The meaning of the architectural surface was thoroughly reconsidered by architects and historians in England and Europe between early and mid-nineteenth century. There were two major trends. The first one was historicist. Ornament and colour was considered important because it represented the origins of architecture. The second approach was rational and tectonic. It suggested that an honest surface had to be created by emphasizing the structure and by truthfully expressing materials. An unusual response to these debates was John Ruskin??s history of medieval and Renaissance architecture. This was published as The seven lamps of architecture (1849), and the three volume study, The stones of Venice (1851-1853). Ruskin??s writings were difficult to grasp. On the one hand, they were fragmented, historically inaccurate, and lacking in explanatory power. On the other hand, they emphasized surface ornament, without ever indicating its architectural ??use??. As a result, nineteenth and twentieth century historians and architects declared Ruskin??s writings as being irrelevant to architectural theory and practice. By examining Ruskin??s writings on architecture through the theoretical lens of dress, body, and gender, the thesis demonstrates that he proposed the theory of the adorned ??wall veil??.This was a two-part theory. Firstly, architecture was defined by the presence of planar walls. The masonry structure of these walls was masked and decorated by a seamless dress-like surface, consisting of relief and polychromatic ornaments. Secondly, Ruskin distinguished between the ideal and the corrupt dress. The ideal dress celebrated the spiritual aspects of the body (surface, skin, and colour). The corrupt dress represented the scientific image of the body (depth, bones and muscles, and form). The ideal dress was reflected by the surfaces of medieval buildings, and the corrupt dress was mirrored by the Renaissance architectural surface. Through these arguments, the thesis makes two major contributions. Firstly, it shows that Ruskin??s views were consistent with the architectural modernism of the twentieth century, in which the free fa??ade and the atectonic surface were key concerns. Secondly, it establishes that Gottfried Semper??s writings were not the sole origin of the debates on dress and architecture. It shows that Ruskin developed a critical theory of dress by synthesizing debates on gender, science, and spirituality. He used this theory to suggest a new approach towards architecture.

Univ., Diss. u.d.T.: Hahn, Stephanie: Ad decorum civitatis - Bauten und Bauaufgaben der Residenzstadt Fulda im 18. Jahrhundert--Zugl.: Marburg, 2004.

Thesis (M.S.)--California Polytechnic State University, 2008. / Major professor: Zoë Wood, Ph.D. "Presented to the faculty of California Polytechnic State University, San Luis Obispo." "In partial fulfillment of the requirements for the degree [of] Master of Science in Computer Science." Submitted June 11, 2008. Includes bibliographical references (leaves 77-79). Also available online. Also available on microfiche (1 sheet).

Thesis (M. Arch.)--Carleton University, 2001. / Includes bibliographical references (p. 194-197). Also available in electronic format on the Internet.

Thesis (M.A.)--Syracuse University, 2001. / "Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Illustration in the Graduate School of Syracuse University." Includes bibliographical references.

Thesis (Master)--İzmir Institute of Technology, İzmir, 2005. / Keywords: Linseed, Wall painting, oil painting, taxiarhis church. Includes bibliographical references (leaves.73-77).

Univ., Diss.--Berlin, 1976. / Früh. Aufl. u.d.T.: Eggeling, Tilo: Studien zum friderizianischen Rokoko. Literaturverz. S. 230 - 238.

Thesis (Ph. D.)--Princeton University, 1997. / Typescript. Abstract. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 382-385).

Thesis (Ph. D.)--Princeton University, 1997. / Typescript. Abstract. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 382-385).

Akademisk afhandling -- Uppsala. / On cover: Särtryck ur Norrländskt handbibliotek VIII. "Litteratur": p. [8].