Global ETD Search

51	Scenes from imaginary operas Reed, Russell Mathew 09 August 2011 (has links) Not available / text Operas--Scores
52	The blue angel, an opera in English for soloists, mixed chorus, male chorus and orchestra, in one act and five scenes, [Libretto by Virginia Fittz] Garza, Edward Cameron, 1939- January 1973 (has links) No description available. Operas -- Scores.
53	THE PARDONER'S TALE: OPERA IN ONE ACT (ORIGINAL COMPOSITION) Davis, John Stuart, 1935- January 1967 (has links) No description available. Operas -- Scores.
54	THE BLUE ANGEL: AN OPERA IN ENGLISH FOR SOLOISTS, MIXED CHORUS, MALE CHORUS AND ORCHESTRA, IN ONE ACT AND FIVE SCENES Garza, Edward Cameron, 1939- January 1973 (has links) No description available. Operas -- Scores.
55	The message and Jehanne; a tabloid opera; play by Thornton Wilder; music by George Anson Anson, George January 1937 (has links) No description available. Operas -- Scores.
56	A study on the problems of Cantonese opera Wong, Jum-sum, James. January 1981 (has links) Thesis (M.Phil.)--University of Hong Kong, 1982. / Also available in print. Operas, Chinese
57	Soap opera sets as signifiers of characterization Antonopoulo, Shannin 15 August 2008 (has links) The aim of this study is to examine how objects and materials function in post-modern media culture as signifiers of socio-economic and cultural identities. The study suggests that objects and materials as signs only have the ability to signify socio-economic and cultural identities if they have gone through a process of ‘encoding’ to become recognizable conventions. My central argument proposes that the sets of Egoli are more successful than those of Isidingo, because Egoli’s set designer’s choice of furniture, objects and décor elements (which function as signs), are arranged in accordance with a particular style. These thus function successfully to communicate a particular socio-economic and cultural context for the characters in the storyline. I argue that in Isidingo, the organization and display of objects and materials into unconventional styles, undermines the function of the set as a signifier of socio-economic and cultural identities. In my practical work, I engage with design and décor conventions used in soap opera sets to communicate meaning. Objects and materials that are encoded and conventionally associated with femininity are used as signifiers of characterization in my work. / Leora Farber Soap operas
58	Nunc dimittis : an opera in one act Massey, Lance A January 2010 (has links) The text contains an analysis of the composition, libretto, set design, and photographs from the original production. / Digitized by Kansas Correctional Industries / Department: Music. Operas Scores. Operas-- Analysis, appreciation.
59	Modernist continuities of realist opera in the twentieth century : some thoughts about contemporary music drama / Hodge, Andrew M. Hodge, Andrew M. January 2003 (has links) Thesis (M.A.)--York University, 2003. Graduate Programme in Ethnomusicology. / Typescript. Includes portions of the libretto and score of the author's opera Hanging at dawn. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ99324 Operas Operas Opera. Realism in opera.
60	Reconstruction of Vivaldi's "Armida al campo d'Egitto" / Jones, Dana M., January 1900 (has links) Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2009. / Source: Dissertation Abstracts International, Volume: 70-06, Section: A, page: . Adviser: John Hill. Includes bibliographical references (leaves 99-100) Available on microfilm from Pro Quest Information and Learning.

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