Zugl.: Diss. / Titel auf der Beil.

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This thesis studies the diffusion of architectural types and the rise of regionally distinct typologies in the Willamette Valley's settlement period (1840-1865) in Oregon. Using Geographic Information Systems (GIS) to analyze the dispersion of architectural types within the Willamette Valley revealed trends amongst the extant settlement architecture samples. Brownsville, Oregon, was identified to have a locally-specific architectural subtype, the closer study of which enabled deeper investigation of the development of architectural landscapes during the Willamette Valley's settlement period. Field and archival research revealed that the appearance of an architectural subtype, at least in Brownsville, was not directly connected to a shared provenance of settlers but rather came about through a number of regionally-specific circumstances, especially an active local carpenter community.

According to current models, 19th century American quilts are presented as simple objects of cultural heritage or considered for their similarities to other forms of modern art. This thesis follows a three part approach in order to study these objects which are valuable sources of historical information in their full context. This approach includes the historical, social/aesthetic, and material contexts of the objects. The topic of the study is the quilts of the Bethel and Aurora colonies, 19th century Christian "utopian" sects in Missouri and Oregon. While societies such as the Bethel and Aurora colonies shunned many aspects of modernization, quilts appear to be an area of connection with the outside world. The quilts serve as material evidence for the tension between communal and secular worldviews in the colonies.

American emigrants frequently encountered Native North Americans during the overland trail migrations of the 1840s-1860s. This study examines the frequency and nature of those interactions in two geographic sections: the first half of the trail, from the Missouri River to the eastern slope of the South Pass of the Rocky Mountains, and the second half, from the western slope of South Pass to Oregon City, Oregon. While the predominant historiography of these migrations has focused on a binary of hostile or non-hostile interactions between Indians and emigrants, the focus on violence has obscured the larger issue of frequent and amicable interactions between emigrants and Indian peoples along the overland route. Factors such as trade, the availability of resources, and cultural differences influenced the nature of these inter-ethnic interactions, which varied from the beginning of the trail on the Plains to the end of the trail on the Columbia Plateau.

Master of Arts / Department of Geography / Kevin S. Blake / Monuments and memorials are how we record history on the landscape. History is created, preserved, and remembered by those who envision, design, and ultimately pay a visit to, these sites. The Oregon Trail is replete with interpretive sites relating to various events and people who lived along or traveled this route. From Independence, Missouri to Fort Laramie National Historic Site in Wyoming along the Great Plains section of the trail, Plains Indians are represented in thirty-two sites that convey various versions of history. The majority of these sites, twenty-seven, either ignore the Plains Indians or turn them into a stereotypical form of Sioux. These two representations give a sense that “No One is Home” or that “Siouxification” has occurred, a process by applying Sioux cultural traits to non-Sioux Plains Indians. The other five sites are categorized as “Getting It Right.” These sites either portray an accurate or close-to-accurate representation of the Indians and their role along the Oregon Trail. “No One is Home” is found all throughout the trail; “Siouxification” is clustered in the eastern study area; and “Getting It Right” primarily in the eastern portion.

It is the aim of this dissertation to discuss the creation of historiographic space in the works of Francis Parkman. More specifically, this dissertation intends to analyze Parkman’s The Oregon Trail and Montcalm and Wolfe as literary texts that examine geographies of cultural interaction and transnational empire building. Parkman’s historical narratives, this dissertation suggests, not only describe historically significant sites, such as the Oregon Trail and the Northern Frontier, but further create literary heterotopias. These textual counter geographies, as for instance his conceptualizations of the trading posts of the far West and the wilderness fortifications of the far North, allow Parkman to effectively interrogate American history. By investigating the fruitful juncture between history, geography, and literature this project aims to establish the importance of historical geographies for Francis Parkman’s methodology and define its function for the creation of a national consciousness. In addition to Parkman’s use of space, this dissertation further analyzes the historian’s depiction of historical characters and his subsequent attempts to define American identity. Thereby, my analysis specifically highlights the relationship between Parkman’s literary characters and their environment. In an attempt to trace the impact Parkman’s historical narratives exert on postmodern authors of American literature, the concluding chapters interrogate the re-negotiation of Parkman’s historiographic spaces in Thomas King’s Truth and Bright Water and William T. Vollmann’s Fathers and Crows.

Thesis (D. Min.)--Midwestern Baptist Theological Seminary, 2008. / Abstract. Description based on Microfiche version record. Includes bibliographical references (leaves 205-210).