concepts and ideas expressed in chapters 9-11 are viewed in light of the method which Paul has used to construct a response to a troublesome issue in the early church. It is argued that the discourse in these three chapters of Romans has its coherence in the method of scriptural argumentation which Paul has used. Furthermore, it is asserted that the theology reflected in chapters 9-11 is in part the product of scripture's verbal and thematic contribution to the discussion.