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Music for Orchestra and Electronic TapeMcMath, William H. (William Houston) 08 1900 (has links)
"Music for Orchestra and Electronic Tape" is an attempt to combine the instruments of the symphony orchestra with electronic sounds which were pre-recorded on tape. The composition is divided into three sections, comprising a large ABA' form with an introduction and a coda. An electronic event occurs between each section.
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John the BaptistCowan, Charles Donald, 1935- 06 1900 (has links)
John the Baptist is a passion focusing on the sufferings of John in six movements for contralto, tenor, baritone, and bass soloists; chorus of mixed voices; boys' choir; and orchestra.
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Symphony #1Gower, Albert, 1935- 08 1900 (has links)
This symphony was composed for the purpose of communicating with a contemporary audience and not to please some unknown colleague or future generation. Therefore, experimentation with novel media or systems was rejected in favor of a more conventional approach.
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Intermedia PieceMathew, David Wylie, 1945- 08 1900 (has links)
This work, Intermedia Piece, is a statement of the idea that there are common musical drives present in musicians which cannot be completely suppressed by intellectual achievement or training. the drives presented are those of basic rhythm and direct reaction to rhythm by movement. Aural and visual elements are used to make the statement. All scored events are necessary for successful performance. It is therefore a true intermedia work.
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Movements for Trumpet, Percussion and String OrchestraLamb, Marvin, 1946- 08 1900 (has links)
This composition, a three-movement work requiring a performance time of approximately thirteen minutes, is scored for Bb trumpet, percussion and string orchestra. A two-piano arrangement of the string orchestra section of the score is included in the work.
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Simfonyah HakodeshGriffith, Bobby G. (Bobby Glenn) 08 1900 (has links)
This five movement cantata is scored for large SATB chorus, bass and soprano soloists, piano, organ, and percussion (2 players). The text, sung in Hebrew, comprises selections from the Psalms, Isaiah, and the Jewish daily prayer book. A transliteration into the Roman alphabet and an English translation (not for singing) are provided.
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...for the time is at hand : An Original Musical CompositionMontalto, Richard Michael 12 1900 (has links)
...for the time is at hand : An Original Musical Composition, for orchestra and tape, is a single movement work in five overlapping sections with a total duration of approximately twenty minutes. Using a stochastic composition program written in Hewlett-Packard BASIC, the final chord of Stravinsky's Le Sacre du Printemps serves as a "seed" to generate the "pitch density" (vertical pitch distribution), "timbre density"(vertical instrument distribution), and dynamics of the work.
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Symphony ConcertanteHolt, Gaston Darrell 08 1900 (has links)
Symphony Concertante is a three-movement work for a string orchestra and a soloist group of winds which includes flute, oboe, clarinet in B-flat, bassoon, horn in F, and trumpet in B-flat. The movements have the following tempo indications: (I) Allegro ma non troppo, (II) Lento, and (III) Allegro con fuoco.
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Symphony Number 1. : First MovementHaney, Gerald Ray 06 1900 (has links)
This thesis consists of the first movement and discussion of Symphony Number I, an original composition by Gerald Ray Haney.
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Nonet for Percussion and TapeCrowley, Timothy R. (Timothy Robert) 08 1900 (has links)
Nonet for Percussion and Tape is a twenty-two minute through-composed work for eight percussionists and tape. The instrumentation includes: marimba, xylophone, glass wind chimes, slit drum, woodblock, vibraphone, crotales, metal wind chimes, snare drum, bass drum, tom-toms, temple blocks, bass marimba, log drum, cowbells, medium suspended cymbal, gongs, timbales, bongos, tambourine, roto-toms, timpani, and pre-recorded computer-generated/computer-sampled sound.
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